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Prologue
I’D SEEN PICTURES of Justine Smith, Jack Morgan’s No. 2 at Private LA, but she was far more beautiful in the flesh.
I stood at Sydney Airport International Arrivals and watched her waft out of customs with a trolley looking like she was ready for a model shoot – no clue she’d just been on a 14-hour flight. She was here to launch the latest branch of the Private franchise created by Jack Morgan in LA – a top-notch investigative agency for top-notch people.
I held back, let her family greet her first. There was her sister, Greta, and husband, my new buddy, Brett Thorogood, the Deputy Commissioner of New South Wales Police, their kids, Nikki, eight and Serge, ten. Then I stepped forward, shook her hand.
I’d parked my Ferrari 458 Spider in the pick-up zone. The Thorogoods headed off after we’d all synchronized watches for the launch party tonight and we were off, pulling out of the airport and onto the sun-drenched freeway.
None of us could have known what a fuck of a week we were about to have.
Chapter 1
HE CAN SEE nothing.
He can hear nothing.
He runs, gasping, hits a hard object – face first. His nose shatters, sending a cascade of agony through his head and down his spine. Falls back, slams to the floor. His head cracking on concrete. More pain.
He can see nothing.
He can hear nothing.
The sack hood over his head stinks of sweat and blood. He tries to loosen the ties, but it’s no good.
He vomits, it hits the fabric, splashes on his face.
He thinks he’ll choke and part of him doesn’t care, wants it. But the survival genes kick in and he panics, pulls up, the spew running down his shirt front. He reaches out and touches the wall. Moves left as fast as he can. He feels the vibration of feet, people running toward him.
A burst of terrible agony in his back. Two thumps propel him to the wall. He smells fresh blood. He smells tire rubber. Another crunch, his thigh exploding. But he keeps to the wall, sweat running down his ruined face, blood drips from his nose, his leg, his back. He feels wet all over. He’s a leaking sieve, his life draining away. The pain in his legs screams. The hood fabric sucks into his mouth.
He has to keep going. ‘MOVE OR DIE … MOVE OR DIE,’ a voice bellows in his head. Shrapnel clips his ear. He screeches, feels his guts heave. Another bullet thunders past his head, but he doesn’t hear it, just feels the air tremble. Dust and concrete chips hit him in the face. His legs start to buckle, but he refuses to give in.
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sp; ‘MOVE OR DIE. MOVE OR DIE.’
He feels a door, pushes, stumbles through, trips, hits the concrete again. Blood splashes across the floor, up the walls. He pulls up once more.
He’s on a roller coaster, at the park with Grandma. He’s four years old. Then he’s floating in space. No reference points.
