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As she spoke, her forked tongue flicked from her mouth.

“And your tongue,” the prince said. “That’s part of what’s . . . wrong with you?”

“And this,” the princess said, and she slipped an arm from her dress and showed him the scales across her back.

“I see,” said the prince, his voice sorrowful again. “I should’ve known this was too good to be true.”

As a tear rolled down his ch

eek, his arms began to disappear, joining again with his torso in a wobbly mass of slug flesh.

“Why are you sad?” the princess said. “We’re a perfect match! Together we could show our parents that we’re not unmarriageable, and we’re not trash. We can unite our kingdoms, and one day, perhaps, take our rightful place on the throne!”

“You must be mad!” the prince shouted. “How could I ever love you? You’re a disgusting freak!”

The princess was speechless. She couldn’t believe what he was saying.

“Oh, this is so humiliating!” the slug prince bawled, and then antennae sprung from his forehead, his face disappeared, and he became a slug from head to toe, quivering and moaning as he struggled to cry without a mouth.

The princess and the handmaiden turned away, stomachs heaving, and left the ungrateful prince to rot in his dungeon.

“I believe I’m done with princes forever,” the princess said, “peculiar or otherwise.”

They crossed the Great Cataract and the Pitiless Waste once again, and returned to Frankenbourg to find it at war with both Galatia and Frisia, which had united against it. The king had been overthrown and jailed, and the Frisians had installed a duke to govern Frankenbourg. The duke was a bachelor, and once his rule had been established and the country pacified, he began searching for a bride. The duke’s emissary discovered the princess working in an inn.

“You there!” he shouted, calling her away from a table she was cleaning. “The duke is looking for a bride.”

“Good luck to him,” she replied. “I’m not interested.”

“Your opinion doesn’t matter,” the emissary replied. “Come with me at once.”

“But I’m not royal!” she lied.

“That doesn’t matter, either. The duke merely wants to find the most beautiful woman in the kingdom, and that may well be you.”

The princess was beginning to regard her beauty as something of a curse.

She was given a nice dress to wear and brought before the duke. When she saw his face, a cold chill spread through her. This Frisian duke had been one of the assassins who had come to kill her; he was the lone assassin who had fled.

“Do I know you from somewhere?” the duke said. “You look familiar.”

The princess was tired of hiding and tired of lying, so she told the truth. “You tried to kill me once, and my father. I was once the princess of Frankenbourg.”

“I thought you were dead!” said the duke.

“No,” she replied, “that was a lie my father made up.”

“Then I’m not the only one who tried to kill you,” he said, and smiled.

“I suppose not.”

“I like your honesty,” said the duke, “as well as your fortitude. You’re made of strong stuff, and we Frisians admire that. I can’t make you my wife because you might murder me in my sleep, but if you’ll accept the position, I’d like to appoint you as my adviser. Your unique perspective would be valuable indeed.”

The princess happily accepted. She moved back into the palace with her handmaiden, took a position of prominence in the duke’s government, and never again covered her mouth when she spoke, as she no longer had to hide who she was.

After some time had passed, she paid her father a visit in the dungeons. He was wearing grimy sackcloth and not looking very kingly at all.

“Get out of here,” he growled at her. “You’re a traitor and I have nothing to say to you.”

“Well, I have something to say to you,” the princess replied. “Though I’m still angry at you, I want you to know you are forgiven. I understand now that what you did to me wasn’t the action of an evil man, but a common one.”

“Fine, thank you for the wonderful speech,” said the king. “Now go away.”

“As you wish,” said the princess. She started to go, then stopped at the doorway. “By the way, they’re planning to hang you in the morning.”

At this news the king curled into a ball and began to snivel and cry. It was such a pathetic sight that the princess was moved to pity. Despite all her father had done, she felt her bitterness toward him melting away. She used her venom to melt the lock from his cell, secreted him out of the jailhouse, disguised him as a beggar, and sent him running in the same direction she had once fled the kingdom. He did not thank her, nor even look back at her. And then he was gone, and she was gripped by a sudden, wild happiness—for her act of kindness had freed them both.

