This is her eyes opening, pupils reduced to black pinpricks against the gray of her irises, until she looks like she’s suffered a massive opiate overdose. This is gold sparking in the gray, brief and bright, as the Impossible City tries to call her home. He feels the gold in his own bones respond, reaching for the gold in Dodger’s, yearning to reunite.
This is the sound of gunfire going silent. Not tapering off; just stopping, like the world has been muted.
This is the world going white.
This is the end.
We got it wrong we got it wrong we got it wrong we got it wrong we
In the same ordinary town, on the same ordinary street, lived two ordinary children who had never quite managed to cross paths. This, too, was sadly ordinary, for the line that divided the students who went to the school on the west side of town from the students who went to school on the east side of town ran right down the middle of their block, an invisible barrier that had split them in two before they were old enough to notice. Every morning they got out of bed, put on their clothes, kissed their parents goodbye, and walked off down their ordinary street, through their ordinary town, in two ordinary, opposite directions.
The two children were very much alike and very different at the same time, as children so often are. One was named Hephzibah, because her parents had a languid and eccentric way of looking at the world. They called her “Zib,” understanding that “Hephzibah” was more name than she had shadow. Every day they watched for signs that she was growing into her name, and every day they were disappointed.
“Soon,” they promised each other. “Soon.”
The other was named Avery, because his parents had a sharp and efficient way of looking at the world. They called him “Avery” when they were happy, and “Avery Alexander Grey” when they were mad, and gave him no nicknames. Nicknames were for people whose names didn’t fit them properly, and they had measured him, every inch, before they named him.
“We did well,” they reassured each other. “We did.”
These are our two children: ordinary, average, wildly unique, as all children are. Our story begins on an ordinary, average day, a day which had never happened before, and would never, in all the length and breadth of time, happen again . . .
—From Over the Woodward Wall, by A. Deborah Baker
. . . the Doctrine of Ethos, as described by Pythagoras, held that certain musical instruments and modes could influence the balance between Logos (rational behavior) and Pathos (emotional thought). Later alchemists came to see this as the interaction between the two halves of the human heart, and more, as the balance between language and mathematics: the two methods through which Man has always been able to influence and even command Nature. The Doctrine must thus be viewed as the most dangerous and most desirable of alchemical incarnations. The people who are first able to seize control over the Doctrine shall command all things.
Ladies and gentlemen of the Alchemical Congress, you know what I am capable of. You have seen my masterwork, spoken to the proof of my mastery. I believe I am prepared to incarnate the Doctrine, if you are prepared to let me try.
—Address by Asphodel D. Baker to the American Alchemical Congress, 1901.
Book 0
The Beginning
Medicine rests upon four pillars—philosophy, astronomy, alchemy, and ethics.
—Paracelsus
Time is the substance from which I am made.
—Jorge Luis Borges
GENESIS
Timeline: 11:14 CST, October 31, 1886.
The air is heavy with the crackle of electricity, with the taste of ozone and mercury and the burning tang of alkahest, the universal solvent, which has a nasty tendency to consume everything in its path unless properly contained. Making it is a complicated process; destroying it is even more difficult. Still, a few drops of the thing can go a long way toward making the supposedly impossible happen. Even death, it seems, can be dissolved.
The woman who calls herself “Asphodel” walks a slow circle around the table, studying her handiwork for flaws. She finds none, but still she circles, restless as a shark, unwilling to commit to the final stages of her task until she’s certain. Certainty is a requirement of her profession, a bone-deep, rock-solid certainty that her will is strong enough and her desires are clear enough to remake the world in her own image.
She isn’t the greatest alchemist of her age yet, but she’s going to be. There is absolutely no question in her mind of that. If she has to drag those fools in the Congress kicking and screaming into the bright and beautiful future she can see unfolding ahead of her, she’ll do it, and she won’t be sorry. If they didn’t want to follow her, they should have had the sense to get the hell out of her way.
Asphodel Baker is twenty-one years old, thirteen years away from the publication of the book that will cement her legacy in the hearts and minds of children everywhere, twenty-three years away from her disappearance and “death,” and she can no more conceive of failure than a butterfly can conceive of calculus. She’s going to change the world, remake it in a better image than the one it’s made in now, and no one’s going to stop her. Not her parents and not her teachers and certainly not the Alchemical Congress.
She was a gifted student: no one who’s met her, who’s seen what she can do, would deny that. The denial of her mastery is nothing but shortsightedness and spite, the old guard refusing to see the bright and brilliant future rushing up behind them like a steam engine roaring down its track. This is her time. This is her place.
This is her chance to show them all.
Asphodel stops circling and reaches for the bowl she has prepared, its contents glowing glittering gold and mercury bright. Dipping her fingers into it, she begins drawing runes down the chest of the flawless body that lies before her, skin naked to the air. He is a beautiful man. Time and care and access to several morgues operated by hungry, unscrupulous vermin have seen to that. She has purchased each piece of him according to her precise specifications. Thanks to the alkahest, there aren’t even any scars. A universal solvent has endless applications, when properly controlled.