Page 15 of The Pilgrimage


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From that point on, everything began to happen in slow motion. I saw the woman come toward me, shrieking and trying to push me out of the house. And I saw Petrus holding the woman back. The dog paid no attention at all to their struggle. Snarling and baring his teeth, he continued to stare at me. I was trying to understand the strange language I was speaking, but each time I stopped to think about it, my power would weaken and the dog would start coming toward me; he was growing stronger. I began to scream, giving up my attempt at understanding, and the woman began to scream, too. The dog barked and threatened me, but so long as I continued speaking, I was safe. I heard raucous laughter, but I did not know if it was really occurring or if it was in my imagination.

Suddenly, a strong wind swept through the house, and the dog howled and leapt on me. I raised my arm to protect my face, shouted something, and waited to see what the impact would be.

The dog had thrown himself upon me with all his strength, and I fell to the couch. For a few moments, our eyes were locked on each other's; in the next second, he ran from the house.

I began to cry hysterically. I thought of my family, my wife, and my friends. I experienced an enormous feeling of love and, at the same time, an absurd happiness, because all of a sudden I understood everything about the dog.

Petrus took me by the arm and led me outside, as the woman pushed us both from behind. I looked around, and there was no sign of the dog. I hugged Petrus and continued to cry as we walked along in the sunlight.

The next part of the journey is a blank; I only came to my senses later at a fountain, where Petrus was throwing water in my face and on the back of my neck. I asked for some to drink, and he said that if I drank anything then, I would vomit. I was a little nauseated, but I felt good. An immense love for everything and everybody had invaded my being. I looked around me and sensed the trees along the edge of the Road, the small fountain where we had stopped, the fresh breeze, and the bird song from the forest. I was seeing the face of my angel, as Petrus had told me I would. I asked how far we were from the woman's house, and he said we had been walking for about fifteen minutes.

"You probably want to know what happened," he said.

Actually that was not important to me at all. I was just happy about the feelings of love that permeated me. The dog, the woman, the owner of the bar, everything was a distant memory that seemed to have nothing to do with what I was feeling now. I told Petrus that I would like to go on walking because I was feeling so well.

I got up, and we returned to the Road to Santiago. Throughout the rest of the afternoon, I said almost nothing, delighting in the agreeable feeling that seemed to fill me. I still thought that perhaps Petrus had put something in the tea, but this was no longer important.

We arrived at a hotel at eight o'clock that night, and I was still in this state of beatitude, although it had diminished somewhat. The owner asked me for my passport so that I could register, and I gave it to him.

"You're from Brazil? I've been there. I stayed at a hotel on Ipanema Beach."

That absurd message brought me back to reality. There, along the Jacobean route, in a town that had been built centuries ago was a hotel keeper who had been to Ipanema Beach.

"I'm ready to talk," I told Petrus. "I have to know what happened today."

The sense of beatitude had passed. Reason took its place, and my fear of the unknown, along with an urgent need to get my feet back on the ground, had returned.

"After we eat," said Petrus.

Petrus asked the hotel owner to turn on the television but to leave the sound off. He said that this was the best way for me to hear everything he said without asking a lot of questions, because part of me would be watching the television screen. He asked me how much I remembered of what had happened. I answered that I remembered everything except the part where we had walked to the fountain.

"That part is not important to the story," he answered. On the television screen, a film having something to do with coal mines began. The actors were dressed in turn-of-the-century clothing.

"Yesterday, when I sensed the urgency in your messenger, I knew that a battle along the Road to Santiago was about to begin. You are here to find your sword and learn the RAM practices. But every time a guide leads a pilgrim, there is at least one situation that goes beyond the control of both of them. It represents a kind of practical test of what is being taught. In your case, this was the encounter with the dog.

"The details of the battle and the explanation for the many devils that can be present in an animal I will explain later. What is important now is that you understand that the woman was already used to the curse. She had accepted it as normal, and the attitudes of the world were fine with her. She had learned to be satisfied with very little.

"When you exorcised the poor old woman's demons, you also unbalanced her universe. The other day we talked about the cruelty that people are capable of inflicting on themselves. Often, when we try to demonstrate that life is good and generous, such people reject the idea as if it came from the devil. People don't like to ask too much of life because they are afraid they will be defeated. But if someone wants to fight the good fight, that person must view the world as if it were a marvelous treasure waiting to be discovered and won."

Petrus asked me if I knew what I was doing there on the Road to Santiago.

"I am searching for my sword," I answered.

"And what do you want your sword for?"

"I want it because it will bring me the power and the wisdom of the Tradition."

I felt that he was not too happy with my response. But he continued, "You are here, searching for a reward. You are daring to dream, and you are doing everything possible to make your dream come true. You need to have a better idea of what it is that you are going to do with your sword; this has to be clearer to you before we can find it. But there is one thing in your favor: you are looking for a reward. You are walking the Road to Santiago only because you want to be rewarded for your effort. I have noticed that you have applied everything I have taught you; you have been looking for a practical outcome. That is very positive.

"The only thing missing is your learning how to combine the RAM practices with your own intuition. The language of your heart is what is going to determine the best way to find and use your sword. If you can't bring the two together, the exercises and the RAM practices will become simply a part of the useless wisdom of the Tradition."

Petrus had told me this before, in a different way, and although I agreed with him, it wasn't what I wanted to hear about. There were two aspects of the experience that I could not understand: the strange language I had spoken and my feeling of love and happiness after having evicted the dog.

"The sensation of happiness occurred because your action was suffused with agape."

"You talk a lot about agape, but you haven't really explained to me what it is. I have a feeling we are dealing with something that relates to a higher form of love."

"That's exactly right. In a little while, the time will come for you to experience that intense love--the love that consumes the one who loves. Meanwhile, be happy knowing that this love has manifested itself freely in you."

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