Page 29 of Beneath Our Scars: The Later Years

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It's subtle at first. Expensive cologne layered under fresh coffee. Polished shoes on clean floors. The sterile chill of a room prepared for people who expect to be obeyed without ever raising their voices. Nothing I can point to and say there, that's the thing making my skin tighten. Still, my body notices before my mind has language. My fingers curl around the strap of the children's bag, and Grayson's hand settles at the small of my back as if he feels the shift move through me.

The kids press closer without being told. Rosalie walks at Luther's side, one hand tucked into the fabric of his suit jacket. James carries a small notebook under one arm, quiet and observant. Samuel keeps drifting half a step ahead of them, not far enough to be corrected, close enough that his body makes a small, stubborn barrier between his sister and the open corridor.

Blake's waiting outside the conference room with his tablet in one hand and his glasses pushed up the bridge of his nose. He looks rested enough for someone who slept after being forced to stop working, but there's a tightness at his mouth that hasn't left since the night he came home and locked himself in the shower. His scent's cleaner today. Controlled. Carefully washed.

Underneath, something's still sharp.

He looks at me first, and the corner of his mouth softens. "Hey, Cupcake."

I want to go to him. I want to press my face into his neck until the last of that bitter scent gives itself up and tells me where it came from. Instead, I shift Rosalie's bag higher on my shoulder and move close enough for our arms to brush. "You smell tired."

"I am tired." His eyes flick briefly toward the conference room door. "But I'm also dazzlingly professional."

Grayson's hand presses once at my back, steady and quiet, warning me not to chase the worry too hard in the hallway. Blake's smile fades before it finishes forming. He knows I saw through it. He always knows.

The conference room door opens.

Victor Hale steps out first.

He's polished in a way that feels deliberate from hair to cufflink, silver at his temples, suit perfectly tailored, Alpha presence filling the doorway before he speaks. He smiles at Luther with the kind of warmth men like him reserve for equals they've already decided they can negotiate with.

"Luther," Victor says, extending his hand. "Good to see you again."

Luther shakes his hand. He doesn't step aside. "Victor."

Victor turns to Grayson next with an easy nod, then to Maceo, who's appeared beside Blake so quietly I didn't hear him approach. Blake stands there with the tablet against his side, the person who built the company whose room Victor's standing in, and Victor's attention skims over him like a signature line at the bottom of a document.

"Blake," Victor says after a beat, pleasant enough that anyone else might miss the delay. "Ready to keep moving?"

Blake's jaw shifts once. "I am."

Then Victor looks at me.

His smile changes. It becomes warmer, too warm, the kind of expression that wraps around me before I've decided whether I want to be touched by it. He takes one step closer and stops at a polite distance. Nothing about it's wrong. That's what makes my stomach tighten.

"Luca," he says. "I've heard a great deal about the work you've done with Ember House. Remarkable resilience. It's rare to see someone turn private hardship into such meaningful public good."

The words are beautiful from the outside. Clean. Respectful. Almost kind.

My hands go cold anyway.

I feel Luther's attention sharpen beside me. Blake goes very still. Grayson's palm stays at my back, broad and warm, but he doesn't speak for me.

I look at Victor's face and search for what bothers me. He isn't sneering. He isn't dismissing me. He's praising me, and somehow the praise makes me feel smaller than an insult would have.

"I don't think of it that way," I say.

Victor's smile holds. "Of course. I only mean the work has impact. People respond to that kind of authenticity."

The word authenticity lands badly. I feel it in the back of my throat, like something I can't swallow.

Before I can answer, Dorian Vale steps into the doorway behind him.

He's smoother than Victor. Quieter. His suit's dark, his posture relaxed, his smile restrained enough to look thoughtful. He doesn't fill the space the way Victor does. He changes it. The air seems to thin around him, every surface suddenly too polished, every reflection too clear.

His gaze moves over the adults first, brief and courteous. Then it drops to the children.

He crouches slowly, keeping both hands loose and visible on his knees.