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“Yes, that one. Well, his most beloved favorite was a man named George Villiers. ‘The handsomest-bodied man in all of England,’ they called him. James was completely besotted. Everyone knew. This French poet, de Viau, wrote a poem about it.” He clears his throat and starts to recite: “‘One man fucks Monsieur le Grand, another fucks the Comte de Tonnerre, and it is well known that the King of England, fucks the Duke of Buckingham.’” Alex must be staring, because he adds, “Well, it rhymes in French. Anyway. Did you know the reason the King James translation of the Bible exists is because the Church of England was so displeased with James for flaunting his relationship with Villiers that he had the translation commissioned to appease them?”
“You’re kidding.”
“He stood in front of the Privy Council and said, ‘Christ had John, and I have George.’”
“Jesus.”
“Precisely.” Henry’s still looking up at the statue, but Alex can’t stop looking at him and the sly smile on his face, lost in his own thoughts. “And James’s son, Charles I, is the reason we have dear Samson. It’s the only Giambologna that ever left Florence. He was a gift to Charles from the King of Spain, andCharles gave it, this massive, absolutely priceless masterpiece of a sculpture, to Villiers. And a few centuries later, here he is. One of the most beautiful pieces we own, and we didn’t even steal it. We only needed Villiers and his trolloping ways with the queer monarchs. To me, if there were a registry of national gay landmarks in Britain, Samson would be on it.”
Henry’s beaming like a proud parent, like Samson is his, and Alex is hit with a wave of pride in kind.
He takes his phone out and lines up a shot, Henry standing there all soft and rumpled and smiling next to one of the most exquisite works of art in the world.
“What are you doing?”
“I’m taking a picture of a national gay landmark,” Alex tells him. “And also a statue.”
Henry laughs indulgently, and Alex closes the space between them, takes Henry’s baseball cap off and stands on his toes to kiss the ridge of his brow.
“It’s funny,” Henry says. “I always thought of the whole thing as the most unforgivable thing about me, but you act like it’s one of the best.”
“Oh, yeah,” Alex says. “The top list of reasons to love you goes brain, then dick, then imminent status as a revolutionary gay icon.”
“You are quite literally Queen Victoria’s worst nightmare.”
“And that’s whyyouloveme.”
“My God, you’re right. All this time, I was just after the bloke who’d most infuriate my homophobic forebears.”
“Ah, and we can’t forget they were also racist.”
“Certainly not.” Henry nods seriously. “Next time we shall visit some of the George III pieces and see if they burst into flame.”
Through the marble choir screen at the back of the room is a second, deeper chamber, this one filled with church relics. Past stained glass and statues of saints, at the very end of the room, is an entire high altar chapel removed from its church. The sign explains its original setting was the apse of the convent church of Santa Chiara in Florence in the fifteenth century, and it’s stunning, set deep into an alcove to create a real chapel, with statues of Santa Chiara and Saint Francis of Assisi.
“When I was younger,” Henry says, “I had this very elaborate idea of taking somebody I loved here and standing inside the chapel, that he’d love it as much as I did, and we’d slow dance right in front of the Blessed Mother. Just a… daft pubescent fantasy.”
Henry hesitates, before finally sliding his phone out of his pocket. He presses a few buttons and extends a hand to Alex, and, quietly, “Your Song” starts to play from the tiny speaker.
Alex exhales a laugh. “Aren’t you gonna ask if I know how to waltz?”
“No waltzing,” Henry says. “Never cared for it.”
Alex takes his hand, and Henry turns to face the chapel like a nervous postulant, his cheeks hollowed out in the low light, before pulling Alex into it.
When they kiss, Alex can hear a half-remembered old proverb from catechism, mixed up between translations of the book: “Come, hijo mío, de la miel, porque es buena, and the honeycomb, sweet to thy taste.” He wonders what Santa Chiara would think of them, a lost David and Jonathan, turning slowly on the spot.
He brings Henry’s hand to his mouth and kisses the little knob of his knuckle, the skin over the blue vein there, bloodlines, pulses, the old blood kept in perpetuity within these walls, and he thinks,Father, Son, and Holy Spirit, amen.
Henry charters a private plane to get him back home, and Alex is dreading the dressing-down he’s going to get the minute he’s stateside, but he’s trying not to think about it. At the airstrip, the wind whipping his hair across his forehead, Henry fishes inside his jacket for something.
“Listen,” he says, pulling a curled fist out of his pocket. He takes one of Alex’s hands and turns it to press something small and heavy into his palm. “I want you to know, I’m sure. A thousand percent.”
He removes his hand and there, sitting in the center of Alex’s callused palm, is the signet ring.
“What?” Alex’s eyes flash up to search Henry’s face and find him smiling softly. “I can’t—”
“Keep it,” Henry tells him. “I’m sick of wearing it.”
