Page 51 of Fear

The gardens around the house were well wooded, and thus lent the house itself an air of melancholy and the inevitable slight atmosphere of damp and darkness. And here and there, in the most unexpected places, were garden gods, mostly broken and all in need of scouring. Tessa soon discovered these stone ghosts quite unexpectedly, and nearly always with a leap and tingle of surprise. A noseless Hermes confronted one at the turn of a shady walk; Demeter, minus a hand, stood half hidden by laurels, still keeping vigil for Persephone; a dancing faun stood poised and caught in a frozen caper by the gate of the walled-in kitchen garden; beside a small stone pond a satyr leered from his pedestal, as if waiting for a naiad to break the surface.

The interior of the house was at first a little awe-inspiring to Tessa. She loved pretty things, but she was inclined to be afraid of furniture and pictures which seemed to her to be coldly beautiful and conscious of their own intrinsic values. Everything was highly polished, spotless and speckless, and the reception room had an air of state apartments thrown open for the inspection of the public.

The hall was square and galleried, and one could look straight up to the top storey and see the slanting balustrades of three staircases. Two suits of armour faced one across a parquet floor, and on the walls were three or four portraits by Lely and Kneller, those once fashionable painters of Court beauties whose works have lost favour with the collectors of today. The dining-room was long, rectangular, and severe, furnished only with a Cromwellian table and chairs and a great plain sideboard gleaming with silver candelabra. Two large seventeenth-century portraits by unknown members of the Dutch School were the only decorations bestowed on the panelled walls, and the window curtains were brown to match the one strip of carpet which the long table almost exactly covered.

Less monastic, but almost as severe and dignified, was the drawing-room in which Tessa spent most of her time with Miss Ludgate. The boudoir was a homelier room, containing such human things as photographs of living people, work-baskets, friendly armchairs, and a cosy, feminine atmosphere; but Miss Ludgate preferred more often to sit in state in her great drawing-room with the ‘Portrait of Miss Olivia Ludgate’, by Gainsborough, the Chippendale furniture, and the cabinet of priceless china. It was as if she realized that she was but the guardian of her treasures, and wanted to have them within sight now that her term of guardianship was drawing to a close.

She must have been well over eighty, Tessa thought; for she was very small and withered and frail, with that almost porcelain delicacy peculiar to certain very old ladies. Winter and summer, she wore a white woollen shawl inside the house, thick or thin according to the season, which matched in colour and to some extent in texture her soft and still plentiful hair. Her face and hands were yellow-brown with the veneer of old age, but her hands were blue-veined, light and delicate, so that her fingers seemed overweighted by the simplest rings. Her eyes were blue and still piercing, and her mouth, once beautiful, was caught up at the corners by puckerings of the upper lip, and looked grim in repose. Her voice had not shrilled and always she spoke very slowly with an unaffected precision, as one who knew that she had only to be understood to be obeyed and therefore took care always to be understood.

Tessa spent her first week with Miss Ludgate without knowing whether or no she liked the old lady, or whether or no she was afraid of her. Nor was she any wiser with regard to Miss Ludgate’s sentiments towards herself. Their relations were much as they might have been had Tessa been a child and Miss Ludgate a new governess suspected of severity. Tessa was on her best behaviour, doing as she was told and thinking before she spoke, as children should and generally do not. At times it occurred to her to wonder that Miss Ludgate had not sought to engage an older woman, for in her cold formality of that first week’s intercourse she wondered what gap in the household she was supposed to fill, and what return she was making for her wage and board.

Truth to tell, Miss Ludgate wanted to see somebody young about the house, even if she could share with her companion no more than the common factors of their sex and their humanity. The servants were all old retainers kept faithful to her by rumours of legacies. Her relatives were few and immersed in their own affairs. The house and the bulk of the property from which she derived her income were held in trust for an heir appointed by the same will which had given her a life interest in the estate. It saved her from the transparent attentions of any fortune-hunting nephew or niece, but it kept her lonely and starved for young companionship.

It happened that Tessa was able to play the piano quite reasonably well and that she had an educated taste in music. So had Miss Ludgate, who had been a performer of much the same quality until the time came when her rebel fingers stiffened with rheumatism. So the heavy grand piano, which had been scrupulously kept in tune, was silent no longer, and Miss Ludgate regained an old lost ple

asure. It should be added that Tessa was twenty-two and, with no pretensions to technical beauty, was rich in commonplace good looks which were enhanced by perfect health and the freshness of her youth. She looked her best in candlelight, with her slim hands – they at least would have pleased an artist – hovering like white moths over the keyboard of the piano.

When she had been with Miss Ludgate a week, the old lady addressed her for the first time as ‘Tessa’. She added: ‘I hope you intend to stay with me, my dear. It will be dull for you, and I fear you will often find me a bother. But I shan’t take up all your time, and I dare say you will be able to find friends and amusements.’

So Tessa stayed on, and beyond the probationary month. She was a soft-hearted girl who gave her friendship easily but always sincerely. She tried to like everybody who liked her, and generally succeeded. It would be hard to analyse the quality of the friendship between the two women, but certainly it existed and at times they were able to touch hands over the barrier between youth and age. Miss Ludgate inspired in Tessa a queer tenderness. With all her wealth and despite her domineering manner, she was a pathetic and lonely figure. She reminded Tessa of some poor actress playing the part of Queen, wearing the tawdry crown jewels, uttering commands which the other mummers obeyed like automata; while all the while there awaited her the realities of life at the fall of the curtain – the wet streets, the poor meal, and the cold and comfortless lodging.

