Page 93 of The Song of Achilles

A figure rises from the river to bar his way. Filthy water sluices off the muscles of his shoulders, pours from his black beard. He is taller than the tallest mortal, and swollen with strength like creeks in spring. He loves Troy and its people. In summer, they pour wine for him as a sacrifice, and drop garlands to float upon his waters. Most pious of all is Hector, prince of Troy.

Achilles’ face is spattered with blood. “You will not keep me from him.”

The river god Scamander lifts a thick staff, large as a small tree-trunk. He does not need a blade; one strike with this would break bones, snap a neck. Achilles has only a sword. His spears are gone, buried in bodies.

“Is it worth your life?” the god says.

No . Please. But I have no voice to speak. Achilles steps into the river and lifts his sword.

With hands as large as a man’s torso, the river god swings his staff. Achilles ducks and then rolls forward over the returning whistle of a second swing. He gains his feet and strikes, whipping towards the god’s unprotected chest. Easily, almost casually, the god twists away. The sword’s point passes harmlessly, as it has never done before.

The god attacks. His swings force Achilles backwards over the debris lining the river. He uses his staff like a hammer; wide arcs of spray leap from where it smashes against the river’s surface. Achilles must spring away each time. The waters do not seem to drag at him as they might at another man.

Achilles’ sword flashes faster than thought, but he cannot touch the god. Scamander catches every blow with his mighty staff, forcing him to be faster and then faster still. The god is old, old as the first melting of ice from the mountains, and he is wily. He has known every fight that was ever fought on these plains, and there is nothing new to him. Achilles begins to slow, worn out from the strain of holding back the god’s strength with only a thin edge of metal. Chips of wood fly as the weapons meet, but the staff is thick as one of Scamander’s legs; there is no hope that it will break. The god has begun to smile at how often now the man seeks to duck rather than meet his blows. Inexorably, he bears down. Achilles’ face is contorted with effort and focus. He is fighting at the edge, the very edge of his power. He is not, after all, a god.

I see him gathering himself, preparing one final, desperate attack. He begins the pass, sword blurring towards the god’s head. For a fraction of a second, Scamander must lean back to avoid it. That is the moment Achilles needs. I see his muscles tense for that last, single thrust; he leaps.

For the first time in all his life, he is not fast enough. The god catches the blow, and throws it violently aside. Achilles stumbles. It is so slight, just the smallest lurch off-balance, that I almost do not see it. But the god does. He lunges forward, vicious and victorious, in the pause, the small hitch of time that the stumble has made. The wood swings down in a killing arc.

He should have known better; I should have known. Those feet never stumbled, not once, in all the time I knew them. If a mistake had come, it would not be there, from the delicate bones and curving arches. Achilles has baited his hook with human failure, and the god has leapt for it.

As Scamander lunges, there is the opening, and Achilles’ sword streaks towards it. A gash flowers in the god’s side, and the river runs gold once more, stained with the ichor that spills from its master.

Scamander will not die. But he must limp away now, weakened and weary, to the mountains and the source of his waters, to stanch the wound and regain his strength. He sinks into his river and is gone.

Achilles’ face is sweat-streaked, his breaths harsh. But he does not pause. “Hector!” he screams. And the hunt begins again.

Somewhere, the gods whisper:

He has beaten one of us.

What will happen if he attacks the city?

Troy is not meant to fall yet.

And I think: do not fear for Troy. It is only Hector that he wants. Hector, and Hector alone. When Hector is dead, he will stop.

T HERE IS A GROVE at the base of Troy’s high walls, home to a sacred, twisting laurel. It is there that Hector, at last, stops running. Beneath its branches, the two men face each other. One of them is dark, his feet like roots driving deep into soil. He wears a golden breastplate and helmet, burnished greaves. It fit me well enough, but he is bigger than I, broader. At his throat the metal gapes away from his skin.

The other man’s face is twisted almost beyond recognition. His clothes are still damp from his fight in the river. He lifts his ashen spear.

No, I beg him. It is his own death he holds, his own blood that will spill. He does not hear me.

Hector’s eyes are wide, but he will run no longer. He says, “Grant me this. Give my body to my family, when you have killed me.”

Achilles makes a sound like choking. “There are no bargains between lions and men. I will kill you and eat you raw.” His spearpoint flies in a dark whirlwind, bright as the evening-star, to catch the hollow at Hector’s throat.

A CHILLES RETURNS to the tent, where my body waits. He is red and red and rust-red, up to his elbows, his knees, his neck, as if he has swum in the vast dark chambers of a heart and emerged, just now, still dripping. He is dragging Hector’s body behind him, pierced through its heels with a leather thong. The neat beard is matted with dirt, the face black with bloody dust. He has been pulling it behind his chariot as the horses run.

The kings of Greece are waiting for him.

“You have triumphed today, Achilles,” Agamemnon says. “Bathe and rest yourself, and then we shall feast in your honor.”

“I will have no feast.” He pushes through them, dragging Hector after.

“ HOKUMOROS,” HIS MOTHER CALLS him in her softest voice. Swift-fated . “Will you not eat?”

“You know I will not.”