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He walked over and shut the player off. Tanya picked up an album. Initials had been scrawled in black marker in the corner. T. R. What was the Rowe boy’s name? She didn’t know and couldn’t bring herself to ask Nathan, would rather believe he didn’t know, either.
She glanced at him. “Are you okay?”
“Sure. I think I napped this afternoon, while you were out. Couldn’t get to sleep.”
“And otherwise…?”
He looked at her, trying to figure out what she meant, but what could she say? Have you had the feeling of being not yourself lately? Hearing voices telling you to murder your family?
She had to laugh at that. Yes, it was a ragged laugh, a little unsure of itself; but a laugh nonetheless. No more horror movies for her, however much her sister pleaded.
“Are you okay?” Nathan asked.
She nodded. “Just tired.”
“I don’t doubt it, the way you’ve been going. Come on. Let’s get up to bed.” He grinned. “See if I can’t help us both get to sleep.”
The next day, she was in the office, adding her first bookings to the ledger when she saw the folder pushed off to the side, the one Nathan had compiled on the Rowe murders. She’d set it down that day and never picked it up again. She could tell herself she’d simply forgotten, but she was never that careless. She hadn’t read it because her newly traitorous imagination didn’t need any more grist for its mill.
But now she thought of that album cover in the basement. Those initials. If it didn’t belong to the Rowe boy, then this was an easy way to confirm that and set her mind at ease.
The first report was right there on top, the names listed, the family first, then the housekeeper, Madelyn Levy, and finally, the supposed killer, seventeen-year-old Timothy Rowe.
Tanya sucked in a deep breath, then chastised herself. What did that prove? She’d known he listened to that kind of music, and that’s all Nathan had been doing—listening to it, not sharpening a knife, laughing maniacally.
Was it so surprising that the Rowes’ things were still down there? Who else would claim them? The Sullivans had been over fifty when they moved in—maybe they’d never ventured down into the basement. There had certainly been enough room to store things upstairs.
And speaking of the Sullivans, they’d lived in this house for twenty-five years. If it was haunted, would they have stayed so long?
If it was haunted? Was she really considering the possibility? She squeezed her eyes shut. She was not that kind of person. She would not become that kind of person. She w
as rational and logical, and until she saw something that couldn’t be explained by simple common sense, she was sending her imagination to the corner for a time-out.
The image made her smile a little, enough to settle back and read the article, determined now to prove her fancies wrong. She found her proof in the next paragraph, where it said that Timothy Rowe shot his father. Shot. No big, scary butcher—
Her gaze stuttered on the rest of the line. She went back to the beginning, rereading. Timothy Rowe had apparently started his rampage by shooting his father, then continued on to brutally murder the rest of his family with a ten-inch kitchen carving knife.
And what did that prove? Did she think Nathan had dug up the murder weapon with those old LPs? Of course not. A few lines down, it said that both the gun and knife had been recovered.
What if Nathan bought a matching one? Compelled to reenact—
She pressed her fists against her eyes. Nathan possessed by a killer teen, plotting to kill her? Was she losing her mind? It was Nathan—the same good-natured, carefree guy she’d lived with for ten years. Other than a few bouts of confusion, he was his usual self, and those bouts were cause for a doctor’s appointment, not paranoia.
She skimmed through the rest of the articles. Nothing new there, just the tale retold again and again, until—the suspect dead—the story died a natural death, relegated to being a skeleton in the town’s closet.
The last page was a memorial published on the first anniversary of the killings, with all the photos of the victims. Tanya glanced at the family photo and was about to close the folder when her gaze lit on the picture of the housekeeper: Madelyn Levy.
When Nathan came in a few minutes later, she was still staring at the picture.
“Hey, hon. What’s wrong?”
“I—” She pointed at the housekeeper’s photo. “I’ve seen this woman. She—she was outside, when we were looking at the house. She was picking raspberries.”
The corners of Nathan’s mouth twitched, as if he was expecting—hoping—that she was making a bad joke. When her gaze met his, the smile vanished and he took the folder from her hands, then sat on the edge of the desk.
“I think we should consider selling,” he said.
“Wh-what? No. I—”
