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I shake my head. “Some people were causing trouble. Bartie and Luthor and some of the Feeders. ”
“Doc says it’s getting pretty bad,” Kit replies. My face must have shown my worry, because she very quickly adds, “But some Shippers are with Elder, and I’m sure everything will be fine. ”
She rushes over to help when a nurse calls to her, leaving me with my worried thoughts. I start to head to the elevator—I could go to my room, but I remember Orion’s words from the last video: “Go home. You’ll find the answers there. Go home. ” And while I don’t know for sure what he means, I do know one thing: that little square bedroom in the Ward may be where I sleep every night, but it is not my home.
Instead, I head back to the Recorder Hall. Maybe Elder’s right and the clue is hidden in an atlas, but I don’t think Orion would have done something that simple. Still, now’s probably one of the safest times to go, especially since Luthor is busy in the City.
As I mount the stairs to the Recorder Hall, I notice that the little cubbyhole where Elder’s painting once hung is empty. I glance behind me. From here, it’s impossible to see what’s going on in the City, but I don’t like the way Kit assured me that everyone was fine. When people say that, they usually mean that nothing is.
There are fewer people than normal in the Recorder Hall, and most of them aren’t watching the wall floppies or heading to the book rooms. Instead, they’re gathered in clusters, talking in low, anxious tones. Several look up at me as I enter, and I realize that I’m not wearing my head scarf or my hood. I move to cover my hair, but it’s too late. One of the men near the door approaches.
“Were you in the City?” he asks.
I nod. He looks more curious than threatening, but my leg muscles still tense, ready to run if I need to.
“Is it true what they’re saying? That there’s a riot?”
“I wouldn’t call it that,” I say. “Look, it was just a handful of people causing trouble. ”
A woman ducks her head down, listening to her wi-com. Their information is much more current than mine. They can com anyone in the City and get info, but I’ve only got Elder. My finger hovers over my wrist wi-com . . . but then I remember Bartie and Luthor riling up the crowd, bringing me in as evidence of Elder’s ineptitude. He’d be better off without me bugging him now, that’s for sure.
The others don’t look convinced at my dismissal of the City’s problems, but I pull my hood up anyway and go to the book rooms in the back of the Hall. It takes me a while to find what I’m looking for, but eventually I discover one oversized book with a map of the world on the cover. I realize, as I pull the book off the shelf, that there really would not be much need for an atlas of Earth here on this ship or when we land on the new planet. This is just for records, I suppose, nothing else.
There’s a whole section in the atlas on America. I flip first to Florida—that’s where I spent most of my childhood. I run my hands over the pages, but I can already tell there’s nothing unusual there, not a floppy, not a mem card, not a handwritten note. I flip next to Colorado. That was the last place I called home. Cold winters. Clear skies. Eternal starry nights.
But empty pages—there’s nothing here either.
I wonder if there’s anything else with echoes of Earth on this ship—a globe maybe—I remember seeing one on the Keeper Level. But this was a clue Orion left for me, and I don’t think he’d hide something on Elder’s level for me to find.
I wander back out of the book room. I don’t notice the silence until I reach the main entryway. The entire Recorder Hall is, weirdly, empty. The few people who were here earlier are gone, leaving the entrance hall to me. I slip out of my jacket, and the cool air makes my arms prickle. It feels almost dangerous to be here, alone, without even the jacket to protect me—but freeing, too.
I gaze at the wall floppies, wondering idly if I should bother trying to look at maps on them, and then my gaze drifts up. Hanging from the ceiling are two giant clay models of planets. A small model of the spaceship Godspeed flies between them on a wire.
The planet Earth is smaller than the model of Centauri-Earth and so detailed that I can pick out the long arm of Florida, the bumpy ridges of the Rocky Mountains. I jump up to reach it, but my fingers can’t even brush against the South Pole. I briefly contemplate finding a ladder, cutting the Earth down, and smashing it open like a piñata, but I doubt any of Orion’s secrets will spill out like candy. The model was there when the ship launched; how could Orion have slipped something inside it?
I glance at the model of Godspeed. That one actually looks like it could come down—it would be simple enough to lift the model off the hook it hangs from, and I could probably reach it if I stood on a chair. But . . . Godspeed is definitely not my home. Home may not be Florida and it may not be Colorado, but I know it’s not Godspeed.
I hear a soft beep, beep-beep. Then again: beep, beep-beep.
My wi-com! I raise my wrist to my ear and press the button on the side.
“Com-link req: Elder,” the wi-com says.
“Accept!” I say eagerly.
“Amy?” Elder’s voice sounds frazzled.
“Yeah. What’s wrong? What’s happening in the City?”
Elder ignores my questions. “Where are you now?”
I look around me at the empty hall. “The Recorder Hall. I thought it would be a good idea to look into Orion’s next—”
Elder cuts me off mid-sentence. “Can you get somewhere safer? Go to your room, okay?”
“What’s going on?”
“I just want to make sure you’re safe. Lock your door. ” Elder had my door fitted with a biometric scanner lock the first week I was on the ship, making it one of the few truly private rooms on board.
