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I mention this because the tendency to blur the boundaries of fact and fiction has become widespread in modern society. Fiction is now seamlessly inserted in everything from scholarly histories to television news. Of course, television is understood to be venal, its transgressions shrugged off by most of us. But the attitude of "post-modern" scholars represents a more fundamental challenge. Some in academic life now argue seriously there is no difference between fact and fiction, that all ways of reading text are arbitrary and personal, and that therefore pure invention is as valid as hard research. At best, this attitude evades traditional scholarly discipline; at worst, it is nasty and dangerous. But such academic views were not prevalent twenty years ago, when I sat down to write this novel in the guise of a scholarly monograph, and academic fashions may change again - particularly if scholars find themselves chasing down imaginary footnotes, as I have done.
Under the circumstances, I should perhaps say explicitly that the references in this afterword are genuine. The rest of the novel, including its introduction, text, footnotes, and bibliography, should properly be viewed as fiction.
When Eaters of the Dead was first published, this playful version of Beowulf received a rather irritable reception from reviewers, as if I had desecrated a monument. But Beowulf scholars all seem to enjoy it, and many have written to say so.
M.C.
DECEMBER 1992
