Page 69 of Paws for the Villain

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“Yara Okonkwo. Same pattern. Mentored in 2019. Developed a scripting format for non-linear panel storytelling. He used it—credited himself—in a published interview where he called it ‘my proprietary method.’” Mika’s voice went flat. “Her proprietary method. With her name nowhere on it.”

Three women. Three careers. Three versions of the same predator wearing a mentor’s smile.

Lumi sat on Keanu’s floor surrounded by the bones of her own stolen history and the stories of two women she’d never met who understood exactly what it cost. The man hadn’t targeted her because she was vulnerable. He’d targeted her because she was talented, and talent was what he consumed.

Keanu was already drafting. “Pattern of behavior makes the case devastating. One accusation is a dispute. Three is a predator. I’ll coordinate depositions with both witnesses this week.”

Mika dropped into the chair beside Lumi. Bumped her shoulder. “Three women who were told their work wasn’t theirs.”

“Three women who know better now.”

ZEIR

The corporate warrequired a different kind of weapon.

While Keanu assembled the legal artillery and Lumi organized the creative evidence, Zeir operated on the front Slade understood best: money.

He started with the distributors.

Axan Dark’s catalog moved through six major distribution channels. Four of those channels also carried Titan Comics—Slade’s publishing arm, the machine bankrolling Harlan’s campaign. The overlap wasn’t incidental. It was leverage.

He didn’t make threats. Threats were loud, traceable, and beneath him. Instead, he made calls. Quiet conversations with distribution executives who’d built profitable relationships with Axan Dark over the past decade. He reminded them—gently, precisely—how much of their annual revenue flowed through his catalog. He mentioned, in passing, that Axan Dark was evaluating its distribution partnerships for the coming fiscal year. He asked thoughtful questions about their other major accounts. He let the silence do the arithmetic.

Three distributors requested meetings with Slade’s team within forty-eight hours. Not to drop Titan—nothing so dramatic. To ask questions. To express concerns about reputational risk. To suggest, politely, that the Harlan Cray situation might benefit from a quieter resolution.

Slade’s supply chain didn’t collapse. It developed stress fractures.

Next: the board.

Titan was publicly traded. Slade’s position as CEO depended on shareholder confidence, and shareholder confidence depended on a board that didn’t enjoy reading about funded plagiarism campaigns in financial trade publications. Zeir didn’t contact the board directly—that would leave fingerprints. He ensured that the right journalists received the right background information about Titan’s recent expenditures. Legal fees. PR campaigns. A funded accusation against an independentartist. The kind of spending that made governance committees uncomfortable.

Two board members reached out to Slade’s office within a week. Not to intervene. To ask questions Slade didn’t want to answer.

The landscape shifted. Not through force—through repositioning. The way you won a territorial dispute not by fighting but by making the other side realize the ground beneath them had eroded.

THIRTY-TWO

LUMI

“The best counter-argument to ‘she stole it’ is showing the world what she actually makes.”

Kael stood at the whiteboard in Zeir’s executive office, fifth floor, the one with the Hudson view and the desk the size of a small country. Media timeline mapped in four colors. Interview requests organized by outlet prestige and anticipated reach. Preview pages selected for maximum impact—the panels where Lumi’s art and Zeir’s sensibility merged into work that defied easy categorization.

“Industry profile in The Comics Journal. Lumi’s independent career, the Nightbloom following, the collaboration’s creative scope. We lead with the art. Let the work speak before the accusation lands.”

“Timeline?”

“Profile drops Thursday. We place preview pages—the double-spread from issue three, the Sable reveal sequence—through social channels Friday. By the time the opposing legal team files anything formal, the industry has already seen what Lumi creates. Nobody looks at these pages and thinks it came from Harlan Cray.”

Kael pulled up the preview spreads on his laptop. Turned the screen. The Sable reveal sequence—six panels of a villain emerging from architectural shadows, every line carrying the depth of a character who’d been built over years, not manufactured overnight.

“This is the argument. Not depositions. Not forensics. This.”

Zeir studied the pages. The angular precision of his editorial influence woven through with Lumi’s refusal to let darkness exist without vulnerability—her insistence on showing the wound beneath every calculated exterior. No one who understood the industry would mistake this for derivative output. It was too alive. Too distinctly hers.

“Run it.”

The war roomreconvened after sunset.