Page 82 of Iron & Honey

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Not a big knife. That was the worst of it. A small, clean, folding thing, the kind carried for a hundred ordinary jobs, thumbed open and turned so the light ran the edge of it. Close work. A gun would have wanted the width of a room. This one wanted to be near me.

My coffee, on the ground beside me. I’d mindlessly grabbed it running in here. I'd nuked it scalding on my way back, too proud to drink it warm and too far gone to tip it out.

I threw it in his face. He roared.

The patience went out of him at once — scald across his eyes and the bridge of his nose, both hands flying to his face, the knife stabbing blind at the air where I’d been a half-second before. The calm man was gone and an animal stood in his place, and I had maybe two seconds of him not being able to see, and I spent them. I went for the door — for the gap between his bulk and the frame, for the floor, for every soul on the far side of it.

My hand found the heavy trauma shears that rode every nurse’s waistband, and they were in my fist with the points down before I’d cleared his shoulder.

I didn’t clear it.

God, he was fast for a big man half-blind and howling — a fistful of my scrub top, and the whole of him behind it, and I went backward into the shelving hard enough to bring a tray of something down on us both. The smell was everything then, grease and cigarettes and rage, his arm coming across me like a bar. So I did the one thing left in my body to do. I turned the shears in my fist and drove them back and down into the meat of his thigh with everything the years of holding people still for sutures had put in my arms.

He screamed. The grip tore loose. I got through the door, a yard, two, out into the mouth of the corridor where the light was?—

And the knife caught me across my forearm, a line of cold that turned to fire a beat behind it, more shock than depth, and I heard myself make a sound I’d never made in my life.

I spun with my back to the corridor wall and the shears up between us, slick now, my arm wet and warm and shaking so the points of them jittered in the light. Ray Drennan came out of that little room after me — one eye swelling shut, his face boiled red, the small clean knife held low and loose, no theater left in him.

The scream tore up out of me before I knew it was mine. No word in it, nothing as useful ashelp, just the whole of my air going raw against my own throat, loud enough to scrape — the first loud thing I'd done in a week. Down the hall it caught on something: a voice flung back, a door, the slap of running shoes on linoleum.

Far. The shoes were far. He was four feet away and the shoes were the length of the building away, and he took a step, and another, unbothered by the noise, in no hurry, and the cold flat place that had carried me this far had nothing left under it but the wall at my back and the math of the distance.

He never reached me.

Caleb came off the main floor already moving, already low, no shout, no name, nothing wasted — the whole of him crossing that stretch of floor faster than anything that size had a right to move, and the look on his face was nothing I had words for, and nothing in my life had ever made me so glad.

Caleb.

I'd seen Caleb lift an engine block. I'd seen those hands go gentle on me in the dark. I'd never seenthis, and something in me dropped, because this was a different creature wearing him.

Ray came off his back foot swinging, big and loud, the knife leading. "Come on then, you…" Whatever it was died in his throat, because Caleb had already moved, and Caleb wasn't where the knife went. He took the wild arm at the wrist and the elbow and walked Ray's own weight past him into the wall, and Ray hit it with a grunt that shook the gurney on the far side, and still he was mouthing off — spit and blood and the boiled-red face,you think she’s yours, you think this is over, I’ll?—

"Not today, Snake," Caleb said. Quiet. Almost bored.

It wasn't clean and it wasn't quick — Ray was a big man, and a mean one, and he fought the whole way down, throwing his bulk, clawing, getting one wild backhand in that opened a dark line low on the inside of Caleb's forearm, the sleeve going wet to the cuff in a breath. Caleb didn't so much as look at it. He had the weight and he had the training and he spent both like a man balancing a ledger — every heave Ray gave him answered with a half inch more leverage, the knife twisted loose to ring off the ground, the big body turned and folded and put down on its face on the floor with Caleb's knee in the spine and an arm threading round the throat from behind.

I watched him do it flatly, no rage in it at all — which was somehow worse — the bicep on one side and the bleeding forearm on the other, the crook of his elbow set clean under the chin so there was no windpipe in it, only the big vessels at the sides of the neck.Vascular,said the nurse in me, far off and clinical.Not the airway. He knows the difference. He means for him to come back.Ray bucked once, twice, his good hand clawing at the wet sleeve and getting nothing, his boiled face going a deeper red and then a dull, draining grey — and then he simply stopped, all of him going loose, a thing whose lights had gone out.

Counted it in his head — I watched his lips move on the count — released the arm, rolled the limp weight off him, and pressedtwo fingers to the side of that thick neck to feel the pulse he’d been so careful to leave there. Checking his own work. Then he let the man lie.

The corridor was filling now — Marisa’s voice, somebody calling a code, security pounding up from the far doors, all of it a wall of noise that had been a few feet and a lifetime away. And in the middle of it, the floor went quiet and quiet and quiet, Ray’s chest rising slow, the knife winking under the lights three feet from any hand.

He came to me.

Of course he came to me. He crossed before I'd finished bracing for it, knees and then feet, and then his hands were on my face, both of them, framing it, turning it to the light and side to side, his thumbs going over my cheekbones like he was counting them.

"You okay?" Wrecked, ragged, not really a question. "Did he hurt you, Sophia? Did he hurt you?" His eyes dropped down me and snagged on my arm, the sleeve gone dark, and his whole face came apart at the seams. "Fuck.I came in soon as I saw him — I couldn't find you, you weren't at reception, I went the wrong way, I—" His breath broke clean in half. He put his forehead down on mine and held it there. "Liam's coming. Marisa's got the cops on the way. It's over. You hear me? It's over."

He was shaking. All of him — that fine, hard shudder of a body with nothing left in it, running on the dregs. And the whole time his hands moved over my face, his own arm hung black and dripping at his side, and he never once looked at it.

So, I did the thing my hands had always known how to do. I reached between us and took the bleeding arm and turned it to the light.

"This is to the muscle." My voice came out wrong — cracked clean down the middle, nothing like the weather report. "Hold still. You stubborn?—"

I didn't finish it.

Because he'd gone quiet under my hands, gone careful, and when I looked up, he wasn't checking me over anymore. He was just looking at me, that easy face he kept for me stripped clean off, nothing left on it to hide behind, waiting to find out whether he was still allowed this close. And I didn't pull back. I kept one hand pressed to his cut and I didn't pull back, and the wall I'd been holding up all this time gave one quiet inch.