“Beth,” she said out loud. “What did we start?” And what would Kate think if she knew? That sliced Lulu’s heart more than anything.
Proof of love,Beth had said to explain her reasons.And proof of the opposite.
Love had its own internal logic. What made sense at the start could spin out of control, turn into a mystery. An adventure of revenge could become tragedy. Had they thought of their act as vengeance? Beth hadn’t called it that. She had wanted to be bold and defiant, to send Pete a message, to take what was hers and, in doing so, reclaim her life.
The moon was a silver disc. Its light dappled through the pine boughs, oak and maple leaves. Lulu stared into the glade beyond the graveyard. She was sure she saw an apparition, a young girl dancing in the moonlight.
She reached into her leather bag and removed a pocketknife, the blade sheathed in bone. She’d had it since she was twelve and taking sailing lessons. The instructor had told the class that all sailors needed to carry a knife at all times, that it could save their lives. The wind had such strong force, filling the sails, driving the boat forward, tightening lines that could trap a person, wrap around a wrist or an ankle, drag a person overboard. With a knife, you could cut yourself free, save your own life.
Lulu held her knife now. So often she had wished Kate had had one with her in the gallery basement. She could have sliced their bonds, rescued herself and Beth and their mother. It had seemed fitting that Lulu had brought this one to Beth’s house that hot day this past July, the week before Beth died. They had stood in the bedroom.
“Why do I feel like a pirate?” Beth had asked, holding Lulu’s knife.
“You’re Grace O’Malley,” Lulu had said. “Rebel woman, pirate queen, a quadrant of the Compass Rose, pillager of idiots, leader of your clan.”
“My clan,” Beth had said, hand on her pregnant belly. Earlier that day, she had let Lulu feel Matthew kick. “And I am about to pillage.”
The dancing girl in the painting by Ben Morrison might have been any of them, but it had always reminded Lulu of Kate. The house looked as if it belonged in Black Hall. The moon cast a spell.
Within seven days, Beth was dead. Lulu knew that what they had done that day had been the catalyst for Beth’s murder. She opened the pocketknife now and cut her finger. She watched four tiny drops of her blood fall onto Beth’s grave. Despite the frost, the earth was still soft, and the blood drained into the dark soil and disappeared, as if it had never been there.
Lulu held the tip of her finger till the bleeding stopped. A few snowflakes began to fall. She stared at Beth’s headstone for a few minutes, focused on the date of her birth: November 21, five days away. The stark realization that Beth wouldn’t be here for it filled Lulu with more sorrow than she’d ever felt in her life. The owl had fallen silent. Lulu imagined she had flown out for a night’s hunting. The only sound was wind in the leaves. She slipped the knife back into her satchel and walked through the graveyard to her car.
48
Tests on the unpainted side ofMoonlightcame back. Reid sat at his desk in his home office, scanning the data. He was partly surprised by it. He had not expected the blood to be Pete’s—the romantic gesture of a drawn heart wouldn’t be Pete’s style, and besides, since meeting with Winnie, he had taken his focus off Pete. It had started to make sense the blood might be Beth’s—given the hiding place known mainly to her and Kate—but he hadn’t seen the Tallulah Granville component coming. The left side of the heart had been sketched with Beth’s blood, the right side with Lulu’s.
There was also a tiny smudge—not red at all; it looked like a coffee stain, blood possibly older than the lines in the heart, or perhaps it had been there since the painting had been made. It had been left by a third person. Although the DNA wasn’t in the database, the markers indicated it belonged to a female.
Lulu had been fingerprinted for her various airline jobs. Her DNA was on file because she had once been a suspect in an assault. Reid hunched over his desk, reading the report. Five years ago, a woman named Danielle Marvin had accused Lulu of domestic violence. They were both pilots at different airlines, sharing an apartment in Greenwich Village. Danielle claimed Lulu attacked her one night. The file revealed photographs of Danielle with bruises around her neck, a bite mark on her shoulder.
From the start, Lulu denied it. She claimed she had moved out a week before and that Danielle had become obsessed with her. Lulu had, in fact, filed for a restraining order, and it had been granted. Reid read the copy that was in the electronic file. The order of protection was based on an antistalking statute and detailed ways Danielle had installed spyware on Lulu’s laptop and a GPS tracker in her luggage. She told friends and coworkers that she and Lulu were lovers, while Lulu maintained they were just roommates. At the time, they each were based at JFK, and Lulu stated that the Village apartment was just a pied-à-terre for layovers in New York.
According to the restraining order, Danielle arranged her schedule around Lulu’s, contriving to be in the same cities at the same times. They had some friends in common but separate social lives. Lulu said Danielle would often show up at the same restaurant, pretending it was a coincidence.
The assault on Danielle occurred just after 10:00 p.m. in her apartment on Sullivan Street. She accused Lulu of attacking her in a jealous rage after a stroll through nearby Washington Square Park because Danielle had told her she wanted to break up with her. Danielle asserted that it was Lulu who had the obsession, who stalked her, not the other way around.
In Lulu’s sworn statement, she said that at the time of the assault, she was with Richard Guerin, a curator at the Museum of Fine Arts, Boston. It was their first date, and they were seeing Lucia di Lammermoor at the Metropolitan Opera. Reid was interested to learn that Richard was a longtime client of the Harkness-Woodward Gallery, that he’d been introduced to Lulu by Kate.
Lulu had voluntarily provided DNA and bite impressions. Richard had corroborated her alibi. She’d been cleared of the crime, and no perpetrator had ever been arrested. If she had been involved, her airline job would have been history.
Reid pushed his chair back from his desk, stretched, turned his head from side to side to relieve stress. His gaze fell on the news clippings from his career, including the crime against Kate, Beth, and their mother. He had recently tacked up newspaper and magazine stories about Beth’s murder, along with the time line he’d worked out about Pete’s movements in the months before Beth had been killed.
He realized, as he often did, that if anyone saw his wall, they’d say he was obsessed. He always told himself that his fixation on the Woodward sisters, particularly Kate, was chivalrous, stemming from a desire to avenge what had been done to them as teenagers. But was that so different from what Lulu said Danielle had done, for which she had obtained a restraining order?
Yes, it was. Night-and-day different. He was positive of that. His confidence was shaken only at night, when he couldn’t sleep, an unending tape of details from Beth’s murder running through his mind, interrupted only by a what-if scenario—him and Kate at the gallery, the kiss that didn’t happen.
That was the part that veered into the realm of obsession. He had never felt passion for any other subject of an investigation before. The other night he’d woken up sweating, dreaming of Kate. In the morning, he’d felt this ridiculous wave of shame—Why should he? Whocould stop a dream?—but it had made him feel like heading to the Y-Knot on Bank Street and getting drunk. He hadn’t sought whiskey or any alcohol as a solution for years, but shame and frustration were powerful motivators.
He stared at the heart and the small spot in the corner.
He looked up the address he had for Lulu Granville and headed over to question her about the bloody heart. Maybe she could tell him who the third woman had been, or perhaps it was historical, left by someone long dead.
And even though Lulu had been cleared of the charge of biting Danielle, Reid couldn’t get the image of those scratches and bite marks on Pete’s back out of his mind. Early on, Pete had said he’d gotten them during sex. It seemed crazy, but could they have come from Lulu? Pretty much the only thing worse than having your husband cheat on you with an employee would be having him be with one of your best friends.
When he arrived at Lulu’s house, Reid found no cars in the driveway, and no one answered the door.
49
