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“That’s insane.”
“No, it’s not. They have your prescriptions. That’s solid evidence, in their view. Do you know how much money this involves? OxyContin is worth a fortune. It’s becoming an epidemic problem. And you, Dr. Baye, would make for a wonderful example. You, Dr. Baye, would be the poster boy for being very careful with how you dispense your prescriptions. I might get you off, sure. I probably will. But at what cost?”
“So what do you advise?”
“While I abhor cooperating, I think that may end up being our best bet. But that’s premature. Right now we need to find Adam. We sit him down and find out exactly what happened here. Then we make the informed decision.”
LOREN Muse handed the photograph to Neil Cordova.
“That’s Reba,” he said.
“Yes, I know,” Muse said. “This is a picture from a security camera at the Target where she shopped yesterday.”
He looked up. “So how does this help us?”
“Do you see this woman over here?”
Muse pointed with her index finger.
“Yes.”
“Do you know her?”
“No, I don’t think so. Do you have a different angle?”
Muse handed him the second photograph. Neil Cordova concentrated on the image, wishing that he’d find something tangible to help out here. But he just shook his head. “Who is she?”
“There was a witness who saw your wife get in a van and saw another woman drive off in Reba’s Acura. We had that witness watch the surveillance tapes. He says that’s the woman.”
He looked again. “I don’t know her.”
“Okay, Mr. Cordova, thank you. I’ll be right back.”
“Can I keep the picture? In case something comes to me?”
“Sure.”
He stared, still stunned from identifying the body. Muse stepped out. She headed down the hallway. The receptionist waved her by. She knocked on Paul Copeland’s door. He shouted for her to come in.
Cope sat at a table with a video monitor on it. The county office doesn’t use one-way mirrors in the interrogation rooms. They use a TV camera. Cope had been watching. His eyes were still on the screen, watching Neil Cordova.
“Something else just came in,” Cope said to her.
“Oh?”
“Marianne Gillespie was staying at the Travelodge in Livingston. She was supposed to check out this morning. We also have a hotel staff member who saw Marianne take a man back to her room.”
“When?”
“He wasn’t sure, but he thought it was four, five days ago, around the time she first checked in.”
Muse nodded. “This is huge.”
Cope kept his eyes on the monitor. “Maybe we should hold a news conference. Blow up the image of that woman in the surveillance photo. See if anyone can identify her.”
“Maybe. I hate to open it up to the public if we don’t have to.”
Cope kept studying the husband on the TV monitor. Muse wondered what he was thinking. Cope had known so much damn tragedy, including the death of his first wife. Muse glanced about the office. There were five new iPods, still in the boxes, sitting on the table. “What’s this?” she asked.
“iPods.”
“I know that. I mean, what are they for?”
Cope’s gaze never left Cordova’s. “I’m almost hoping he did it.” “Cordova? He didn’t.”
“I know. You can almost feel the hurt coming off him.”
Silence.
“The iPods are for the bridesmaids,” Cope said.
“Sweet.”
“Maybe I should talk to him.”
“Cordova?”
Cope nodded.
“That might help,” she said.
“Lucy loves sad songs,” he said. “You know that, right?”
Though a bridesmaid, Muse hadn’t known Lucy all that long or, in many ways, all that well. She nodded anyway, but Cope was still staring at the monitor.
“Every month I make her a new CD. It’s corny, I know. But she loves it. So every month I scour for the absolute saddest songs I can find. Total heartbreakers. Like this month—I have ‘Congratulations’ by Blue October, and ‘Seed’ by Angie Aparo.”
“I never heard of either of those.”
He smiled. “Oh, you will. That’s the gift. You’re getting all those playlists preloaded into the iPod.”
“Great idea,” she said. Muse felt the stab. Cope made CDs for the woman he loved. How lucky was she?
“I used to wonder why Lucy liked those songs so much. You know what I mean? She sits in the dark and listens and cries. Music does that to her. I didn’t get it. And like last month? I had this song from Missy Higgins. Do you know her?”
“No.”
“She’s great. Her music is a total killer. This one song she talks about an ex-love and how she can’t stand the thought of another hand upon him, even though she knows she should.”
“Sad.”
“Exactly. And Lucy is happy now, right? I mean, we are so good. We finally found each other, and we’re getting married. So why does she still listen to the heartbreakers?”
“You’re asking me?”
“No, Muse, I’m explaining something to you. I didn’t understand for a long time. But I do now. The sad songs are a safe hurt. It’s a diversion. It’s controlled. And maybe it helps you imagine that real pain will be like that. But it’s not. Lucy knows that, of course. You can’t prepare for real pain. You just have to let it rip you apart.”
His phone buzzed. Cope finally pulled away his gaze and answered the phone. “Copeland,” he said. Then he looked up at Muse. “They found Marianne Gillespie’s next of kin. You better go.”
30
AS soon as the two girls were alone in the bedroom, Yasmin started crying.
“What’s wrong?” Jill asked.
Yasmin pointed at her computer and sat. “People are so horrible.”
“What happened?’
“I’ll show you. It’s so mean.”
Jill pulled the chair and sat next to her friend. She bit down on a fingernail.
“Yasmin?”
“What?”
“I’m worried about my brother. And something happened to my dad too. That’s why Mom dropped me back off here.”
“Did you ask your mom about it?”
“She won’t tell me.”
Yasmin wiped her tears, still typing. “They always want to protect us, don’t they?”
