From: [email protected]
Sent: Dec 25, 2:25 PM
Re: Kavan Retrospective
In comparison to how you talk in real life, and how you post on social media, and how you write your novels.
From: [email protected]
Sent: Dec 25, 2:27 PM
Re: Kavan Retrospective
Care to describe the differences?
From: [email protected]
Sent: Dec 25, 2:28 PM
Re: Kavan Retrospective
It’s this dramatic absence of laughter, filler language, and exclamation points.
From: [email protected]
Sent: Dec 25, 2:29 PM
Re: Kavan Retrospective
I think that might just be how I email you, Selina.
From: [email protected]
Sent: Dec 25, 2:29 PM
Re: Kavan Retrospective
I’m touched.
Lingering by the dining table, I considered putting down my phone. There was no need to respond to a two-word email. Yet I had the sense of wanting to get one over on her, to win this interaction, which was stupid, since in a private conversation there was no real metric by which I could gauge a win. But the instinct lingered.
Her attention intrigued me, too, maybe because it made so little sense. I imagined this was how it would feel to walk through a zoo, catch the eye of a panther, and find it padding over to the enclosure’s glass to communicate with you by sign language.
From: [email protected]
Sent: Dec 25, 2:30 PM
Re: Kavan Retrospective