Page 23 of Fear


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It was a matter of life and death now, first of all, to get the rigging cut away on one side, that they might be rid of the mast, which would otherwise rock the boat from beneath, and then to crawl up on to the hull and let the imprisoned air out, which would otherwise have kept the boat too high afloat and prevented it riding the waves safely. After considerable difficulty they succeeded in so doing, and Elias, who had been the first to clamber up, assisted the other two to safety.

Thus they sat the long winter night through, desperately clinging with cramped hands and numb knees to the hull, as one wave after another swept over them.

After a few hours, Martin, whom the father had supported all this time as best he could, died of exhaustion and slipped into the sea.

They had several times attempted to call for help, but realizing that it was of no avail, they finally gave it up.

As the two, thus left alone, sat on the hull of the boat, Elias told Bernt he knew that he himself was fated soon to ‘follow mother’, but he had a firm hope that Bernt would be saved in the end, if only he stuck it out like a man. And then he told him all about the Draug – how he had wounded him in the neck with the halibut harpoon, and how the Draug was now taking his revenge and would surely not give in until they were quits.

It was towards nine o’clock in the morning before the day finally began to dawn. Elias then handed over to Bernt, who sat at his side, his silver watch with the brass chain, which he had broken in pulling it out from underneath his close-buttoned vests.

He still sat on a while longer, but as it grew lighter, Bernt saw that his father’s face was ghastly pale. The hair on his head had parted in several places, as it often does just before death, and the skin on his hands was worn off from his efforts to hang on to the keel. Bernt realized that his father was near the end. He tried, as well as the pitching of the boat permitted, to edge over to him and support him. But when Elias noticed it, he waved him back.

‘You stay where you are, Bernt, and hold fast! I’m going to mother! In Jesus’s name!’

And so saying he threw himself backward down from the hull.

When the sea had got its own, it quieted down for a while, as everyone knows who has straddled a hull. It became easier for Bernt to maintain his hold, and with the coming of daylight new hope kindled in him. The storm moderated, and in the full light of day he thought he recognized his surroundings – that he was, in fact, drifting directly off shore from his own home, Kvalholmen.

He began crying for help again, but he really had greater faith in a tide he knew bore landward, just beyond a projection of the island, which checked the fury of the sea.

He drifted nearer and nearer shore, and finally came so close to one of the skerries that the mast, which still floated alongside the boat, grated on the rocks with the rising and falling of the surf. Stiff as his muscles and joints were from his sitting so long and holding fast to the hull, he managed with a great effort to transfer himself to the skerry, after which he hauled in the mast and finally moored the femböring.

The little Lapp girl, who was home alone, for two whole hours thought she heard cries for help, and when they persisted she mounted the hilltop to look out to sea. There she saw Bernt on the skerry, and the upturned femböring beating up and down against it. She ran instantly down to the boat house, pushed out the old rowboat, and rowed it out to the skerry, hugging the shore round the island.

Bernt lay ill, under her care, the whole winter long, and did not take part in the fishing that year. People used to say that ever after he seemed now and again a little queer. To sea he would never go again; he had come to fear it.

He married the Lapp girl, and moved up to Malingen, where he broke new ground and cleared himself a home. There he is still living and doing well.

Playmates

by A. M. Burrage

Although everybody who knew Stephen Everton agreed that he was the last man under heaven who ought to have been allowed to bring up a child, it was fortunate for Monica that she fell into his hands; else she had probably starved or drifted into some refuge for waifs and strays. True her father, Sebastian Threlfall the poet, had plenty of casual friends. Almost everybody knew him slightly, and right up to the time of his fatal attack of delirium tremens he contrived to look one of the most interesting of the regular frequenters of the Café Royal. But people are generally not hasty to bring up the children of casual acquaintances, particularly when such children may be suspected of having inherited more than a fair share of human weaknesses.

Of Monica’s mother literally nothing was known. Nobody seemed able to say if she were dead or alive. Probably she had long since deserted Threlfall for some consort able and willing to provide regular meals.

Everton knew Threlfall no better than a hundred others knew him, and was ignorant of his daughter’s existence until the father’s death was a new topic of conversation in literary and artistic circles. People vaguely wondered what would become of ‘the kid’, and while they were still wondering, Everton quietly took possession of her.

