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"Lauro, if you must. Sule makes me feel like I'm six."
"And reminds you of the time when you could see."
He laughed. "Oh, I can see now, thanks very much. I see very well."
"So Andrew says. That's why I've come to you. To find out what you see."
"Want me to play back a scene for you? A blast from the past? I have all my favorite memories stored on computer. I can plug in and play back anything you want. I have, for instance, Andrew's first visit in my family's home. I also have some top-flight family quarrels. Or do you prefer public events? Every Mayor's inaugural since I got these eyes? People do consult me about things like that--what was worn, what was said. I often have trouble convincing them that my eyes record vision, not sound--just like their eyes. They think I should be a holographer and record it all for entertainment."
"I don't want to see what you see. I want to know what you think."
"Do you, now?"
"Yes, I do."
"I have no opinions. Not on anything you'd be interested in. I stay out of the family quarrels. I always have."
"And out of the family business. The only one of Novinha's children not to go into science."
"Science has brought everyone else so much happiness, it's hard to imagine why I wouldn't have gone into it."
"Not hard to imagine,' " said Valentine. And then, because she had found that brittle-sounding people will talk quite openly if goaded, she added a little barb. "I imagine that you simply didn't have the brains to keep up."
"Absolutely true," said Olhado. "I only have wit enough to make bricks."
"Really?" said Valentine. "But you don't make bricks."
"On the contrary. I make hundreds of bricks a day. And with everyone knocking holes in their houses to build the new chapel, I foresee a booming business in the near future."
"Lauro," said Valentine, "you don't make bricks. The laborers in your factory make bricks."
"And I, as manager, am not part of that?"
"Brickmakers make bricks. You make brickmakers."
"I suppose. Mostly I make brickmakers tired.' "
"You make other things," said Valentine. "Children."
"Yes," said Olhado, and for the first time in the conversation he relaxed. "I do that. Of course, I have a partner."
"A gracious and beautiful woman."
"I looked for perfection, and found something better." It wasn't just a line of patter. He meant it. And now the brittleness was gone, the wariness too. "You have children. A husband."
"A good family. Maybe almost as good as yours. Ours lacks only the perfect mother, but the children will recover from that."
"To hear Andrew talk about you, you're the greatest human being who ever lived."
"Andrew is very sweet. He could also get away with saying such things because I wasn't here."
"Now you are here," said Olhado. "Why?"
"It happens that worlds and species of ramen are at a cusp of decision, and the way events have turned out, their future depends in large part on your family. I don't have time to discover things in a leisurely way--I don't have time to understand the family dynamics, why Grego can pass from monster to hero in a single night, how Miro can be both suicidal and ambitious, why Quara is willing to let the pequeninos die for the descolada's sake--"
"Ask Andrew. He understands them all. I never could."
"Andrew is in his own little hell right now. He feels responsible for everything. He's done his best, but Quim is dead, and the one thing your mother and Andrew both agree on is that somehow it's Andrew's fault. Your mother's leaving him has torn him up."
