If the Committee learned I was alive, they would use every tool at their disposal to find me. And the fastest way to find a dead man is to watch the people who loved him. Victoria would become a target, not for what she knew, but for what she meant.
I chose her safety over everything else. Over my own name. Over the decade we might have had. Over the sound of her voice, which I heard in my sleep for years afterward, screaming my name through a comm link while Budapest burned around us.
I stayed dead. And I have lived with the cost of that decision every day since.
The memory releases me slowly, reluctantly, with the taste of old blood at the back of my throat. I open my eyes to dark walls, rain on glass, the glow of Victoria's phone across the room.
She's moved to the sofa. Her shoes are off, feet tucked beneath her, and the phone rests on her knee while she scrolls through the wreckage. The silver threading through her hair catches the glow from her phone screen.
I want to trace it with my thumb. I want to press my mouth to the pulse point beneath her jaw and feel her heart rate spike the way it used to when I backed her against the wall of whatever safe house we'd fallen into that week, when the mission wasdone and the adrenaline had nowhere left to go except into each other.
I want. That's the problem. I've wanted for ten years, and wanting is a blunt, stupid thing when the woman you want has every reason to put a bullet in you.
"A courier I used in Berlin," she says without looking up. "Confirmed dead. Found in his flat an hour ago."
It isn't Baumann. It's someone else, another spoke in the wheel that Webb is dismantling with deliberate patience.
"I'm sorry." The words are inadequate and I know it before they leave my mouth.
"Are you." It's not a question. Her eyes stay on the phone, and the flatness in her voice lands harder than a fist. "You've been operating in my theater for years. Running intelligence on the same networks I was building. Did you ever cross paths with any of them? The people Webb is killing right now. Did you ever meet them, Roman? Have coffee with them? Use their intelligence and then report back to Echo Base knowing that I was out there alone, thinking the only person who ever understood this work was dead?"
I don't answer immediately because she deserves more than a reflex. "I crossed paths with some of them. Not directly. Through intermediaries, through shared channels. I knew the architecture of your network because I was operating alongside it."
"Alongside it." She lets the word sit between us like a blade on a table. "Not inside it. Not warning me. Not telling me that a dead man was watching from the margins."
"If I'd surfaced, the Committee would have come for you."
"The Committee came for me anyway." She lifts her gaze, and her eyes carry the cold, weaponized composure of a woman who has learned that control is the last thing anyone can take from her. "They're killing my people right now, Roman. EveryoneI've built since Budapest. Every contact, every asset, every relationship I maintained because I believed I was the only one left to do it. I built that network on the wreckage of your death, and you sat in a mountain in Montana and watched."
"I sat in safe houses across Europe for years before Kane found me. I wasn't watching from comfort, Vix. I was surviving."
The nickname registers on her face, a micro-expression so brief that anyone else would miss it. I don't miss anything about her. I never have.
It's the particular curse of loving someone you trained beside, fought beside, bled beside. You learn to read them the way you read intelligence reports, the flicker in her eyes, the tension in her jaw, the shift in her weight, and the data never stops arriving, even when you'd sell what's left of your soul to stop receiving it.
"Budapest," she says. The word lands between us like ordnance. "Tell me."
I tell her. Not the tactical details, because she's an intelligence professional and she can reconstruct those from the evidence. I tell her the part she can't reconstruct: MI6 burning me, the Committee's manufactured footage, the weeks in Zagreb calculating the cost of resurfacing against the cost of staying dead, her name on every side of the equation.
She listens without interrupting. When I finish, the stretch of nothing between us lasts long enough that I feel each heartbeat land against my ribs.
"You made a unilateral decision about my life." Her voice is quiet now, controlled in a way that's worse than shouting, because Victoria shouts when she's frustrated. When she goes quiet, she's reached a conclusion. "The Committee tried to kill you. That's war. I understand war. But you let me believe you were dead for ten years. That's not strategy, Roman. That's betrayal."
She stands, picks up her go-bag, and walks into the bedroom. The door closes behind her with a soft click that sounds louder than a gunshot.
I sit in the dark and listen to the rain, and my hands grip the arms of the chair hard enough that the wood bites into my palms.
She's right. That's what makes it unbearable, not the accusation but the accuracy. I made a choice that removed her ability to choose. I decided what she could handle, what she needed, what would keep her safe, and I did it without asking because asking would have meant trusting her with the risk, and I loved her too much to let her share it.
I told myself it was sacrifice. It was control, the same control I've used on assets and targets and operations for decades, turned on the one person who deserved my trust instead.
Victoria is the only person alive who has ever seen through that distinction.
The rain sounds different when you're waiting, heavier somehow, and I sit with it until the laptop chimes.
Tommy's feed comes through. I open it and force myself to read. Committee search patterns across London, mapped in real time by Echo Base's signals intelligence capability. Webb's people have found Victoria's primary safe house. They're sweeping the neighboring streets, expanding the search radius in concentric circles, professional and methodical.
They haven't reached Shoreditch yet, but they will. We have hours, not days.
