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“It won’t come to that, Sweetpea. I’ll defend your right to be smelly and uncommunicative…with my life.”
We hugged and I said good-bye, then did the same to Tuesday, who was reading in bed, giggling over the risible imperfections of the Special Theory of Relativity. She knew I was going somewhere serious, so she got out of bed to give me an extra hug just in case. I hugged her back, tucked her in, told her not to make Einstein look too much of a clot in case it made her look cocky. I then went to say good-bye to Jenny and can remember doing so, although for some reason Friday and Tuesday picked that moment to argue about the brightness of the hall light. After sorting them out, I went downstairs to Landen.
“Land,” I said, unsure of what to say, since I rarely got emergency call-outs for carpet laying, and to pretend I did now would be such an obvious lie, “you do know I love you?”
“More than you realize, sweetheart.”
“And you trust me?”
“Of course.”
“Good. I’ve got to go and—”
“Do some emergency carpet laying?”
I smiled. “Yeah. Wish me luck.”
We hugged, I put on my jacket and left the house, hailing a cab to take me to the Clary-LaMarr Travelport. When I was safely on the bullet train to Saknussemm, I took out my cell phone and keyed in a number. I stared out at the dark Wessex countryside that zipped past so fast the few streetlamps I could see were almost orange streaks. The cell was picked up, and I paused, heart thumping, before speaking.
“My name’s Thursday Next. I’d like to speak to John Henry Goliath. You’re going to have to wake him. It’s a matter of some importance.”
32.
The Austen Rover Roving
The basis for the Austen Rover, I learned much later, was a bus that the Goliath Corporation had bought in 1952 to transport its employees to the coast on “works days out,” a lamentable lapse in Goliath’s otherwise fine record of rampant worker exploitation. The error was discovered after eight years and the day trips discontinued. True to form, Goliath docked the wages of all who attended and charged them for the trip—with back-dated interest.
T he Austen Rover has two separate systems,” explained Dr. Anne Wirthlass, “the transfictional propulsion unit and the book-navigation protocol. The former we have worked out—the latter is something you need to update us on.”
It was almost noon of the following day, and I was being brought up to speed on the Rover’s complexities by the brilliant Dr. Wirthlass, who had thanked me profusely for changing my mind so close to the time before they were to fire themselves off into the unknown.
“It was the least I could do,” I replied, keeping the real reason to myself.
There had been an excited buzz among the technicians in the lab that morning, and I had been introduced to more specialists in an hour than I’d met in a lifetime. John Henry Goliath himself was on hand to smooth over any problems we might have, and there had already been a propulsion test. The Austen Rover had been chained to the floor, and the engines had been spooled up. With a deafening roar, the Rover had flexed at the chains while an inky black void had opened up in front of it. The engines had been throttled back, and the void had closed. It didn’t have the quiet subtleness of Mycroft’s Prose Portal, but it had certainly been impressive.
That had been three hours earlier. Right now we were in the control room, and I’d been trying to explain to them just what form the BookWorld takes, which was a bit odd, as it was really only my interpretation of it, and I had a feeling that if they accepted my way, it would become the way, so I was careful not to describe anything that might be problematical later. I spread a sheet of paper on the table and drew a rough schematic of the various genres that made up the BookWorld, but without too many precise locations—just enough for them to get us inside and then to It Was a Dark and Stormy Night without any problems.
“The Nothing is a big place,” I said without fear of understatement, “and mostly empty. Theoretical storyologists have calculated that the readable BookWorld makes up only twenty-two percent of visible reading matter—the remainder is the unobservable remnants of long-lost books, forgotten oral tradition and ideas still locked in writers’ heads. We call it ‘dark reading matter.’”
“Why is so much of it unread and untold?”
I shrugged. “We’re not altogether sure, but we think ninety-eight percent of the world’s fiction was wiped out by the accidental death of an Iron Age storyteller about three thousand years ago. It was what we call a ‘mass erasure’—we wouldn’t see anything of that size until human perfidy, fire and mold wiped out seventy-five percent of Greek drama at the CE boundary. The reason I mention it is that navigating through the Nothing could be more treacherous than you imagine—colliding with a lost work of Aeschylus or being pulled apart by the Hemingway ‘lost suitcase of manuscripts’ could bring your trip to a painfully verbose. And incorrectly punctuated. End.”
Dr. Wirthlass nodded sagely.
I drew a rough circle near the Maritime Adventure (Civilian) genre. “We think that this area is heavy with detritus from an unknown genre—possibly Squid Action/Adventure—that failed to fully form a century ago. Twice a year Maritime is pelted with small fragments of ideas and snatches of inner monologue regarding important invertebrate issues that don’t do much harm, but bookjumping through this zone has always been a bit bumpy. If we wanted to go from Maritime to Frontier quickly and easily, we wouldn’t jump direct but go through Western.”
We talked along these lines for a good four hours; it surprised me that I knew so much about the BookWorld without really having had to sit down and learn it, and it also surprised me to what an advanced stage the Goliath Book Project had progressed. By agreement they would drop me on page 68 of It Was a Dark and Stormy Night before slingshotting back to Goliath, then await my return and a debrief before attempting any further travel. I had made my demands clearly when I’d spoken to John Henry the previous evening. They would do this my way or not at all, something that he was happy to agree with. He also proposed some sort of business partnership where I could oversee the whole Austen Rover project and determine in what direction book tourism would go. I still didn’t like the idea of it, but if the alternative was the wholesale loss of all the classics through reality book shows, then I’d pretend to go along. I told John Henry we could discuss the precise details upon my return. Throughout the day I’d been having nagging doubts about cozying up to Goliath despite their entreaties, and in an afternoon rest break I wandered into the employees’ canteen area, where there was a TV showing a program all about the upcoming Pride and Prejudice reality show.
“Welcome to Bennetmania,” said a lively young man with painfully fashionable facial hair. He was presenting one of several reality book TV shows that had been rushed onto the schedules to cater to the latest fad. “…And our studio panel will be here to give an up-to-date analysis of the book’s unfolding drama as soon as it begins. Dr. Nessecitar, our resident pseudopyschologist, will point out the bleeding obvious about the Bennet house mates’ progress, and our resident experts will give their opinions and advice on whom should be voted out. But first let’s have a rundown on who our house mates actually are.”
I stood and stared with a kind of numb fascination as a jaunty tune started up under an annoyingly buoyant voice-over that accompanied “artists’ impressions” of the family.
“Mr. Bennet is the father of the clan, and when he’s not chastizing his younger daughters for their silliness or teasing his wife, he likes nothing better than to sit in his study and conduct his affairs. His wife is Mrs. Bennet, who has a brother in trade and is convinced that her daughters should marry up. This old bunny is highly unstable, prone to panic attacks and socially awkward, so keep your eyes fixed on her for some seriously good fireworks.”
The illustration changed to that of the sisters, with each being highlighted in turn as the voice-over described them.
