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Henri
Perhaps a month would do it. However long, he could not be in Paris now. He began to see the image that rose in him, the pentimento in his heart, upon seeing first Lucien’s Juliette, then the little Colorman. It was Carmen; not her sweetness, her soft voice and touch, it was something different, and dark, and he did not want to see it fully again, or he knew he would never be able to send it away.
Now a bath, then back to the Moulin Rouge, watch Jane Avril dance, La Goulue the female clown sing and can-can, and then he would ride the green fairy into one of his friendly brothels and stay there in a haze until his train left for Mother’s castle in the country.
HENRI HAD FOUND HER FIVE YEARS BEFORE, ON HIS WAY TO A LATE LUNCH with Lucien, Émile Bernard, and Lucien Pissarro, the son of Camille. They were all young artists, full of themselves, their talent, and the infinite possibilities of the results of mixing imagination and craft. They had spent the day at Cormon’s studio, listening to the master prattle on about the academic tradition and techniques of the masters. In the midst of the lecture on the atmosphere of the room, of creating the chiaroscuro play of shadow and light like the Italian master Caravaggio, Émile Bernard had painted the backdrop of his painting with bold red stripes. His friends had laughed, and they were all ejected from the class.
They decided to adjourn to the Café Nouvelle Athènes on rue Pigalle. Toulouse-Lautrec paid for a cab to bring them down the hill and they tumbled out of it in front of the café, laughing. Just down the block, a young, redheaded woman was leaving her job at the laundry, her hair in a bun that was unraveling, her hands and forearms were pink from her work.
“Look at her,” said Toulouse-Lautrec. “She’s magnificently raw.” He held his arms out to push his friends back. “Stay back. She’s mine. I must paint her.”
“She’s yours,” said Bernard, the baby-face, barely a beard pushing through on his chin. “Like new mold on cheese,” Henri had teased him. “We’ll wait for you inside.”
Toulouse-Lautrec waved them off and called to the redhead, who was trudging down toward the butte. “Pardon! Mademoiselle? Pardon!”
She stopped, turned, seemed surprised that anyone could be calling to her.
Henri approached her with his walking stick held before him with both hands, as if in supplication. “Pardon me, mademoiselle. I don’t mean to bother you, but I am a painter. Henri Toulouse-Lautrec is my name. And I—I…”
“Yes?” she said, looking down, not making eye contact.
“Pardon, mademoiselle, but you are—you are extraordinary. Your look, I mean… I must paint you. I will pay for you to model.”
“Monsieur, I am not a model.” A quiet voice, shy.
“Please, mademoiselle. I assure you, this is not a ruse, I am an artist by profession. I can pay you well. More than you make at the laundry. And even then, I will accommodate your other work.”
She smiled then, flattered perhaps. “I’ve never been painted. What would I have to do?”
“You’ll pose for me then? Splendid! Simply splendid! Here is my card.” He handed her his calling card with the address of his studio, as well as his full name and title embossed with the family crest.
“Oh my,” she said. “A count?”
“It is nothing,” said Henri. “Come to my studio tomorrow afternoon, after you finish work. Don’t worry about dinner. I’ll have food for you. Just come as you are.”
“But, monsieur—” She gestured to her work clothes, plain, black and white. “I have a nice dress. A blue dress. I can—”
“No, my dear. Come just as you are now. Please.”
She tucked his card into her skirt. “I will come. After four.”
“Thank you, mademoiselle. I’ll see you then. Now, if you’ll excuse me, I must get back to my friends. Good day.”
“Good day,” said the girl.
Toulouse-Lautrec turned but then remembered. “Oh, mademoiselle, I apologize, what is your name?”
“Carmen,” she said. “Carmen Gaudin.”
“Tomorrow then, Mademoiselle Gaudin.” And he was through the café doors.
Carmen trudged across the Place Pigalle toward Montmartre, then cut down one of the narrow alleys that would lead her to rue des Abbesses and up the hill. Halfway down the alley a pimp, just out for the evening, smoked a cigarette and leaned against a ramshackle shed. There was grunting coming from behind the shed, one of the pimp’s whores, perhaps, performing an early stand-up with a customer.
The pimp stepped into Carmen’s path. “Ah, look how sweet you are,” he said. “You looking for work, my little cabbage?”
“I’m going home,” she said, not looking up.
The pimp reached down and took her by the chin, blowing smoke in her face as he appraised her. “You’re pretty, but not for much longer, eh? Maybe you should take the work while you can get it?” He tightened his grip, pinched her cheeks roughly to make his point.
