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He cursed himself. He had no idea of the planet of origin. Maintaining a link across the ansible was expensive. Once he shut down the demo program, the link would be allowed to die--no point in wasting precious interstellar link time on a customer who didn't instantly buy. Oh, well. Nothing to be done about it now.
Benedetto found the project taking him almost more time than it was worth, tracing this fellow back to find out whom he was working with. It wasn't that easy, tracking him from voyage to voyage. All his flights were special issue, classified--again, proof that he worked with some branch of some government--and he only found the voyage before this one by accident. Soon enough, though, Benedetto realized that if he tracked his mistress or sister or secretary or whatever this Valentine woman was, he would have a much easier time of it.
What surprised him was how briefly they stayed in any one place. With only a few voyages, Benedetto had traced them back three hundred years, to the very dawn of the colonizing age, and for the first time it occurred to him that it wasn't inconceivable that this Andrew Wiggin might be the very...
No, no. He could not let himself believe it yet. But if it were true, if this were really the war criminal who...
The blackmail possibilities were astounding.
How was it possible that no one else had done this obvious research on Andrew and Valentine Wiggin? Or were they already paying blackmailers on several worlds?
Or were the blackmailers all dead? Benedetto would have to be careful. People with this much money invariably had powerful friends. Benedetto would have to find friends of his own to protect him as he moved forward with his new plan.
Valentine showed it to Andrew as an oddity. "I've heard of this before, but this is the first time we've ever been close enough to attend one." It was a local newsnet announcement of a "speaking" for a dead man.
Andrew had never been comfortable with the way his pseudonym, "Speaker for the Dead," had been picked up by others and turned into the title of a quasi-clergyman of a new truth-speaking ur-religion. There was no doctrine, so people of almost any faith could invite a speaker for the dead to take part in the regular funeral services, or to hold a separate speaking after--sometimes long after--the body was buried or burned.
These speakings for the dead did not arise from his book The Hive Queen, however. It was Andrew's second book, The Hegemon, that brought this new funerary custom into being. Andrew's and Valentine's brother, Peter, had become Hegemon after the civil wars and by a mix of deft diplomacy and brutal force had united all of Earth under a single powerful government. He proved to be an enlightened despot, and set up institutions that would share authority in the future; and it was under Peter's rule that the serious business of colonization of other planets got under way. Yet from childhood on, Peter had been cruel and uncompassionate, and Andrew and Valentine feared him. Indeed, it was Peter who arranged things so Andrew could not return to Earth after his victory in the Third Bugger War. So it was hard for Andrew not to hate him.
That was why he researched and wrote The Hegemon--to try to find the truth of the man behind the manipulations and the massacres and the awful childhood memories. The result was a relentlessly fair biography that measured the man and hid nothing. Since the book was signed with the same name as The Hive Queen, which had already transformed attitudes toward the Buggers, it earned a great deal of attention and eventually gave rise to these speakers for the dead, going about trying to bring the same level of truthfulness to the funerals of other dead people, some prominent, some obscure. They spoke the deaths of heroes and powerful people, clearly showing the price that they and others paid for their success; of alcoholics or abusers who had ruined their families' lives, trying to show the human being behind the addiction, but never sparing the truth of the damage that weakness caused. Andrew had got used to the idea that these things were done in the name of the Speaker for the Dead, but he had never attended one, and as Valentine expected, he jumped at the chance to do so now, even though he did not have time.
They knew nothing about the dead man, though the fact that the speaking received only small public notice suggested he was not well known. Sure enough, the venue for the speaking was a smallish public room in a hotel, and only a couple of dozen people were in attendance. There was no body present--the deceased had apparently already been disposed of. Andrew tried to guess at the identities of the other people in the room. Was this one the widow? That one a daughter? Or was the older one the mother, the younger the widow? Were those sons? Friends? Business partners?
The speaker dressed simply and put on no airs. He came to the front of the room and started to talk, telling the life of the man simply. It wasn't a biography--there was no time for such a level of detail. Rather it was more like a saga, telling the important deeds the man did--but judging which were important, not by the degree to which such deeds would have been newsworthy, but by the depth and breadth of their effects in the lives of others. Thus his decision to build a house that he could not afford in a neighborhood full of people far above his level of income would never have rated a mention in the newsnets, but it colored the lives of his children as they were growing up, forcing them to deal with people who looked down on them. It also filled his own life with anxiety over finances. He worked himself to death, paying for the house. He did it "for the children," yet they all wished
that they had been able to grow up with people who wouldn't judge them for their lack of money, who didn't dismiss them as climbers. His wife was isolated in a neighborhood where she had no womenfriends, and he had been dead for less than a day when she put the house on the market; she had already moved out.
But the speaker did not stop there. He went on to show how the dead man's obsession with this house, with putting his family in this neighborhood, arose from his own mother's constant harping at his father's failure to provide a fine home for her. She constantly talked about how it had been a mistake for her to "marry down," and so the dead man had grown up obsessed with the need for a man to provide only the best for his family, no matter what it took. He hated his mother--he fled his home world and came to Sorelledolce primarily to get away from her--but her twisted values came with him and distorted his life and the lives of his children. In the end, it was her quarrel with her husband that killed her son, for it led to the exhaustion and the stroke that felled him before he was fifty.
Andrew could see that the widow and children had not known their grandmother, back on their father's home planet, had not guessed at the source of his obsession with living in the right neighborhood, in the right house. Now that they could see the script that had been given him as a child, tears were shed. Obviously, they had been given permission to face their resentments and, at the same time, forgive their father for the pain he had put them through. Things made sense to them now.
The speaking ended. Family members embraced the speaker, and each other; then the speaker went away.
Andrew followed him. Caught him by the arm as he reached the street.
"Sir," Andrew said, "how did you become a speaker?"
The man looked at him oddly. "I spoke."
"But how did you prepare?"
"The first death I spoke was the death of my grandfather," he said. "I hadn't even read The Hive Queen and The Hegemon." (The books were invariably sold as a single volume now.) "But when I was done, people told me I had a real gift as a speaker for the dead. That's when I finally read the books and got an idea of how the thing ought to be done. So when other people asked me to speak at funerals, I knew how much research was required. I don't know that I'm doing it 'right' even now."
"So to be a speaker for the dead, you simply--"
"Speak. And get asked to speak again." The man smiled. "It's not a paying job, if that's what you're thinking."
"No, no," said Andrew. "I just...I just wanted to know how the thing was done, that's all." This man, already in his fifties, would not be likely to believe that the author of The Hive Queen and The Hegemon stood before him in the form of this twenty-year-old.
"And in case you're wondering," said the speaker for the dead, "we aren't ministers. We don't stake out our turf and get testy if someone else sticks his nose in."
"Oh?"
"So if you're thinking of becoming a speaker for the dead, all I can say is, go for it. Just don't do a half-assed job. You're reshaping the past for people, and if you aren't going to plunge in and do it right, finding out everything, you'll only do harm and it's better not to do it at all. You can't stand up and wing it."
"No, I guess you can't."
"There it is. Your full apprenticeship as a speaker for the dead. I hope you don't want a certificate." The man smiled. "It's not always as appreciated as it was in there. Sometimes you speak because the dead person asked for a speaker for the dead in his will. The family doesn't want you to do it, and they're horrified at the things you say, and they'll never forgive you for it when you're done. But...you do it anyway, because the dead man wanted the truth spoken."
