Page 71 of Prime Cut of Orc

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His expression shifts into pure, devastating joy.

"Okay?"

"Okay." I kiss him quickly, feeling giddy and reckless and completely, utterly certain. "Let's knock down a wall and build something beautiful."

LANEK

Istand in the center of what used to be two separate shops and survey the organized chaos surrounding me with deep, territorial satisfaction.

The wall is gone.

Not just gone. Obliterated. Demolished. Reduced to rubble and hauled away in industrial dumpsters over the course of three very long, very dusty weeks that tested even my patience.

Quinn had insisted on hiring licensed contractors instead of letting me take a sledgehammer to the brick myself, which was probably wise given my tendency to solve structural problems with brute force. I had spent those three weeks pacing the perimeter like a caged animal, watching strangers tear apart our shared space and rebuild it into something entirely new.

Now, six months later, the transformation is complete.

The front of the shop belongs entirely to Quinn. Soft pink walls, vintage brass fixtures, delicate marble countertops, and gleaming glass display cases filled with rows of perfect pastries. The early morning sunlight pours through the large front windows, catching on the gold lettering painted across the glass.

Blood & Butter

Artisanal Meats & Fine Pastries

The name had been her idea. I had wanted something more direct, more honest. "The Butcher & The Baker" or perhaps "Carnivore & Confection." But Quinn had rolled her eyes, kissed me thoroughly to soften the rejection, and declared that we needed something with more flair.

Blood & Butter it became.

The back of the shop is mine. Stainless steel prep tables, industrial freezers, hanging racks for dry-aging premium cuts, and my prized collection of German steel blades mounted on magnetic strips along the exposed brick wall. Woodsmoke and cracked black pepper still dominates this territory, but now it mingles with the ever-present sweetness of vanilla and browned butter drifting from the front.

The middle ground, the shared kitchen where the wall used to stand, is a perfect marriage of our two worlds.

Heavy butcher blocks stand next to delicate pastry stations. My massive commercial smoker sits beside her temperamental French oven. Copper pots hang from overhead racks next to industrial meat grinders. We had argued over every single design choice, compromised on most, and stubbornly refused to budge on a few.

The result is beautiful.

Chaotic and mismatched and absolutely, perfectly us.

I adjust the heavy leather apron tied around my middle and check the wall clock mounted above the service counter. Six forty-five in the morning. Fifteen minutes until we unlock the front door for the official grand opening.

Quinn is already at her station, moving with focused, precise energy. She is piping delicate rosettes of lavender buttercream onto a batch of cupcakes, her tongue caught between her teeth in concentration, a smudge of flour already decorating her left cheek despite the fact that she has been awake for less than two hours.

She is wearing one of her vintage dresses, pale yellow today with tiny white flowers embroidered along the hem, and a pristine white apron tied neatly at her waist. Her strawberry-blonde hair is pulled back with a silk ribbon, and she smells overwhelmingly of sugar and stress and home.

I move up behind her silently, my boots heavy on the polished concrete floor, and settle my hands on her hips.

She does not startle. She knows my footsteps, my scent, the particular way I take up space in a room.

"Stop looming," she says without looking up from her work. "You're blocking my light."

"I am admiring your precision, little baker."

"You're stressing me out." But her voice is warm, teasing, and she leans back against me just slightly, allowing herself a brief moment of contact before returning her full attention to the cupcakes. "Did you finish prepping the charcuterie boards for the sample platters?"

"Yes."

"Did you arrange them the way I showed you, with the meats fanned out in a gradient pattern and the garnishes evenly distributed?"

"No."