Page 95 of Whiskey Skies

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"It's about Maisie to you. To him, it's about control. It's always been about control."

"You don't know what it's about to him."

"I know what it's doing to you." He took a step forward. Not toward me — toward the counter, closing the distance without crossing it. "I can see it, Callie. The way you've been pulling back for two weeks like if you make yourself small enough, he can't see you." His voice was steady, but his hands were flat on the counter now, pressing, the same way mine pressed when I needed to feel something solid. "You did this before. You told me. Six years of making yourself invisible so a man with power wouldn't notice you had a life."

"This is different."

"How?"

"Because last time I was disappearing to survive. This time I'm disappearing to protect my daughter."

"And what happens to your daughter when her mother disappears?"

The question hit the center of my chest.

Clay didn't yell.

He didn't argue more. He didn't do the thing Preston would have done — escalate, guilt, punish, make the loss hurt both ways. He stood on his side of the counter with his hands flat on the wood, and I could see the effort it cost him — the physical, muscular effort of a man holding himself still when every part of him wanted to move.

Then he straightened. Dropped his hands. And his voice, when it came, was stripped of everything — the charm, the humor, the warmth. Just bone.

"I can't make you stay. I won't try. But you should know what you're doing — you're handing him exactly what he wants. He filed a piece of paper, and you let it scare you back into the box he built." He held my eyes. "You drove out of that box, Callie. Don't climb back in."

The box. He'd called it the box. And the image was so precise — the box Preston built, the box I'd packed myself into for six years, the box I'd driven out of with everything I owned in a sedan — that it cut through the rehearsed speech and the legal logic and hit the thing underneath.

He was right. I knew he was right. The part of me that had driven west, that had signed the papers with a steady hand, that had whisperedwe're gonna be okay, babyto a sleeping child — that part of me knew.

But truth and safety were different currencies. And right now I could only spend one.

I fired back. Harder than I meant to, drawing from the arsenal of a woman who'd learned in a Dallas marriage that the fastest way to end a conversation was to make the other person leave.

"You don't get to tell me how to protect my daughter. You've known her for a few months. I've been protecting her since the day she was born."

The words hit. I watched them hit. A muscle jumped beneath the skin of his jaw, once, twice, and his eyes changed. Not the hurt now. Something beyond hurt. The look of a man who just heard the woman he loved use his deepest vulnerability — that he wasn't Maisie's father, that his claim was new and unprotected and could be revoked at any time — as a weapon.

I'd meant it as a shield. He'd received it as a blade. And I couldn't take it back because taking it back would mean admitting the speech was wrong, and the speech was the only thing between my daughter and a courthouse.

Clay nodded. Slowly. Once.

He picked up his hat from the counter. Put it on. Took his jacket from the hook — the hook I used to keep empty, the hook that had held his Carhartt for weeks, the hook that would be empty again by morning.

He walked to the door. Stopped with his hand on the frame. Didn't turn around.

"I'll be here when you're ready," he said. His voice was rough. Stripped. The charming Blackwood, the easy grin, the man who joked his way through everything — all of it gone. Just Clay. Just the raw, unfinished truth of a man in a doorway. "But Callie — don't let him win."

The door closed.

I slid down the kitchen cabinet to the floor.

The linoleum was cold against the backs of my thighs. The cabinet handle pressed into my spine. I pulled my knees to my chest and pressed my face into them, and the sound that came out of me was not crying. It was something underneath crying — airless, guttural, the kind of sound your body made when the thing you were doing was necessary, and the thing you were doing was wrong, and you couldn’t hold both truths at the same time.

Down the hall, Maisie slept. Horse under her arm. Pink boots by her bed. Dreaming about horses, probably. Dreaming about Starlight and the ranch and the man who added more cheese and taught her to read a horse's ears and called her "baby" like it was the most natural word in his mouth.

She would ask about him tomorrow. She would ask where Clay was and when he was coming and if he could make the eggs, and I would have to answer, and the answers would be the kind of careful, age-appropriate lies that adults tell children when the truth is too heavy for small hands.

I'd done this for her. I'd done this to keep her safe. I'd done this because a filing said "unvetted third parties" and my brain — my broken, Preston-trained, survival-first brain — had turned the man I loved into a liability and subtracted him from the equation.

My phone buzzed on the counter above me. I reached up and pulled it down.