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Fedor and his followers turned, laughing from their fun, and Hannibal stepped out of the hedge swinging a yard of weeds with a big dirt ball on the roots. The dirt ball caught Fedor hard in the face and Hannibal, a head shorter, charged and shoved him down the steep embankment to the water, scrambling after the stunned boy and had him in the black water, holding him under, driving the slingshot handle again and again into the back of his neck, Hannibal’s face curiously blank, only his eyes alive, the edges of his vision red. Hannibal heaved to turn Fedor over to get to his face. Fedor’s companions scrambled down, did not want to fight in the water, yelling to a monitor for help. First Monitor Petrov led the others cursing down the bank, spoiled his shiny boots and got mud on his flailing truncheon.
Evening in the great hall of Lecter Castle, stripped now of its finery and dominated by a big portrait of Joseph Stalin. A hundred boys in uniform, having finished their supper, stood in place at plank tables singing “The Internationale.” Headmaster, slightly drunk, directed the singing with his fork.
First Monitor Petrov, newly appointed, and Second Monitor in jodhpurs and boots walked among the tables to be sure everyone was singing. Hannibal was not singing. The side of his face was blue and one of his eyes was half-closed. At another table Fedor watched, a bandage on his neck and scrapes on his face. One of his fingers was splinted.
The monitors stopped before Hannibal. Hannibal palmed a fork.
“Too good to sing with us, Little Master?” First Monitor Petrov said over the singing. “You’re not Little Master here anymore, you’re just another orphan, and by God you’ll sing!”
First Monitor swung his clipboard hard against the side of Hannibal’s face. Hannibal did not change his expression. Neither did he sing. A trickle of blood came from the corner of his mouth.
“He’s mute,” Second Monitor said. “No sense in beating him.”
The song ended and First Monitor’s voice was loud in the silence.
“For a mute, he can scream well enough at night,” First Monitor said, and swung with his other hand. Hannibal blocked the blow with the fork in his fist, the tines digging into First Monitor’s knuckles. First Monitor started around the table after him.
“Stop! Do not hit him again. I don’t want him marked.” Headmaster might be drunk, but he ruled. “Hannibal Lecter, report to my office.”
Headmaster’s office contained an army surplus desk and files and two cots. It was here that the change in the castle’s smell struck Hannibal most. Instead of lemon-oil furniture polish and perfume there was the cold stink of piss in the fireplace. The windows were bare, the only remaining ornament the carved woodwork.
“Hannibal, was this your mother’s room? It has a sort of feminine feeling.” Headmaster was capricious. He could be kind, or cruel when his failures goaded him. His little eyes were red and he was waiting for an answer.
Hannibal nodded.
“It must be hard for you to live in this house.”
No response.
Headmaster took a cable from his desk. “Well, you won’t be here much longer. Your uncle is coming to take you to France.”
11
THE FIRE ON THE kitchen hearth gave the only light. Hannibal in shadow watched the cook’s assistant asleep and drooling in a chair near the fire, an empty glass beside him. Hannibal wanted the lantern on the shelf just behind him. He could see the glass mantle gleam in the firelight.
The man’s breathing was deep and regular with a
rumble of catarrh. Hannibal moved across the stone floor, into the vodka-and-onion aura of the cook’s assistant, and came close behind him.
The wire handle of the lantern would creak. Better to lift it by the base and the top, holding the glass mantle steady so that it would not rattle. Lift it straight up and off the shelf. He had it now in both hands.
A loud pop, as a piece of firewood, hissing steam, burst in the fireplace, sending sparks and small coals skipping across the hearth, a coal coming to rest an inch from the assistant cook’s foot in its felt boot liner.
What tool was close? On the countertop was a canister, a 150-mm shell casing full of wooden spoons and spatulas. Hannibal set the lantern down and, with a spoon, flipped the coal to the center of the floor.
The door to the dungeon stairs was in the corner of the kitchen. It swung open quietly at Hannibal’s touch, and he went through it into absolute darkness, remembering the upper landing in his mind, and closed the door behind him. He struck a match on the stone wall, lit the lantern and went down the familiar stairs, the air cooling as he descended. The lantern light jumped from vault to vault as he passed through low arches to the wine room. The iron gate stood open.
The wine, long ago looted, had been replaced on the shelves with root vegetables, primarily turnips. Hannibal reminded himself to put a few sugar beets in his pocket—as Cesar would eat them in the absence of apples, though they turned his lips red, and gave him the appearance of wearing lipstick.
In his time in the orphanage, seeing his house violated, everything stolen, confiscated, abused, he had not looked here. Hannibal put the lantern on a high shelf and dragged some sacks of potatoes and onions from in front of the rear wine shelves. He climbed onto the table, gripped the chandelier and pulled. Nothing. He released the chandelier and tugged it again. Now he swung from it with his full weight. The chandelier dropped an inch with a jar that made the dust fly off it, and he heard a groan from the rear wine shelves. He scrambled down. He could get his fingers in the gap and pull.
The wine shelves came away from the wall with a considerable squeal of hinges. He went back to his lantern, ready to blow it out if he heard a sound. Nothing.
It was here, in this room, that he had last seen Cook, and for a moment Cook’s great round face appeared to him in vital clarity, without the scrim time gives our images of the dead.
Hannibal took his lantern and went into the hidden room behind the wine room. It was empty.
One large gilt picture frame remained, threads of canvas sticking out of it where the painting had been cut out of the frame. It had been the largest picture in the house, a romanticized view of the Battle of Žalgiris emphasizing the achievements of Hannibal the Grim.
