Page 74 of Grip It, Rip It, Kiss Me

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I play the voicemail again.

And again.

Three times. Her voice in my ear.I know who you are.

I don't call back.

Not because she's wrong. Because conviction is a feeling, and feelings are subject to revision. She believes in me now — right now, in this room, in this moment, with the adrenaline of the round still in her blood and the heat of our relationship still in her body. She believes in me because I am present and immediate and the evidence of my integrity is her own experience.

But she will walk back into the world, and the world will surround her with people who believe the documents. Sponsors who control her income. Media who control her narrative. Tournament officials who control her access. Her mother, who already questioned the dependence.

And Tala — for all her growth, for all the discipline she's learned, for all the mornings she's woken in my arms and played the best golf of her career — Tala has never been tested by a situation where trusting me costs her something real. Where defending me means losing something she needs.

I set the phone on the nightstand. I lie on the bed in the dark room. My hands shake against the duvet.

I think about Saskia's words:Make sure whoever she is has a deeper reserve than mine.

I think about Keoni's words:She loves the idea of someone standing beside her more than she loves the practice of letting someone stay.

I think about Tala's voice on the recording:I know who you are.

I want to believe her. The wanting is physical — a pressure in my chest, an ache in my throat, the specific gravity of a woman who has been alone for a very long time and has finally found someone who sees her and is now watching that someone walk into a storm that may change what she sees.

I do not call back.


The morning brings clarity of the administrative variety.

Phaedra calls at seven. The tour investigation is formal but procedural — they are required to review the documents, interview both parties, and determine whether any rules of competition were violated. The process takes two to four weeks. During this period, I am not suspended, but Phaedra recommends I voluntarily step away from the bag for the final round to avoid the appearance of defiance.

I agree. The decision is not difficult. Carrying the bag today would place Tala under media scrutiny that would compromise her ability to compete. My professional obligation — the obligation that preceded the relationship and will outlast it if necessary — is to protect her game.

I text Tala at seven fifteen.

I'm stepping away from the bag for the final round. This is not a withdrawal. This is professional judgment. Bisi will arrange an interim caddie. Play the strategy we built. You know the course. You know the reads. You don't need me beside you to play the golf you've been playing.

Her response is immediate.

I don't care about the article. I know the truth.

I type:The truth requires process. Let the process work. Play golf.

Three dots. She's typing. The dots appear and disappear. Appear again. Disappear.

Finally:I'll play. But this isn't over.

I set the phone down.

Bisi calls at eight. She's direct and professional and carries the particular exhaustion of a woman who has been managing crisis communications since five in the morning.

"Two sponsors are demanding a public statement from Tala distancing herself from the allegations. Luminos and the new watch campaign. They want language that demonstrates she takes the investigation seriously and is not preemptively defending the accused party."

"Accused party."

"Their language. Not mine."

"What does Tala want to say?"