It filled Tessa with pity to think that here, close beside her, was a living, breathing creature, still clinging to life, who must, in the course of nature, so soon let go her hold. Tessa could think: ‘Fifty years hence I shall be seventy-two, and there’s no reason why I shouldn’t live till then.’ She wondered painfully how it must feel to be unable to look a month hence with average confidence, and to regard every nightfall as the threshold of a precarious tomorrow.

Tessa would have found life very dull but for the complete change in her surroundings. She had been brought up in a country vicarage, one of seven brothers and sisters who had worn one another’s clothes, tramped the carpets threadbare, mishandled the cheap furniture, broken everything frangible except their parents’ hearts, and had somehow tumbled into adolescence. The unwonted ‘grandeur’ of living with Miss Ludgate flavoured the monotony.

We have her writing home to her ‘Darling Mother’ as follows:

I expect when I get back home again our dear old rooms will look absurdly small. I thought at first that the house was huge, and every room as big as a barrack-room – not that I’ve ever been in a barrack-room! But I’m getting used to it now, and really it isn’t so enormous as I thought. Huge compared with ours, of course, but not so big as Lord Branbourne’s house, or even Colonel Exted’s.

Really, though, it’s a darling old place and might have come out of one of those books in which there’s a Mystery, and a Sliding Panel, and the heroine’s a nursery governess who marries the Young Baronet. But there’s no mystery that I’ve heard of, although I like to pretend there is, and even if I were the nursery governess there’s no young baronet within a radius of miles. But at least it ought to have a traditional ghost, although, since I haven’t heard of one, it’s probably deficient even in that respect! I don’t like to ask Miss Ludgate, because, although she’s a dear, there are questions I couldn’t ask her. She might believe in ghosts and it might scare her to talk about them; or she mightn’t, and then she’d be furious with me for talking rubbish. Of course, I know it’s all rubbish, but it would be very nice to know that we were supposed to be haunted by a nice Grey Lady – of, say, about the period of Queen Anne. But if we’re haunted by nothing else, we’re certainly haunted by tramps.

Her letter went on to describe the numerous daily visits of those nomads of the English countryside, who beg and steal on their way from workhouse to workhouse; those queer, illogical, feckless beings who prefer the most intense miseries and hardships to the comparative comforts attendant on honest work. Three or four was a day’s average of such callers, and not one went empty away. Mrs Finch had very definite orders, and she carried them out with the impassive face of a perfect subject of discipline. When there was no spare food there was the pleasanter alternative of money which could be transformed into liquor at the nearest inn.

Tessa was for ever meeting these vagrants in the drive. Male and female, they differed in a hundred ways; some still trying to cling to the last rags of self-respect, others obscene, leering, furtive, potential criminals who lacked the courage to rise above petty theft. Most faces were either evil or carried the rolling eyes and lewd, loose mouth of the semi-idiot, but they were all alike in their personal uncleanliness and in the insolence of their bearing.

Tessa grew used to receiving from them direct and insolent challenges of the eyes, familiar nods, blatant grins. In their several ways they told her that she was nobody and that, if she hated to see them, so much the better. They knew she was an underling, subject to dismissal, whereas they, for some occult reason, were always the welcome guests. Tessa resented their presence and their dumb insolence, and secretly raged against Miss Ludgate for encouraging them. They were the sewer-rats of society, foul, predatory, and carrying disease from village to village and from town to town.

The girl knew something of the struggles of the decent poor. Her upbringing in a country vicarage had given her intimate knowledge of farm-hands and builders’ labourers, the tragic poverty of their homes, their independence and their gallant struggles for existence. On Miss Ludgate’s estate there was more than one family living on bread and potatoes and getting not too much of either. Yet the old lady had no sympathy for them, and gave unlimited largess to the undeserving. In the ditches outside the park it was always possible to find a loaf or two of bread flung there by some vagrant who had feasted more delicately on the proceeds of a visit to the tradesmen’s door.

It was not for Tessa to speak to Miss Ludgate on the subject. Indeed, she knew that – in the phraseology of the servants’ hall – it was as much as her place was worth. But she did mention it to Mrs Finch, whose duty was to provide food and drink, or, failing those, money.

Mrs Finch, taciturn through her environment but still with an undercurrent of warmth, replied at first with the one pregnant word, ‘Orders!’ After a moment she added: ‘The mistress has her own good reasons for doing it – or thinks she has.’

It was late summer when Tessa first took up her abode at Billingdon Abbots, and sweet lavender, that first herald of the approach of autumn, was already blooming in the gardens. September came and the first warning gleams of yellow showed among the trees. Spiked chestnut husks opened and dropped their polished brown fruit. At evenings the ponds and the trout stream exhaled pale, low-hanging mists. There was a cold snap in the air.

By looking from her window every morning Tessa marked on the trees the inexorable progress of the year. Day by day the green tints lessened as the yellow increased. Then yellow began to give place to gold and brown and red. Only the hollies and the laurels stood fast against the advancing tide.

There came an evening when Miss Ludgate appeared for the first time in her winter shawl. She seemed depressed and said little during dinner, and afterwards in the drawing-room, when she had taken out and arranged a pack of patience cards preparatory to beginning her evening game, she suddenly leaned her elbows on the table and rested her face between her hands.

‘Aren’t you well, Miss Ludgate?’ Tessa asked anxiously.

She removed her hands and showed her withered old face. Her eyes were piteous, fear-haunted, and full of shadows.

‘I am very much as usual, my dear,’ she said. ‘You must bear with me. My bad time of the year is just approaching. If I can live until the end of November I shall last another year. But I don’t know yet – I don’t know.’

‘Of course you’re not going to die this year,’ said Tessa, with a robust note of optimism which she had found useful in soothing frightened children.

‘If I don’t die this

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