Page 39 of Buried Lies

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He hangs up with the careful formality of a man who has just chosen a side and wishes he hadn't.

I set the phone on the counter. The legal pad sits in front of me, half-filled with the language of a challenge I'll need to file by end of week.

Days. That's what I bought. Not weeks, not months. Days before the county attorney rules, the letter controls, and the permits process with the oiled indifference of a system built to serve the name on the letterhead.

The dominoes are lined up and I can see every one of them. The reclassification processes. The forfeiture triggers. Greer loses the northeast corner, the ridge, the mining road. Without the road crossing her property, Naomi's access violation case collapses, because the trespass only exists if the road crosses private land without an easement. Take the land and the trespass disappears. Take the trespass and the noncompliance report loses its teeth. Take the teeth and the state has no grounds for an inspection order. Take the order and the mine stays sealed.

One filing. One signature. The whole chain, from Naomi's report to the steel door to whatever is behind it, goes dark.

Ward knows this. He's known it since the day I drafted the clause. That's why he activated it now, not to take the land, but to kill the investigation. The land is the mechanism. The mine is the objective.

The days I bought are the only thing standing between that chain and Greer's evidence and Naomi's report and whatever is behind that steel door breathing cold into the October air.

I pick up the phone and call Greer. It rings four times and goes to voicemail, her recorded voice flat and professional, themessage she set up when she still worked a beat and expected calls from strangers. The voice on the recording is the public Greer, controlled and competent. The Greer I know sounds nothing like it. The Greer I know sounds like a woman who saidI should hate you for thisagainst my mouth and meant every word and kissed me harder.

I don't leave a message. A man who leaves a voicemail is a man who can wait for a callback, and I can't.

I call again. Voicemail again. The silence where her voice should be is louder the second time.

She told me about Thayer three hours ago and I told her to stay away from him and she went quiet. The quiet could mean she's ignoring the command, which is what Greer does with commands she didn't request. The quiet could mean she's busy, building the case with her head down and her phone face-down on the table. Or the quiet could mean something else, something connected to the man who put his hand on her arm on a sunlit sidewalk, and that possibility is the one that tightens my grip on the phone until my knuckles ache.

The possessive thing behind my sternum, the one that's been running since this morning, wants to get in the car and drive to her house and stand on her porch until she opens the door. The rational thing, the one I've been losing ground to since the first night she put her hand on my chest, knows that showing up uninvited twice in one week is how you stop being the man she chose and start being the man she has to manage.

She'll answer when she's ready. She always does. On her terms, at her pace, with her jaw set and her evidence assembled and her voice pitched in the register that can take a man apart in a sentence and leave him grateful for the surgery.

I go back to the legal pad. The challenge needs filing by end of week or the reclassification processes and the county attorney ruling becomes academic.

The phone buzzes.

Not a call. A text.

My mother wrote about a girl who vanished twenty years ago. She has my father's eyes. And your family's name is in the same sentence.

I read the text twice. The second reading is worse.

A girl who vanished twenty years ago. A girl with Greer's father's eyes. My family's name.

June gave me the six. She sat across her kitchen table and recited their names in the low voice she kept for sacred things, and I carried them because she asked me to, and I thought that was the whole of it.

She never mentioned this.

Whatever Greer just put on that screen sits in a part of June's record that she chose not to share with me. The choosing was deliberate. June Holden never left anything to accident.

Twenty years ago I was in this valley. I was at Ward's table. Thayer was a few years ahead of me, the sandy hair pushed back, the open face, the warmth deployed at every surface he touched.

The lobby that summer. The renovation dust. A girl behind the front desk whose face I can't quite hold, the shape of it dissolving every time I reach for it. But the edges are forming now, pressing toward something recognizable the way a shape presses toward the surface of dark water. The blank space where her face should be is connected to the flat nothing behind Thayer's eyes on the mining road, and the connection is almost there, almost formed, close enough that I can feel the weight of it without being able to name it.

The door I've been walking past my whole life is opening. Not the draft underneath anymore. The hinges are moving, and theroom behind it is cold, and whatever is in there has my family's name on it.

I type:

Stay where you are. I'm coming to you.

I grab my keys. The glass house is quiet behind me as I lock it, clean surfaces, ordered spaces, a display case for a man who lives nowhere.

I drive toward the Holden house in the dark, toward a woman who has a name I haven't heard yet and a truth I'm not sure I'll survive.

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