The First Ymbryne

Editor’s note:

While we can be certain that many of the Tales’ characters really lived and walked the earth, it can be difficult to confirm much of their factualness beyond that. In the centuries before our stories were written down, they were disseminated as oral tradition, and thus highly subject to change, each teller embellishing the tales as she saw fit. The result is that today they are more legend than history, and their value—beyond simply being compelling stories—is primarily as moral lessons. The story of Britain’s first ymbryne, however, is a notable exception. It is one of the few tales whose historical authenticity can be thoroughly accounted for, the events it describes having been verified not only by many contemporaneous sources, but by the ymbryne herself (in her famous book of encyclical addresses, A Gathering of Tail Feathers). That is why I consider it the most significant of the Tales, it being equally a moral parable, a ripping good yarn, and an important chronicle of peculiar history.

—MN

The first ymbryne wasn’t a woman who could turn herself into a bird, but a bird who could turn herself into a woman. She was born into a family of goshawks, fierce hunters who didn’t appreciate their sister’s habit of becoming a fleshy, earthbound creature at unpredictable times, her sudden changes in size toppling them out of their nest, and her odd, babbling speech spoiling their hunts. Her father gave her the name Ymeene, which in the shrill language of goshawks meant “strange one,” and she felt the lonely burden of that strangeness from the time she was old enough to hold up her head.

Goshawks are territorial and proud, and love nothing more than a good, bloody fight. Ymeene was no different, and when a turf war erupted between their family and a band of harriers, she fought bravely, determined to prove she was every bit the goshawk her brothers were. They were outnumbered by the larger, stronger birds, but even when his children began to die in the skirmishes, Ymeene’s father would not admit defeat. In the end they repelled the harriers, but Ymeene was wounded and all her siblings but one were killed. Wondering what it had all been for, she asked her father why they had not simply run away and found another nest to live in.

“We had to defend the honor of our family,” he told her.

“But now our family is gone,” Ymeene replied. “Where’s the honor in that?”

“I don’t suppose a creature like you would understand,” he said, and straightening his feathers he leaped into the air and flew away to go hunting.

Ymeene did not join him. She had lost her taste for the hunt, and for blood and fighting, too, which for a goshawk was even stranger than turning into a human now and then. Perhaps she was never meant to be a hawk, she thought, as she winged down to the forest floor and landed on human legs. Perhaps she was born in the wrong body.

Ymeene wandered for a long time. She lingered around human settlements, studying them from the safety of treetops. Because she had stopped hunting, it was hunger that gave her the nerve to finally walk into a village and sneak bites of their food—roasted corn put out for chickens, pies left to cool on windowsills, unwatched pots of soup—and she found she had a taste for it. She learned some human language so that she could talk to them, and discovered that she enjoyed their company even more than their food. She liked the way they laughed and sang and showed one another love. So she chose a village at random and went to live there.

A kindly old man let her stay in his barn, and his wife taught Ymeen

e to sew so she would have a trade. Everything was going swimmingly until, a few days after she’d arrived, the village baker saw her turn into a bird. She hadn’t yet grown accustomed to sleeping in human form, so every night she changed into a goshawk, flew up into the trees, and fell asleep with her head tucked under her wing. The shocked villagers accused her of witchcraft and chased her away with torches.

Disappointed but undeterred, Ymeene went wandering again and found another village in which to settle. This time she was careful not to let anyone see her change into a bird, but the villagers seemed to distrust her regardless. To most people Ymeene had a strange way about her—she had been raised by hawks, after all—and it wasn’t long before she was chased from this new village, too. She grew sad, and wondered if there was any place in the world she truly belonged.

One morning, on the verge of despair, she lay watching the sun rise in a forest glade. It was a spectacle of such transcendent beauty that it made her forget her troubles for a moment, and when it was over, she wished desperately to see it once more. In an instant the sky went dark and the dawn broke all over again, and she suddenly realized she had a talent other than her ability to change form: she could make small moments repeat themselves. She amused herself with this trick for days, repeating the leap of a graceful deer or a fleeting slant of afternoon sun just so she could better appreciate their beauty, and it cheered her up immensely. She was repeating the first fall of virgin snow when a voice startled her.

“Excuse me,” he said, “but are you making that happen?”

She spun around to see a young man wearing a short green tunic and shoes made from fish skin. It was an odd outfit, but stranger still was that he carried his head under the crook of his arm, disconnected entirely from his neck.

“Excuse me,” she replied, “but what’s happened to your head?”

“Frightfully sorry!” he said, reacting as if he’d just realized his pants were unbuttoned, and, with great embarrassment, he popped his head back onto his neck. “How rude of me.”

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