My mouth hardens. “Preservation.”
“Yes.”
“That word again.”
“It’s a tribunal,” he says dryly. “They’re incapable of admitting they simply want to avoid catastrophe. They have to call it architecture.”
He keeps reading. Then pauses.
“What.”
Pellorin looks up at me. “Drax has proposed language severing individual criminal negligence from the override event while reserving administrative consequences under diplomatic compromise.”
I hold still.
“Say it plainly.”
His expression softens by one brutal degree. “They are building toward acquittal without restoration.”
The chamber seems to sharpen around the edges.
Not because the possibility surprises me. Because hearing it said aloud makes the cost audible.
“No command,” I say.
“No command,” he confirms.
I sit with that.
The stone beneath my boots feels very real. The air against my skin. The low vibration of the binders. The sterile lights overhead flattening every private reaction into something public if I let it rise too far.
And then, unexpectedly, relief moves through me first.
Relief.
Sharp and almost ugly in its intensity.
No command means no return to the machine that made men like Saal speak of collateral with clean mouths. No restoration bought with managed silence. No standing on a bridge again while the dead travel with me in every order.
Pellorin watches my face carefully. “You’re taking this strangely well.”
“I renounced reinstatement.”
“Yes, and I assumed some part of you still hoped someone would override your good sense.”
“Not this time.”
He leans back slightly. “Huh.”
Across the chamber, Selene looks up from her consultation with Mirov, as if she has felt something shift in the room. Her gaze tracks past the oversight cluster, across the central aisle, and finds me.
There are too many people between us. Too much glass. Too much law.
Still, the look lands.
Not soft. Not safe. Not a promise.
Recognition.