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“I apologize for alarming you,” Peter Van Houten said over the rapping. He was still wearing the funeral suit, almost a week later. He smelled like he was sweating alcohol. “You’re welcome to keep the CD,” he said. “It’s Snook, one of the major Swedish—”

“Ah ah ah ah GET OUT OF MY CAR.” I turned off the stereo.

“It’s your mother’s car, as I understand it,” he said. “Also, it wasn’t locked.”

“Oh, my God! Get out of the car or I’ll call nine-one-one. Dude, what is your problem?”

“If only there were just one,” he mused. “I am here simply to apologize. You were correct in noting earlier that I am a pathetic little man, dependent upon alcohol. I had one acquaintance who only spent time with me because I paid her to do so—worse, still, she has since quit, leaving me the rare soul who cannot acquire companionship even through bribery. It is all true, Hazel. All that and more.”

“Okay,” I said. It would have been a more moving speech had he not slurred his words.

“You remind me of Anna.”

“I remind a lot of people of a lot of people,” I answered. “I really have to go.”

“So drive,” he said.

“Get out.”

“No. You remind me of Anna,” he said again. After a second, I put the car in reverse and backed out. I couldn’t make him leave, and I didn’t have to. I’d drive to Gus’s house, and Gus’s parents would make him leave.

“You are, of course, familiar,” Van Houten said, “with Antonietta Meo.”

“Yeah, no,” I said. I turned on the stereo, and the Swedish hip-hop blared, but Van Houten yelled over it.

“She may soon be the youngest nonmartyr saint ever beatified by the Catholic Church. She had the same cancer that Mr. Waters had, osteosarcoma. They removed her right leg. The pain was excruciating. As Antonietta Meo lay dying at the ripened age of six from this agonizing cancer, she told her father, ‘Pain is like fabric: The stronger it is, the more it’s worth.’ Is that true, Hazel?”

I wasn’t looking at him directly but at his reflection in the mirror. “No,” I shouted over the music. “That’s bullshit.”

“But don’t you wish it were true!” he cried back. I cut the music. “I’m sorry I ruined your trip. You were too young. You were—” He broke down. As if he had a right to cry over Gus. Van Houten was just another of the endless mourners who did not know him, another too-late lamentation on his wall.

“You didn’t ruin our trip, you self-important bastard. We had an awesome trip.”

“I am trying,” he said. “I am trying, I swear.” It was around then that I realized Peter Van Houten had a dead person in his family. I considered the honesty with which he had written about cancer kids; the fact that he couldn’t speak to me in Amsterdam except to ask if I’d dressed like her on purpose; his shittiness around me and Augustus; his aching question about the relationship between pain’s extremity and its value. He sat back there drinking, an old man who’d been drunk for years. I thought of a statistic I wish I didn’t know: Half of marriages end in the year after a child’s death. I looked back at Van Houten. I was driving down College and I pulled over behind a line of parked cars and asked, “You had a kid who died?”

“My daughter,” he said. “She was eight. Suffered beautifully. Will never be beatified.”

“She had leukemia?” I asked. He nodded. “Like Anna,” I said.

“Very much like her, yes.”

“You were married?”

“No. Well, not at the time of her death. I was insufferable long before we lost her. Grief does not change you, Hazel. It reveals you.”

“Did you live with her?”

“No, not primarily, although at the end, we brought her to New York, where I was living, for a series of experimental tortures that increased the misery of her days without increasing the number of them.”

After a second, I said, “So it’s like you gave her this second life where she got to be a teenager.”

“I suppose that would be a fair assessment,” he said, and then quickly added, “I assume you are familiar with Philippa Foot’s Trolley Problem thought experiment?”

“And then I show up at your house and I’m dressed like the girl you hoped she would live to become and you’re, like, all taken aback by it.”

“There’s a trolley running out of control down a track,” he said.

“I don’t care about your stupid thought experiment,” I said.

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