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Guardian: ‘Brilliant.’
The New York Times: ‘No one on either side of the Atlantic does it better.’
7. A Pocket Full of Rye (1953)
Rex Fortescue, king of a financial empire, was sipping tea in his ‘counting house’ when he suffered an agonising and sudden death. The only clue to his murder: ‘loose grain’ found in his pocket. The murder seems without rhyme or reason—until shrewd Jane Marple recalls that delightful nursery rhyme, ‘Sing a Song of Sixpence.’ A playful hint indeed for a murder that is anything but child’s play.
Times Literary Supplement: ‘Ingenious.’
The New York Times: ‘The best of the novels starring Miss Marple.’
8. 4.50 from Paddington (1957)
For an instant the two trains ran side by side. In that frozen moment, Elspeth McGillicuddy stared helplessly out of her carriage window as a man tightened his grip around a woman’s throat. The body crumpled. Then the other train drew away. But who, apart from Mrs McGillicuddy’s friend Jane Marple, would take her story seriously? After all, there are no other witnesses, no suspects, and no case—for there is no corpse, and no one is missing. Miss Marple asks her highly efficient and intelligent young friend Lucy Eyelesbarrow to infiltrate the Crackenthorpe family, who seem to be at the heart of the mystery, and help unmask a murderer.
Of note: The introduction of Lucy Eyelesbarrow as a side-kick to Miss Marple was lauded by the critics, but her work with the older detective was limited to this novel.
9. The Mirror Crack’d from Side to Side (1962)
The quaint village of St. Mary Mead has been glamourized by the presence of screen queen Marina Gregg, who has taken up residence in preparation for her comeback. But when a local fan is poisoned, Marina finds herself starring in a real-life mystery—supported with scene-stealing aplomb by Jane Marple, who suspects that the lethal cocktail was intended for someone else. But who? If it was meant for Marina, then why? And before the final fade-out, who else from St. Mary Mead’s cast of seemingly innocent characters is going to be eliminated?
Times Literary Supplement: ‘The pieces…drop into place with a satisfying click. Agatha Christie deserves her fame.’
10. A Caribbean Mystery (1964)
As Jane Marple sat basking in the tropical sunshine she felt mildly discontented with life. True, the warmth eased her rheumatism, but here in paradise nothing ever happened. Then a question was put to her by a stranger: ‘Would you like to see a picture of a murderer?’ Before she has a chance to answer, the man vanishes, only to be found dead the next day. The mysteries abound: Where is the picture? Why is the hotelier prone to nightmares? Why doesn’t the most talked-about guest, a reclusive millionaire, ever leave his room? And why is Miss Marple herself fearful for her life?
Of note: A Caribbean Mystery introduces the wealthy (and difficult) Mr Jason Rafiel, who will call upon Miss Marple for help in Nemesis (1971)—after his death.
Observer: ‘Liveliness…infectious zest…as good as anything Mrs Christie has done.’
The New York Times: ‘Throws off the false clues and misleading events as only a master of the art can do.’
11. At Bertram’s Hotel (1965)
When Jane Marple comes up from the country for a holiday in London, she finds what she’s looking for at Bertram’s: a restored London hotel with traditional decor, impeccable service—and an unmistakable atmosphere of danger behind the highly polished veneer. Yet not even Miss Marple can foresee the violent chain of events set in motion when an eccentric guest makes his way to the airport on the wrong day…
Of note: Bertram’s was inspired by Brown’s Hotel in London, where the author was a frequent visitor.
Saturday Review of Literature: ‘One of the author’s very best productions, with splendid pace, bright lines.’
The New York Times: ‘A joy to read from beginning to end, especially in its acute sensitivity to the contrasts between this era and that of Miss Marple’s youth.’
The New Yorker: ‘Mrs Christie’s pearly talent for dealing with all the words and pomps that go with murder English-style shimmers steadily in this tale of the noisy woe that shatters the extremely expensive peace of Bertram’s famously old-fashioned hotel.’
