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"I've been following you all this time," she said, her grip tightening on the figurehead. "You've always been just out of my grasp, from the moment Mr. Poe took you away from the theater in his car to the moment Kit Snicket took you through the hedges in her taxi. I won't let you go, Baudelaires!"
Sunny stepped toward the judge, and for one moment her siblings thought she was going to step off the boat. But then she merely looked into the judge's weeping eyes, and gave her a very sad smile.
"Good-bye," she said, and the Baudelaire opened her mouth and bit the hand of justice. With a cry of pain and frustration, Justice Strauss let go of the figurehead, and the building trembled again, sending the judge tumbling to the ground, and the boat tumbling off the roof, just as the clock of the Hotel Denouement announced the hour for the very last time.
Wrong! Wrong! Wrong! The clock struck three times, and the three Baudelaires screamed as they hurtled toward the sea, and even Count Olaf cried "Mommy!" as it seemed for a terrible moment that their luck had run out at last, and that the boat would not survive the fall, due to the force of gravity. But then Violet let go of the dirty sheets, and the drag chute billowed into the air, looking almost like another patch of smoke against the sky, and Klaus moved the sail to catch the wind, and the boat stopped falling and started to glide, the way a bird will catch the wind, and rest its wings for a few moments, particularly if it is tired from carrying something heavy and important. For a moment, the boat floated down through the air, like something in a magical story, and even in their panic and fear the Baudelaires could not help marveling at the way they were escaping. Finally, with a mighty splash! the boat landed in the ocean, quite a distance from the burning hotel. For another terrible moment, it felt like the boat was going to sink into the water, just as Dewey Denouement had sunk into the pond, guarding his underwater catalog and all its secrets, and leaving the woman he loved pregnant and distraught. But the sail caught the wind, and the figurehead righted itself, and Olaf picked up his spatula and handed it to Sunny.
"Start rowing," he ordered, and then began to cackle, his eyes shining bright. "You're in my clutches at last, orphans," he said. "We're all in the same boat."
The Baudelaires looked at the villain, and then at the shore. For a moment they were tempted to jump overboard and swim back toward the city and away from Olaf. But when they looked at the smoke, pouring from the windows of the hotel, and the flames, curling around the lilies and moss that someone had grown with such care on the walls, they knew it would be just as dangerous on land. They could see the tiny figures of people standing outside the hotel, fiercely pointing
toward the sea, and they saw the building tremble. It seemed that the Hotel Denouement would soon be sent toppling, and the children wanted to be far away. Dewey had promised them that they wouldn't be at sea anymore, but at this moment the sea, for the Baudelaires, was the last safe place.
Richard Wright, an American novelist of the realist school, asks a famous unfathomable question in his best-known novel, Native Son. "Who knows when some slight shock," he asks, "disturbing the delicate balance between social order and thirsty aspiration, shall send the skyscrapers in our cities toppling?" It is a difficult question to read, almost as if it is in some sort of code, but after much research I have been able to make some sense of its mysterious words. "Social order," for instance, is a phrase which may refer to the systems people use to organize their lives, such as the Dewey Decimal System, or the blindfolded procedures of the High Court. And "thirsty aspiration" is a phrase which may refer to things people want, such as the Baudelaire fortune, or the sugar bowl, or a safe place that lonely and exhausted orphans can call home. So when Mr. Wright asks his question, he might be wondering if a small event, such as a stone dropping into a pond, can cause ripples in the systems of the world, and tremble the things that people want, until all this rippling and trembling brings down something enormous, such as a building.
The Baudelaires, of course, did not have a copy of Native Son on the wooden boat that served as their new home, but as they gazed across the water at the Hotel Denouement, they were asking themselves a question not unlike Mr. Wright's. Violet, Klaus, and Sunny wondered about all the things, large and small, that they had done. They wondered about their observations as flaneurs, which left so many mysteries unsolved. They wondered about all their errands as concierges, which brought about so much trouble. And they wondered if they were still the noble volunteers they wanted to be, or if, as the fire made its wicked way through the hotel, and the building threatened to topple, it was their destiny to become something else. The Baudelaire orphans stood in the same boat as Count Olaf, the notorious villain, and looked out at the sea, where they hoped they could find their noble friends, and wondered what else they could do, and who they might become.
