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The worst part is that there’s no end in sight. They’ll definitely have to keep it up at least until the election is over, and even then, there’s the always looming possibility of the queen outright forbidding it. His idealistic streak won’t let him fully accept it, but that doesn’t mean it isn’t there.

He keeps waking up in DC, and Henry keeps waking up in London, and the whole world keeps waking up to talk about the two of them in love with other people. Pictures of Nora’s hand in his. Speculation about whether June will get an official announcement of royal courtship. And the two of them, Henry and Alex, like the world’s worst illustration of theSymposium: split down the middle and sent bleeding into separate lives.

Even that thought depresses him because Henry’s the onlyreason he’s become a person who cites Plato. Henry and his classics. Henry in his palace, in love, in misery, not talking much anymore.

Even with both of them trying as hard as they are, it’s impossible to feel like it’s not pulling them apart. The whole charade takes and takes from them, takes days that were sacred—the night in LA, the weekend at the lake, the missed chance in Rio—and records over the tape with something more palatable. The narrative: two fresh-faced young men who love two beautiful young women and definitely not ever each other.

He doesn’t want Henry to know. Henry has a hard enough time as it is, looked at sideways by his whole family, Philip who knows and has not been kind. He tries to sound calm and whole over the phone when they talk, but he doesn’t think it’s convincing.

When he was younger and the anxiety got this bad, when the stakes in his life were much, much lower, this would be the point of self-destruction. If he were in California, he’d sneak the jeep out and drive way too fast down the 101, doors off, blasting N.W.A., inches from being painted on the pavement. In Texas, he’d steal a bottle of Maker’s from the liquor cabinet and get wasted with half the lacrosse team and maybe, afterward, climb through Liam’s window and hope to forget by morning.

The first debate is in a matter of weeks. He doesn’t even have work to keep him busy, so he stews and stresses and goes for long, punishing runs until he has the satisfaction of blisters. He wants to set himself on fire, but he can’t afford for anyone to see him burn.

He’s returning a box of borrowed files to his dad’s office in the Dirksen Building after hours when he hears the faintsound of Muddy Waters from the floor above, and it hits him. There’s one person he can burn down instead.

He finds Rafael Luna hunched at his office’s open window, sucking down a cigarette. There are two empty, crumpled packs of Marlboros next to a lighter and an overflowing ashtray on the sill. When he turns around at the slam of the door, he coughs out a startled cloud of smoke.

“Those things are gonna fucking kill you,” Alex says. He said the same thing about five hundred times that summer in Denver, but now he means,I kinda wish they would.

“Kid—”

“Don’tcall me that.”

Luna turns, stubbing out his cigarette in the ashtray, and Alex can see a muscle clenching in his jaw. As handsome as he always is, he looks like shit. “You shouldn’t be here.”

“No shit,” Alex says. “I just wanted to see if you would have the balls to actually talk to me.”

“You do realize you’re talking to a United States senator,” he says placidly.

“Yeah, big fucking man,” Alex says. He’s advancing on Luna now, kicking a chair out of the way. “Important fucking job. Hey, how ’bout you tell me how you’re serving the people who voted for you by being Jeffrey Richards’s chickenshit little sellout?”

“What the hell did you come here for, Alex, eh?” Luna asks him, unmoved. “You gonna fight me?”

“I want you to tell mewhy.”

His jaw clenches again. “You wouldn’t understand. You’re—”

“I swear to God, if you say I’m too young, I’m gonna lose my shit.”

“This isn’t you losing your shit?” Luna asks mildly, and thelook that crosses Alex’s face must be murderous because he immediately puts a hand up. “Okay, bad timing. Look, I know. I know it seems shitty, but there’s—there are moving parts at work here that you can’t even imagine. You know I’ll always be indebted to your family for what you all have done for me, but—”

“I don’t give a shit about what youoweus. Itrustedyou,” he says. “Don’t condescend to me. You know as much as anyone what I’m capable of, what I’ve seen. If you told me, I would get it.”

He’s so close he’s practically breathing Luna’s reeking cigarette smoke, and when he looks into his face, there’s a flicker of recognition at the bloodshot, blackened eyes and the gaunt cheekbones. It reminds him of how Henry looked in the back of the Secret Service car.

“Does Richards have something on you?” he asks. “Is he making you do this?”

Luna hesitates. “I’m doing this because it’s what needs to be done, Alex. It was my choice. Nobody else’s.”

“Then tell me why.”

Luna takes a deep breath and says, “No.”

Alex imagines his fist in Luna’s face and removes himself by two steps, out of range.

“You remember that night in Denver,” he says, measured, his voice quavering, “when we ordered pizza and you showed me pictures of all the kids you fought for in court? And we drank that nice bottle of scotch from the mayor of Boulder? I remember lying on the floor of your office, on the ugly-ass carpet, drunk off my ass, thinking, ‘God, I hope I can be like him.’ Because you were brave. Because you stood up for things. And I couldn’t stop wondering how you had the nerve to getup and do what you do every day with everyone knowing what they know about you.”

Briefly, Alex thinks he’s gotten through to Luna, from the way he closes his eyes and braces himself against the sill. But when he faces Alex again, his stare is hard.

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