12. Nemesis (1971)
Even the unflappable Miss Marple is astounded as she reads the letter addressed to her on instructions from the recently deceased tycoon Mr Jason Rafiel, whom she had met on holiday in the West Indies (A Caribbean Mystery). Recognising in her a natural flair for justice and a genius for crime-solving, Mr Rafiel has bequeathed to Miss Marple a £20,000 legacy—and a legacy of an entirely different sort. For he has asked Miss Marple to investigate…his own murder. The only problem is, Mr Rafiel has failed to name a suspect or suspects. And, whoever they are, they will certainly be determined to thwart Miss Marple’s inquiries—no matter what it will take to stop her.
Of note: Nemesis is the last Jane Marple mystery that Agatha Christie wrote—though not the last Marple published.
Best Sellers: ‘The old charm is still there and a good deal of the old magic in plotting, too.’
Times Literary Supplement: ‘Miss Marple is an old lady now, knowing that a scent for evil is still, in the evening of her days, her peculiar gift.’
13. Sleeping Murder (1976)
Soon after Gwenda Reed moves into her new home, odd things start to happen. Despite her best efforts to modernise the house, she only succeeds in dredging up its past. Worse, she feels an irrational sense of terror every time she climbs the stairs…In fear, Gwenda turns to Jane Marple to exorcise her ghosts. Between them, they are to solve a ‘perfect’ crime committed many years before…
Of note: Agatha Christie wrote Sleeping Murder during World War II and had it placed in a bank vault for over thirty years.
Chicago Tribune: ‘Agatha Christie saved the best for last.’
Sunday Express: ‘A puzzle that is tortuous, surprising, and…satisfying.’
14. Miss Marple’s Final Cases (1979)
Despite the title, the stories collected here recount cases from the middle of Miss. Marple’s career. They are: ‘Sanctuary’; ‘Strange Jest’; ‘Tape-Measure Murder’; ‘The Case of the Caretaker’; ‘The Case of the Perfect Maid’; ‘Miss Marple Tells a Story’; ‘The Dressmaker’s Doll’; ‘In a Glass Darkly’; ‘Greenshaw’s Folly.’
The Republican (Springfield, Massachusetts): ‘When it all becomes clear as day, the reader can only say, “Now why didn’t I think of that?” But he never does. Mrs Christie at her best.’
Charles Osborne on The Thirteen Problems
Alternative Title: The Tuesday Club Murders
Miss Marple (1932)
Having successfully introduced her amateur detective, Miss Jane Marple, in The Murder at the Vicarage (1930), Agatha Christie wrote for a magazine a series of six short stories featuring Miss Marple. In the first story, ‘The Tuesday Night Club?
??, the old lady is entertaining a group of friends at her house in the village of St Mary Mead. Her guests are her nephew Raymond West, the novelist, and his fiancé, an artist named Joyce Lemprière; Dr Pender, the elderly clergyman of the parish (what, one wonders, has happened to the Rev. Leonard Clement, the vicar in The Murder at the Vicarage?); Mr Petherick, a local solicitor; and a visitor to St Mary Mead, Sir Henry Clithering, who is a retired Commissioner of Scotland Yard.
The talk turns to crime, and Joyce Lemprière suggests that they form a club, to meet every Tuesday evening. Each week, a different member of the group will propound a problem, some mystery or other of which they have personal knowledge, which the others will be invited to solve. In the first story, Sir Henry is invited to start the ball rolling. Of course, Miss Marple is the one to arrive at the correct solution every time, not because she possesses any brilliant deductive powers but because, as she puts it, ‘human nature is much the same everywhere, and, of course, one has opportunities of observing it at closer quarters in a village’.
In a second series of six stories, Mrs Christie repeated the formula, the setting this time being the country house of Colonel and Mrs Bantry, near St Mary Mead, and the assembled company including Sir Henry again, the local doctor, a famous actress and, of course, Miss Marple. A separate, single story, in which Sir Henry visits St Mary Mead yet again, to stay with his friends the Bantrys, and finds himself drawn by Miss Marple into the investigation of a local crime, was added to the earlier twelve, and the collection, dedicated to Leonard and Katherine Woolley, with whom Agatha Christie had stayed in the Middle East, was published in Great Britain as The Thirteen Problems and in the United States as The Tuesday Club Murders, though only the first six cases appear to have been discussed at meetings of the Tuesday Club.
