1
SYBIL
The orchard looks like something that's been dying slowly enough that no one noticed until everything collapsed at once.
I stop at the boundary of the property with my travel bag hanging off one shoulder and a week's worth of bad decisions behind me, staring at the wrought-iron gate that used to mark the entrance to something worth being proud of. The iron is rusted now. One of the hinges has come loose at the top, leaving it sagging at an angle that makes it look drunk. Beyond it, the apple rows stretch out in crooked lines — half the trees stripped bare, whole sections shredded like something used them as a scratching post. Something very large.
So this is what ten years of staying away gets you.
I push the gate open. It groans like it resents me for it. The Esquine orchard was once the heart of Briarhollow. My father used to say that, usually in the kind of quiet, solemn tone that made me feel like I was standing somewhere I hadn't earned. I'd believed him when I was small. Apple blossoms in spring, the smell of cider pressing in autumn, the whole town passingthrough these rows during harvest like it was a festival rather than labor. It had been beautiful once.
Now it smells like rot.
I get as far as the first damaged row before he finds me. He's been waiting — a thin man with ink-stained fingers and a leather satchel, his mouth already twisted into the kind of smile that means nothing good.
"Miss Esquine." He says my name like he's already decided I'm a disappointment. "I'm here on behalf of the Millhollow creditors. Your father left a sizable?—"
"I know about the debt." I drop my bag. "That's why I'm here."
"The creditors are prepared to move forward with seizure if the balance isn't?—"
"How long do I have?"
He blinks. He wasn't expecting the interruption. People in Briarhollow — humans, especially, tend to soften themselves around creditors connected to dark elf financial houses. I've spent the last nine years working every farm and vineyard from here to the southern coast. I am done being soft.
"End of harvest season," he says, and something in my chest tightens. "Three months."
"Then I have three months." I pick my bag back up.
He leaves looking vaguely irritated, and I stand alone in the ruined orchard for some time before I hear the farmhouse door bang open behind me.
Gran moves faster than a woman of seventy-four has any right to. She wraps both arms around me before I can turn around properly, and she smells exactly the same. Like cinnamon and cider and woodsmoke, and for one embarrassing second I nearly come apart entirely.
"Don't you cry," she says into my hair. "Not yet. You haven't even been here an hour."
"I'm not crying."
"You're thinking about it."
She's not wrong.
She holds me at arm's length and studies my face with those sharp blue eyes that have never once missed anything. Silver curls tucked under a green scarf. Flour on her hands from whatever she was baking. She looks impossibly unchanged, like the years I spent away didn't touch her, and the years I spent away are standing between us like a third person.
"It's bad," I say.
"It's been worse. We had a bad spring. Animals coming in from the forest. Workers quit after the second attack." She pauses. "The kind that don't behave right."
I spend the rest of the afternoon cataloguing damage, and the damage is considerable. Three rows stripped entirely. Fence lines broken in multiple places — not bent, snapped, which means something hit them with significant force. I find claw marks in the bark of the oldest trees, deep ones that go down into the heartwood.
At dusk, I'm hammering at a fence post when I see it.
The stag stands motionless between two rows, close enough that I can count its tines. Massive — larger than any dae I've ever seen — and its eyes are black. Not dark brown. Not shadowed by the fading light. Black, straight through, like something hollowed them out and filled them with ink.
Move, I think at it. Be a normal animal and move.
It doesn't move. It stares at me with those hollow eyes for a breath too long, and then it charges — not at me, but sideways, directly into the fence. Wood splinters. The stag shakes itself, snorts once, and walks back into the trees like nothing happened.
My hands are still shaking when I go inside.
