Page 59 of Blood & Crown

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“How long?”

“Twelve minutes. Maybe fourteen. My hands are slower than they were.”

I guard the junction. The second node fights us for thirteen minutes and forty seconds, and somewhere in the middle of them the thing I have been afraid of since the lamp left the nightstand finally happens.

Another guard comes in fast, fresh from somewhere deeper in the building. I reach for him without thinking and the gift answers from below my navel, too much of it, the fever spiking white behind my eyes, and for half a second the leash is just gone. The force doesn’t take the guard. It takes the nearest living thing, as it took a bird off a branch once, as it went for my husband in our own bed, and the nearest living thing is Mira, on her knees at the node an arm’s length away, wrist-deep in Konstantin’s wards with her whole self somewhere I can’t reach. I feel it find her. I feel it start to map the seams of her, the places a body comes apart, and she doesn’t know, because she is eight minutes into work that kills all of us if she flinches.

I tear it back.

Both hands, everything, same catch as the first time, except this time there is a person on the other end of the half second and the person is the one who taught me to hold this at all. It does not want to let go of her. I drag it out of her by force and throw the whole screaming mass of it into the guard instead, and he does not fold like the others folded. I land on my knees beside Mira with my own power still burning in my fists and the fever blowing my vision to static, and Mira finishes the node without ever knowing how close my hands came to her while hers were saving everyone.

When she pulls her palms off the stone they’re shaking, and so are mine, and only one of us knows both reasons.

The bond, north. Maximus alive.

Through the comms, Julian. “Second north node under way. Seraphina has the trap. Twenty-nine minutes remaining.”

Twenty-nine minutes. Four nodes. Twelve-plus minutes each. The arithmetic doesn’t fit, and we all know it, and we keep moving anyway, and the building hums around us and the dead-man’s switch counts the heartbeats of a man who designed this moment to be the one where the numbers break.

We walked in. We’re finding out. Now hold the door and don’t let go.

The clock runs. The wards fight. The family does not break.

And somewhere deeper, in the part of this building nobody has ever mapped, the man who built it all is waiting to show us what the math looks like when it breaks.

Chapter

Twenty-Two

The north nodes go down harder than the south.

The first pair sits behind reinforced doors at the end of a corridor that narrows as it descends, the estate’s architecture funneling intruders into a kill zone that any competent tactician would recognize. I recognize it. I designed three just like it at the compound. Konstantin studied the same principles and built them better, because he had decades to refine what I built in months.

Seraphina walks beside me with her hands up, palms forward, reading the wards as we move. Her silver eyes have gone flat and distant, the look she gets when her attention has shifted to a frequency the rest of us can’t hear. She stops three steps before the first trap would have fired.

“Floor trigger,” she says. “Ward-mine. Step past this line and it collapses the corridor behind us.” She kneels, touches the stone, and spends forty-five seconds disarming something that would have buried us both. She stands, wipes the bloodfrom under her nose, and keeps walking. “I hate this man’s craftsmanship,” she says. “It’s excellent.”

Four guards hit us at the first node door. They come from both ends of the corridor, boxing us, and the shadows go before I do, black and low, spreading across the floor before I’ve finished processing the threat. Two of them go for Seraphina. The dark catches the first one by the ankle and drops him. I take the second on the turn, closing the distance in three strides and driving him into the wall hard enough that the stone cracks behind his shoulders. The third and fourth fight smart, staying mobile, using the width of the passage to prevent me from pinning both at once, and it takes me thirty seconds of blade-work and shadow-grappling to put them down.

Thirty seconds. Before the twins, that corridor would have been clear in ten. The pregnancy hasn’t slowed me but the awareness of Celeste fighting on the south side has split my attention in a way I’ve never experienced in combat, the bond bringing me her effort in a counter-rhythm to my own.

And the shadows do the half of the work I never see myself do. They always have. I have never once had to clear a corridor without them, never had to learn a room with only the body Luciano made and not the dark that came up underneath it the night Seraphina showed me it was mine. They reach where my hands can’t reach. They hold the second man while I take the first. I don’t think about it, as a man doesn’t think about his off hand until the morning he wakes without it.

Seraphina takes the first pair of nodes with the meticulous care that has defined her magic. She works the failsafe connections with a surgeon’s patience, threading her power between the ward layers without cutting anything that would trigger the failsafe cascade. I hold the corridor. The dark pins the guards whokeep coming, fewer now, the estate’s defenders thinning as our teams clear the upper floors.

She warns me about the secondary traps thirty seconds before the first one fires, and the ward collapse she prevents would have dropped the ceiling on both of us. The stone above our heads shudders, a deep grinding sound that sends dust raining down, and the ward-energy rebounds off Seraphina’s shield and scorches a black line across the ceiling that will be there long after we leave this building.

“Clever,” she says. Furious. “The trap is woven into the node itself. I have to hold the trap open and dismantle the node through it.” She looks at me. “I’ll need silence. And time. And more luck than I prefer to require.”

I give her silence. I count the guards who come and the seconds they cost me and the slow narrowing of the margin between what my body can do and what this building demands.

Through the bond, south. Celeste is fighting. I can feel the spikes of her power, the heat climbing, the twins’ amplification pushing force through her. The pull that Elena hasn’t had time to explain activates again, and I take a thread of her fever into my own muscles, a tiredness I didn’t earn settling into my arms. My body can carry hers. Whether it should is a question for a morning that isn’t this one.

The final pair takes longer. A knot in the failsafe lattice that Seraphina calls “redundant” with the tone she reserves for magic that offends her, and Mira’s voice on comms from the south side confirms the same structure on her end. Konstantin built his nodes to resist exactly the kind of methodical dismantling we’re doing. Every layer removed reveals another layer underneath, and every layer fights.

More guards. These ones are faster. Better trained, kept inreserve for the moment the building started losing, and the desperation makes them dangerous. And the node Seraphina is holding open chooses that moment to fight back. A ward-pulse rolls down the passage and hits the shadows, and they flatten. They recoil into my skin and for one second they are simply not there, the dark that has done half my fighting since Seraphina woke it pulled out of the room by a building that learned how, and in that second a guard reaches the space the shadows should have filled and reaches Seraphina, and I am moving on nothing but the body Luciano made, and the body Luciano made is half a step too slow.

The blade she produces from her sleeve, thin and silver and older than anything in this building, takes him through the throat before I close the distance. She cleans it on his shirt without looking up from her ward work. Her eyes never leave the node. She kept herself alive because I arrived late, and I have not arrived late to anything before tonight, and I don’t have time to examine what that means, only to mark that it happened.