Page 19 of In Her Hands

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The auditorium fell silent except for the woman's quieter sobs.Gregory Ashton straightened slowly in his seat, his posture transforming from eager observer to coiled predator.

“Excuse me?”His voice was dangerously quiet.

The student who had intervened didn't back down.“The purpose of improvisation is to explore character and emotion, not to exploit personal trauma.This crossed a line.”

Gregory rose to his feet, his movements deliberate.“And you're an expert on theatrical training now, Ted?You think after three classes with me, you understand what it takes to be a real actor?”

“I understand basic human decency,” Ted replied, his voice steady despite the flush creeping up his neck.

Gregory ascended the steps to the stage.The woman beside him half rose as if to follow, then sank back down in the seat.

“Let me explain something to you,” Gregory said, walking a slow circle around Ted.“Real acting isn't comfortable.It isn't safe.It's tearing yourself open and letting an audience peer inside.What you just interrupted was a breakthrough—two actors accessing the kind of emotional truth that most people spend their entire careers running from.”

“It wasn't a breakthrough,” Ted countered, his voice quieter now but no less resolute.“It was an ambush.Ellen didn't know her divorce was going to be used as material.”

The crying woman—Ellen—had stopped sobbing, though tears still streaked her face.She remained on her knees, seemingly unable to rise.

Gregory's laugh was short and sharp.“And you think actors in the real world get warnings?That directors coddle them and protect their feelings?This is exactly why this theater produces nothing but second-rate performances of tired commercial plays.Nobody here is willing to take risks.”

He turned to Ellen.“And you—if you can't bring your personal history to bear on your craft, you have no future as an actor.None.”

Jenna felt Jake tense beside her, his natural protectiveness flaring at the director's callousness.She placed a restraining hand on his arm.They were here as observers for now.

Gregory turned back to Ted.“I don't waste my time on students who think they know better than I do.Pack your things and get out.You're done in this class.”

Ted stood his ground for a moment longer, gaze locked with Gregory's.Then he turned to Ellen and helped her to her feet with gentle hands.“You okay?”he asked softly.

She wiped at her face with trembling fingers.Then Ted grabbed his backpack from the side of the stage and walked down the steps.Gregory watched him go, a satisfied smirk playing at the corner of his mouth.

Ted strode up the center aisle of the auditorium, his footsteps quick and angry on the carpeted floor.As he passed Jenna and Jake, his eyes registered their presence for the first time.A brief nod of acknowledgment, and then he was gone, the auditorium door closing behind him with a soft thud.

Gregory turned to face the remaining students.“Would anyone else like to share their thoughts on the pedagogical merits of my teaching methods?”His tone made it clear this wasn't a genuine invitation.

The students shifted uncomfortably.Jenna could read their body language as clearly as if they'd spoken aloud—disagreement, discomfort, even fear—but not one of them spoke up.The woman who had been crying, Ellen, had gotten to her feet and moved to stand slightly apart from the group, arms crossed protectively over her chest.

The silence stretched, becoming its own form of tension.Gregory's assistant glanced at her watch, then got to her feet and looked up at Gregory, her expression a silent plea.

Finally, Gregory consulted his own watch.“Well, it seems our time is up anyway.Remember what you witnessed today.That kind of raw emotion is what separates mediocrity from greatness.Next week, I expect everyone to come prepared to delve deeper than you ever have before.”

The students began gathering their belongings, relief evident in the loosening of shoulders and quicker movements.Conversations remained hushed, as if speaking too loudly might draw Gregory's attention back to them.Ellen was the first to leave the stage, her departure hasty and head bowed.The others followed, some casting concerned glances her way, others simply eager to escape the charged atmosphere.

They filed out past Jenna and Jake, some glancing their way curiously, others with their heads down.Then only Gregory and his assistant remained.The woman rose from her seat, holding a leather-bound notebook to her chest like a shield.

“Shall I check on Ellen?”she asked, her voice soft but carrying in the theater's acoustics.

“Leave her be, Bridget,” Gregory replied dismissively.“She needs to learn to handle criticism if she's going to survive in the theater.”

The woman—Bridget—pressed her lips together, her compliance reluctant.

Jenna and Jake exchanged a glance.Now was the time to make their presence known.They moved forward, stepping out of the shadows and into the dimly lit aisle.

Gregory spotted them immediately.“The theater is closed to the public during class sessions,” he called out, irritation evident in his clipped words.

Jenna continued her approach, badge visible at her hip.“Gregory Ashton?”she asked, though she knew the answer.

“Yes,” he replied, eyes narrowing as he registered her badge and Jake's uniform.“And you are?”

“Sheriff Jenna Graves,” she said, stopping at the foot of the stage.“This is Deputy Hawkins.We need to speak with you.”