Who’s Who will tell you the year of Everton’s birth, the names of his Almae Matres (Winchester and Magdalen College, Oxford), the titles of his books and of his predilections for skating and mountaineering; but it is necessary to know the man a little less superficially. He was then a year or two short of fifty and looked ten years older. He was a tall, lean man, with a delicate pink complexion, an oval head, a Roman nose, blue eyes which looked out mildly through strong glasses, and thin straight lips drawn tightly over slightly protruding teeth. His high forehead was bare, for he was bald to the base of his skull. What remained of his hair was a neutral tint between black and grey, and was kept closely cropped. He contrived to look at once prim and irascible, scholarly and acute; Sherlock Holmes, perhaps, with a touch of old-maidishness.

The world knew him for a writer of books on historical crises. They were cumbersome books with cumbersome titles, written by a scholar for scholars. They brought him fame and not a little money. The money he could have afforded to be without, since he was modestly wealthy by inheritance. He was essentially a cold-blooded animal, a bachelor, a man of regular and temperate habits, fastidious, and fond of quietude and simple comforts.

Nobody is ever likely to know why Everton adopted the orphan daughter of a man whom he knew but slightly and neither liked nor respected. He was no lover of children, and his humours were sardonic rather than sentimental. I am only hazarding a guess when I suggest that, like so many childless men, he had theories of his own concerning the upbringing of children, which he wanted to see tested. Certain it is that Monica’s childhood, which had been extraordinary enough before, passed from the tragic to the grotesque.

Everton took Monica from the Bloomsbury ‘apartments’ house, where the landlady, already nursing a bad debt, w

as wondering how to dispose of the child. Monica was then eight years old, and a woman of the world in her small way. She had lived with drink and poverty and squalor; had never played a game nor had a playmate; had seen nothing but the seamy side of life; and had learned skill in practising her father’s petty shifts and mean contrivances. She was grave and sullen and plain and pale, this child who had never known childhood. When she spoke, which was as seldom as possible, her voice was hard and gruff. She was, poor little thing, as unattractive as her life could have made her.

She went with Everton without question or demur. She would no more have questioned anybody’s ownership than if she had been an inanimate piece of luggage left in a cloak-room. She had belonged to her father. Now that he was gone to his own place she was the property of whomsoever chose to claim her. Everton took her with a cold kindness in which was neither love nor pity; in return she gave him neither love nor gratitude, but did as she was desired after the manner of a paid servant.

Everton disliked modern children, and for what he disliked in them he blamed modern schools. It may have been on this account that he did not send Monica to one; or perhaps he wanted to see how a child would contrive its own education. Monica could already read and write and, thus equipped, she had the run of his large library, in which was almost every conceivable kind of book from heavy tomes on abstruse subjects to trashy modern novels bought and left there by Miss Gribbin. Everton barred nothing, recommended nothing, but watched the tree grow naturally, untended and unpruned.

Miss Gribbin was Everton’s secretary. She was the kind of hatchet-faced, flat-chested, middle-aged sexless woman who could safely share the home of a bachelor without either of them being troubled by the tongue of Scandal. To her duties was now added the instruction of Monica in certain elementary subjects. Thus Monica learned that a man named William the Conqueror arrived in England in 1066; but to find out what manner of man this William was, she had to go to the library and read the conflicting accounts of him given by the several historians. From Miss Gribbin she learned bare irrefutable facts; for the rest she was left to fend for herself. In the library she found herself surrounded by all the realms of reality and fancy, each with its door invitingly ajar.

Monica was fond of reading. It was, indeed, almost her only recreation, for Everton knew no other children of her age, and treated her as a grown-up member of the household. Thus she read everything from translations of the Iliad to Hans Andersen, from the Bible to the love-gush of the modern female fictionmongers.

Everton, although he watched her closely, and plied her with innocent-sounding questions, was never allowed a peep into her mind. What muddled dreams she may have had of a strange world surrounding the Hampstead house – a world of gods and fairies and demons, and strong silent men making love to sloppy-minded young women – she kept to herself. Reticence was all that she had in common with normal childhood, and Everton noticed that she never played.

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