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“Tell me, then, what was all that trouble for?” I bite the words off.

“I’m sorry, Gemma.” She tries to touch me but I shrink away. “If I leave now, I can remember that day as it was. I can always believe that I could have done it. But if I take that chance—if I go to them as myself and fail…I couldn’t bear it.”

Felicity bursts through the door and blocks it. “Don’t you worry, Ann. I won’t let them take you.”

Ann pulls on her gloves and grabs the handle of her case. “Step aside, please.”

Fee opens her mouth in protest. “But—”

“Let her go, Fee.” I want to kick Ann—for not trying. For giving up on herself and on us.

Ann’s face falls into a well-trained mask that betrays no emotion. She might use that talent to thrill audiences from the world’s stages. Instead, she will use it to ease into the lives of her cousins so seamlessly that it will be as if she has never existed at all. And I see now that she might have made a good magician as well as an actress, for she knows how to make herself disappear.

Suitcase in hand, Ann marches down the stairs for the last time. Her shoulders are straight and her back is stiff but her eyes are blank. She’s even begun to walk like a governess. Down the hall, I can hear the phonograph playing, McCleethy putting the girls through their careful paces.

Mrs. Wharton waits at the bottom of the stairs with Mrs. Nightwing and Brigid. Mrs. Wharton wears a confection of a dress—beaded and feathered and overwrought. “Ah, here’s our Annie now. I was just telling Mrs. Nightwing how fond I know you’ll become of our house in the country. Mr. Wharton and I have named it Balmoral Spring, as Balmoral is so dear to Her Majesty.”

“What a ridiculous name for a country house,” Felicity mutters. “Have they never spent a spring at Balmoral? It makes one long for English winters.”

Mrs. Wharton chatters on about the nuisance of maintaining a country estate in the proper style and how her days are made a ruin by constantly keeping after the servants. Brigid gives Ann a handkerchief though she’s the one who could use one.

“No shame in service,” she says, cupping Ann’s chin tenderly. “You remember your old Brigid.”

“Goodbye, Ann,” Felicity says. “It won’t be the same without you.”

Ann turns to me. I know she’s waiting for some hint of kindness—a kiss, an embrace, even a smile. But I can’t muster any of it.

“You’ll make a fine governess.” My words are like a slap.

“I know,” she answers, a slap of her own.

The girls crowd the foyer. They sniffle and make a fuss as they never did while Ann was here and it might have mattered. I can’t bear it, so I slink off to the great hall and peek out from behind the drapes as Ann and her sudden admirers step outside.

A footman secures Ann’s case and, after tending to Mrs. Wharton, he helps Ann into the carriage. She pokes her head out the window, holding fast to her one good hat. I could rush after her, give her a kiss on the cheek, send her off with a fond farewell. I could. It would mean the world to her. But I can’t make my feet move. Just say a proper goodbye, Gemma. That’s all.

The reins are snapped. The horses kick up dust. The carriage jolts as it makes the turn around the drive and toward the road. It grows smaller and smaller till it’s nothing more than a dark speck moving away.

“Goodbye,” I whisper at last, when it no longer matters and there is no one to hear it but the window.

CHAPTER THIRTY-SIX

ABSENCE IS A CURIOUS THING. WHEN FRIENDS ARE ABSENT, they seem to loom ever larger, till the lack of them is all one can feel. Now that Ann has left, the room is too big. Try as I might, I cannot fill the space that remains. I find I miss the snoring that pestered me so; I miss her gloomy character and silly, romantic notions and macabre fascinations. A half dozen times during the day, I think of some small observation I should like to share with her—an aside about Cecily or a complaint about the porridge that might make them both more bearable—only to realize that she isn’t here to enjoy it. There’s a moment of profound sadness that can be dispelled only by summoning my anger.

She chose to leave, I remind myself as I put the needle to my embroidery, sing hymns, and practice my curtsy for the Queen. But if the fault is hers, why do I take it to heart? Why does her failure also feel like my own?

I am glad when Miss McCleethy, acting as games mistress, calls us outdoors to play at sports. Several girls amuse themselves with lawn tennis. Some intrepid souls take up fencing, with Felicity leading the charge, a fierce gleam in her eye. A small group campaigns for cricket, “just like the boys’ schools!”, but as we have no bats or balls, it’s a moot point, and grumbling, they are forced to settle for croquet.

I am for hockey. Running about the lawn, stick at the ready, cradling the ball down the field, passing it successfully to a teammate, shouting without restriction, all the while with the wind in my face and the sun on my back, is most invigorating. I should like a bit of hockey to clear my mind and sharpen my senses, to make me forget my loss. I find I should like to hit something with a stick.

Miss McCleethy calls to us from the lawn without restraint. “That will never do! Your chum needs an assist, Miss Temple—look sharp! You must work together, ladies, toward a common goal! Remember: Grace, strength, beauty!”

She may speak to the others, for I’ve done with assisting. I tried helping Ann, to no avail. When the ball is in play again, Cecily and I race for it at the same time. My blasted skirt tangles in my legs a bit—oh, what I wouldn’t do for the freedom of trousers just now—and Cecily gains the advantage. She may be closer but I don’t yield. I want it. More importantly, I don’t want her to have it, else she’ll be smug for a week.

“I’m for it!” I call.

“No, no—I have it!” she shouts.

Our sticks lock, and she gives mine a smack with hers. One of our opponents, a thick girl with ginger hair, seizes the moment. She reaches between us and steals the ball, setting up a most brilliant play.

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