Mysk stands there like a bad memory with upgraded tailoring.
He has changed coats, which is almost offensively in character. Tonight’s is charcoal-black with a subtle pinstripe sheen that tries very hard to imply old Earth criminal glamour and instead mostly succeeds in suggesting a lizard with a line of credit. Two Odex enforcers flank the doorway just outside, broad enough to block most of the hall, their heavy silhouettes visible through the narrowing crack before the door slides shut. Mysk himself smiles with the bright, self-satisfied ease of a man who believes trespass becomes elegance if you do it in expensive shoes. He smells faintly of resin smoke, engineered spice, and that same bitter cologne I have come to associate with extortion conducted as performance art.
“Well,” I say, because when one’s criminal creditor infiltrates a reality-show compound on the eve of the final, one should atleast make the dialogue work. “This is bold. How did you even get past planetary security?”
Mysk opens his hands in a little gesture of theatrical welcome. “I’m rich. A couple of payoffs here and there and I go where I please, Bronwyn. You look well. Leaner. More focused. Television may yet improve you.”
My body has already shifted into combat math by the time he finishes the sentence. Distance to door. Distance to equipment cabinet heavy enough to use as leverage. Whether the diagnostics console can be shattered quickly enough to trigger a noise worth investigation. The problem is not Mysk alone. The problem is Mysk with Odex at the door and whatever confidence made him come in person. Men like him do not walk into a secured compound unless they are very sure they can leave it.
“You shouldn’t be here,” I say.
“No,” he replies pleasantly, stepping farther into the room. “But then, so many of life’s most meaningful conversations happen in unsuitable places.”
I lean back against the equipment bench instead of stepping away. It lets me look looser than I feel, like I am merely annoyed rather than calculating whether I can break his nose before the Odex break my spine. “You know,” I tell him, “most people send flowers before a visit.”
He laughs softly. “I considered it, but your taste remains uncertain.”
“Try explosives next time. Really speak from the heart.”
His smile sharpens but does not vanish. “Still joking. Admirable. Though I confess I had expected a little more visible fear.”
“I save that for tax notices and family court.”
The words leave my mouth before I can stop them, and for one dangerous second I wonder whether I have just handed him exactly the leverage I most wanted concealed. But Mysk’sattention remains fixed on me rather than drifting elsewhere, which tells me he came for one purpose first. Good. Keep it there.
He strolls toward the center of the prep bay, gaze flicking briefly across the stored harnesses, the spare gauntlets, the rack of calibrated climbing gloves. “Quite the playground they’ve built for you,” he says. “Expensive. Violent. Tastefully cruel. I can see why the public is obsessed.”
“They’re simple creatures.”
“As are most profitable audiences.”
I push off the bench now, not enough to threaten, just enough to reclaim some ground. “You came all this way to critique production design.”
Mysk’s eyes brighten. “No. I came because deadlines create honesty.” He tilts his head slightly, studying me like a jeweler evaluating a flawed stone. “Tomorrow is the final, Bron. Which means tonight is the moment when fantasy ends and arithmetic begins.”
There it is.
The room seems to narrow around the sentence. The hum of the diagnostics panel grows louder in my ears. Somewhere in the far ventilation shaft, something rattles once and settles.
“My favorite kind of conversation,” I say.
“I know.” He slides one hand into his coat pocket and withdraws a slim data slate, no larger than a comm, its screen dark until he taps it awake. Figures scroll across it. Odds trees. Bet stacks. Names abbreviated into syndicate ciphers I recognize despite wishing I did not. Mysk turns the display so I can see the magnitude of the money moving on the final. It is obscene. Not impressive obscene. Nauseating obscene. Enough credits to rebuild a district block, bankrupt a hospital, start a private war, or make the sort of men who sit above this economy decide that any amount of blood is acceptable if the margin holds.
I let out a slow breath through my nose. “That’s a lot of degeneracy even for you.”
Mysk smiles. “High stakes produce clarity.”
“What do you want?”
He locks the screen and slips the slate away again. “A favor. Elegantly timed. Commercially sensible. You are, whether anyone expected it or not, a central figure in tomorrow’s outcome. Audience darling. redemption narrative. Former rogue learning devotion. The public loves to imagine men can become better if given enough lighting and a child’s trust.” His mouth curves. “Unfortunately for them, markets prefer disruption.”
I look at him and say nothing.
Mysk takes my silence as permission to continue. “There are five meaningful outcome structures left on the books. Two of them are profitable. One of them is exceptional. For the exceptional one to land, you and Miss Robertson must not win.”
The words do not shock me. Not after Julo. Not after the questions about family wing security. What shocks me, faintly, is how calm I feel hearing them aloud. Cold, yes. Furious, yes. But calm in the way steel is calm.
“You want me to throw the final.”
