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'Stouter than stout!' Bradshaw laughed, and read us both into Sense and Sensibility.
10
Jurisfiction session number 40319
* * *
'JurisTech: Popular contraction of Jurisfiction Technological Division. This R&D company works exclusively for JunsFiction and is financed by the Council of Genres through Text Grand Central. Owing to the often rigorous and specialised tasks undertaken by Prose Resource Operatives, JurisTech is permitted to build gadgets deemed outside the usual laws of physics – the only department (aside from the SF genre) licensed to do so. The standard item in a PRO's manifest is the TravelBook (q.v.), which itself contains other JurisTech designs like the Martin-Bacon Eject-O-Hat, MV Mask, Textmarker, String™ and textual sieves of various porosity, to name but a few.'
UA OF W CAT – The Jurisfiction Guide to the Great Library (glossary)
The offices of Jurisfiction were situated at Norland Park, the house of the Dashwoods in Sense and Sensibility. The family kindly lent the ballroom to Jurisfiction on the unspoken condition that Jane Austen books would be an area of special protection.
Norland Park was located within a broad expanse of softly undulating grassland set about with ancient oaks. The evening was drawing on, as it generally did when we arrived, and wood pigeons cooed from the dovecote. The grass felt warm and comfortable like a heavily underlaid carpet, and the delicate scent of pine needles filled the air.
But all was not perfect in this garden of nineteenth-century prose; as we approached the house there seemed to be some sort of commotion. A demonstration, in fact – the sort of thing I was used to seeing at home. But this wasn't a rally about the price of cheese or whether the Whig Party were dangerously right wing and anti-Welsh, nor about whether Goliath had the right to force legislation compelling everyone to eat SmileyBurger at least twice a week. No, this demonstration was one you would expect to find only in the world of fiction.
The Bellman, elected head of Jurisfiction and dressed in the garb of a town crier, was angrily tingling his bell to try to persuade the crowd to calm down.
'Not again,' muttered Bradshaw as we walked up. 'I wonder what the Orals want this time?'
I was unfamiliar with the term, and since I didn't want to appear foolish, I tried to make sense of the crowd on my own. The person nearest to me was a shepherdess, although that was only a guess on my part as she didn't have any sheep – only a large crook. A boy dressed in blue with a horn was standing next to her discussing the falling price of lamb, and next to them was a very old woman with a small dog which whined, pretended to be dead, smoked a pipe and performed various other tricks in quick succession. Standing next to her was a small man in a long nightdress and bed hat who yawned loudly. Perhaps I was being slow, but it was only when I saw a large egg with arms and legs that I realised who they were.
'They're all nursery rhyme characters!' I exclaimed.
'They're a pain in the whatsit, that's what they are,' murmured Bradshaw as a small boy jumped from the crowd, grabbed a pig and made a dash for it. Bo-Peep hooked his ankle with her crook and the boy sprawled headlong on the grass. The pig rolled into a flower bed with a startled oink and then beat a hurried escape as a large man started to give the boy six of the best.
'… all we want is the same rights as any other character in the BookWorld,' said Humpty Dumpty, his ovoid face a deep crimson. 'Just because we have a duty to children and the oral tradition doesn't mean we can be taken advantage of.'
The crowd murmured and grunted their agreement. Humpty Dumpty continued as I stared at him, wondering whether his belt was actually a cravat, as it was impossible to tell which was his neck and which his waist.
'… we have a petition signed by over a thousand Orals who couldn't make it today,' said the large egg, waving a wad of papers amid shouts from the crowd.
'We're not joking this time, Mr Bellman,' added a baker, who was standing in a wooden tub with a butcher and a candlestick maker. 'We are quite willing to withdraw our rhymes if our terms are not met.'
There was a chorus of approval from the assembled characters.
'It was fine before they were unionised,' Bradshaw whispered in my ear. 'Come on, let's use the back door.'
We walked around to the side of the house, our feet crunching on the gravel chippings.
'Why can't characters from the oral tradition be a part of the Character Exchange Programme?' I asked.
'Who'd cover for them?' snorted Bradshaw. 'You?'
'Couldn't we train up Generics as sort of, well, "character locums"?'
'Best to leave industrial relations to the people with the facts at their fingertips,' replied Bradshaw. 'We can barely keep pace with the volume of new material as it is. I shouldn't worry about Mr Dumpty; he's been agitating for centuries. It's not our fault he and his badly rhyming friends are still looked after by the old OralTradPlus agreement— Good heavens, Miss Dashwood! Does your mother know that you smoke?'
It was Marianne Dashwood, and she had been puffing away at a small roll-up as we rounded the corner. She quickly threw the butt away and held her breath for as long as possible before coughing and letting out a large cloud of smoke.
'Commander!' she wheezed, eyes watering. 'Promise you won't tell!'
'My lips are sealed,' replied Bradshaw sternly, 'just this once.'
Marianne breathed a sigh of relief and turned to me.
'Miss Next!' she enthused. 'Welcome back to our little book – I trust you are well?'
