The rain turns to sleet and then snow, collecting on the windowsills. The dark outside becomes darker.
But I lie perfectly still, listening to their breathing. They don’t know I’m back. That I’ve returned from the woods.I’d hide too, Lin said.
What happened that night, when the storm rattled the walls of the cabin, when my memory blots out?
I push back the blanket and move silently down the narrow ladder, then across the room. None of them stir. I could wake them,tell them I’m back, ask them what happened that night—ask them to fill in the parts I can’t remember. But the gnawing in my throat won’t let me. The sliver of pain thrumming inside my chest tells me I shouldn’t trust them.
Something happened that my mind won’t let me remember.
Something that is more darkness than light.
I can’t stay here, with them. There are only bad memories in this place.
I yank on my boots and open the door just wide enough to slip through. I glance back and see someone stirring, Rhett I think, his head lifted. But I pull the door shut before he can focus through the dark.
Before he can see me sneaking out.
NORA
Night comes swiftly in the mountains.
The sinking sun devoured by the snowy peaks. Eaten whole.
I carry in freshly cut logs from the woodshed and drop them beside the woodstove—enough to keep Suzy and me warm through the night. If they’ll actually light.
“You found all these things in the woods?” Suzy asks, standing at the darkened window, running a finger over the items that fascinate her placed along the windowsill: silver candlesticks and a small, palm-sized figurine in the shape of a boy and girl dancing, the freckle-faced girl’s head inclined like she’s facing an imaginary sky. These found things I know by heart. The stories they tell.
Suzy spent most of the day holding her cell phone in the air, near windows, trying to find a signal—even after I told her she’d never get reception out here. Then she’d walk into the kitchen and pick up the landline, listening for a dial tone. But there was always nothing. Just the flat silence. Finally, she turned off her cell phone again to save the battery.
Now, with evening upon us, she seems defeated, her voice low and disheartened.
“Yeah,” I tell her. “During a full moon.”
She watches the snow eddy against the window. “People at school talk about you,” she says absently, like I’m not really listening. “They say you talk to the trees. And to the dead.” She says it in a way that makes me think she wants to believe it, so she can return to school when this is all over and say:I stayed in the house of Nora Walker and it’s all true.
And maybe I should feel hurt, wounded by her statement, but I know what people say about me, about my family, and their words fall like dull raindrops on my skin, never soaking in. I know what I am—and what I’m not. And I don’t blame them for their curiosity. Sometimes I think it might only be envy they feel—a desire to be more than what they are. To escape the blandness of their ordinary lives.
I walk into the kitchen and light two candles with a match—one for Suzy and one for me. “I’ve never talked to the dead,” I admit. The truth. Although Walkers have often been able to see shadows, glimpses of ghosts wandering through the old graveyard on the far side of lake. We see flickers of the in-between, phantoms moving from one corner of the house to the other. Our eyes see what others can’t. But I don’t tell Suzy this. Proof that I might really be what they say I am.
Suzy’s eyelids flutter and she taps her fingers against her opposite forearm, narrowing her gaze like she doesn’t believe me, like she’s certain I must be hiding something—a dozen black cats in the attic, a broomstick tucked behind winter coats in the hall closet, jars filled with my victims’ hearts beneath the floorboards. But nothing so gruesome exists within this house. Only herbs and chimney soot andstories that rest inside the walls. “I’ll make you a bed on the couch,” I tell her.
The blankets and pillow from when Oliver slept here last night are still rumpled at the end.
But Suzy glances to the couch, with its sagging cushions and frayed armrests and stuffing bursting out, and she frowns. She drops her arms, and her mouth makes a little pout. “Is there a bed where I can sleep?”
“Sorry.”
Her eyes cut away and she surveys the living room. She had probably hoped I lived in one of the larger homes on the lake—the log villas with five bedrooms, game rooms in the basement, and spa bathrooms where she could take a bubble bath to soothe the constant chill. “Could I maybe…?” Her words trail away. “Could I sleep with you, in your room?”
Another twinge of sympathy shudders through me.
I don’t want to say yes, I don’t want to share my bed with a girl who surely talks about me at school, who will only stare at all the strange things in my room and then spread more stories about me back at Fir Haven High. But a part of me also wants to feel normal—an ordinary girl who can have friends over and stay up late and not worry about what Suzy will say about me back at school.
The word slips out before I can catch it. “Fine.”
I lock both doors and we climb the stairs to the loft, Fin close behind.
Suzy strides over to the wall of windows, and I divide the pillows on my bed: one for Suzy, one for me. The snow is heaviernow, falling in thick waves against the glass. I wonder if the moth is out there, stalking me, waiting in the trees. The week before my grandmother passed away, a bone moth had been pinging against the windows of the house all morning,tap tap tapping; flit, flit, flitting. I thought it was going to break the glass, its delicate wings beating so frantically, its tiny head thumping against the windows. It was the first time I’d ever seen one—the kind of moth my grandmother warned about—and I watched my mom pace through the house, ringing her hands together, braiding and unbraiding her hair methodically, as if the solution to the moth were in the folds of her dark hair.
