Page 10 of Bred By the Final Bidder

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He reads it. I watch his jaw tighten, watch something cold and still settle over his features, the first time all night I've seen the version of him people must actually fear.

"I see," Volody says, quiet, almost to himself as he hands my phone back to me.

"He sent me here blind," I say, and my voice cracks right down the middle of the sentence. "I don’t know what could have possessed him to think I’d be okay with this."

It comes out broken and a little hysterical. I press a hand over my mouth, mortified, because this is not how grown women behave in rooms full of strangers. Volody doesn't flinch. He doesn't look at me like I'm being difficult or dramatic. He just steps closer, giving me every chance to step back if I want to. When I don't, he reaches out and takes the phone gently from my hand, sliding it into his own pocket like he's taking custody of the thing that hurt me.

"I'm going to find out exactly what he wants," he says. "And exactly what he thinks he's getting. But that's tomorrow's problem. Tonight, I just need to know what you need."

"What I need," I repeat, like the concept is foreign.

"You." His voice gentles further, the cold edge folding away somewhere I can't see anymore. "When was the last time you did something for yourself?"

The question stuns me almost as much as the texts did. Nobody has asked me what I want in longer than I can remember.

"I don’t even know. Would you let me go home?" I say slowly. "Even after everything that just happened in there. The bid."The blood,I almost add.

"The number doesn't buy me a vote on what you do with tonight." Something flickers across his face, brief and unguarded, gone before I can fully read it. "I didn't put my name on that card so I could own a decision that should always be yours. I did it so nobody else in that room would get the chance to."

I stare at him, this enormous, dangerous, easy-laughing stranger who just committed an obscene amount of money to a woman he'd known for less than two hours, currently offering to undo all of it because he'd rather I sleep in my own bed than feel cornered in his.

Something in my chest, already painfully tender by my brother's texts, breaks a little further, except this time it doesn't feel like devastation. It feels like relief, sharp and unfamiliar, the way pressure feels when it finally lets go.

"I don't want to go home," I say, and I'm surprised to find I mean it. "I don't think I can sit in that house tonight, waiting for him to ask how it went, like I'm reporting back from a business trip. I'd rather be anywhere that isn't there."

"Then come with me." He says it carefully, like he's checking the words are still safe to offer even after everything. "Not because Pietty said so or because it’s what’s expected. Because I'm asking, and you're allowed to say no to me just as easily as you're allowed to say no to him."

"I know."

"Say it anyway. I want to hear that you know it."

I lift my eyes to his and take a steadying breath. "I know I can say no to you."

"Good." He holds out his hand, the same way he did before the bid, patient, unhurried, like he's got nowhere else in the world he needs to be except exactly here, waiting for me to decide. "Then let's go somewhere that isn't here. I think we've both had enough for one night."

I look down at his hand, then up at his face, and I think about Cole's text still sitting in his pocket like a wound I haven't finished bleeding from.

Volody hasn't decided anything for me tonight. Not really. He's just kept asking, over and over, in different ways, what I want, and waited for the answer.

I put my hand in his.

"Okay," I say again, and this time the word doesn't feel like surrender. It feels like the first choice I've made all night that's entirely, completely mine.

Volody

The drive is quiet in a way I'm not used to.

Liv watches the city slide by through the window, the wool jacket still wrapped around her like armor, and I let the silence sit instead of filling it the way I usually would. Some women need to be entertained out of their own heads. She needs the opposite tonight, I think. Room to breathe without me narrating every mile of it.

The elevator opens straight into the penthouse, and I watch her step out ahead of me and go still.

"Oh," she says.

It's not the reaction I usually get. Most people walk in here and say something about the view, or the floor, or the absurd amount of glass holding the whole place together against the night sky. She just stands there in the entryway, taking it in slowly, like she's reading the room instead of admiring it.

"It's not what I expected," she says finally.

"Disappointed?"