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11

The Circus of the Damned is in a converted warehouse. From the front it looks like a carnival with posters promoting the freak show, and dancing clowns twirling on top of the glowing sign. From the back, it's just dark.

I pulled the Jeep into the small parking lot reserved for employees. It was small because most of the help lived at the Circus. No need for a car if you never left. Here was hoping we'd be needing our car.

I turned off the engine, and silence swirled into the car. Both vampires had sunk into that utter stillness that made me have to glance at them to make sure they were still there. Mammals can freeze, but a rabbit frozen waiting for the fox to pass is a vibrating thing. It breathes fast and faster. Its heart pounds. Vampires are more like snakes. A snake will put a length of its body out, then freeze. There is no sense of movement stopped. No sense that movement will continue. In that moment of frozen time a snake seems unreal, more like a work of art, something carved rather than something alive. Jean-Claude seemed to have fallen into a well of silence where movement, even breath, was forbidden.

I glanced back at Asher. He sat in the back seat. Utterly still, a perfect golden presence, but not alive.

The silence filled the Jeep like icy water. I wanted to clap my hands, yell, anything to make noise, to startle them into being again. But I knew better. All I'd get would be a blink and a look. A look that wasn't human and maybe never had been.

The sound of my dress against the upholstery was loud. "Will they pat me down for weapons?" My voice seemed flat in the charged silence.

Jean-Claude blinked gracefully, then turned his neck to look at me. The look was peaceful rather than empty. I had begun to wonder if the stillness was a form of meditation for the vampires. Maybe if we lived through the night I'd ask.

"This is a challenge, ma petite. They will let us be dangerous. Though I would not flaunt your weaponry. Your little gun is fine."

I shook my head. "I was thinking of more."

He raised his eyebrows. "More?"

I turned to look at Asher. He blinked and raised his eyes to me. I hit the dome light and saw his eyes' true color for the first time. They were blue. But that didn't do them justice. They were as pale a blue as Jean-Claude's were a dark blue. Pale, cold, blue, the startling color of a Husky's eyes. But it wasn't just the eyes, it was the hair. It had looked golden, but the normal gold of a dark blond. In the truer light of the car, I realized it wasn't just illusion and dim light, it was gold. His hair was the truest gold I'd ever seen outside of a bottle or a can of metallic paint. The combination of hair and eyes was amazing. Even without the scars he wouldn't have looked real.

I glanced from one vampire to the other. Jean-Claude was the more beautiful, and it wasn't the scars. Asher was just a trace more handsome than he was pretty. "The same vamp made you both, right?" I asked.

Jean-Claude nodded.

Asher just stared at me.

"Where'd she go?" I asked. "Unnaturally-Beautiful-Studs-R-Us?"

Asher let out a harsh bark of laughter. He dragged his fingers down the scarred side of his face, making the skin stretch, drawing it away from his eye so you could see the pale inner flesh of the eye socket. He emphasized everything into a kind of hideous mask. "Do you think I am beautiful, Anita?" He released the skin, and it snapped back into place, resilient, perfect in its own way.

I looked at him. "What do you want me to say, Asher?"

"I want you to be terrified. I want to see on your face what I've seen on every face for the last two hundred years--disgust, derision, horror."

"Sorry," I said.

He leaned into the seats, showing the scars to the light. He seemed to have an innate sense of what any light would do to the wounds, to know just how the shadows would fall. Years of practice, I guess.

I just looked at him. I met his pale, perfect eyes, gazed on the thick waves of golden hair, the fullness of his lips. I shrugged. "What can I say? I'm a hair and eye person, and you have great hair and amazing eyes."

Asher threw himself back into his seat. He gazed at us both, and there was such rage in his eyes. Such horrible rage that it scared me.

"There," he said. "There, you're afraid of me. I can see it, smell it, taste it." He smiled, pleased with himself, triumphant somehow.

"Tell him what you fear, ma petite."

I glanced at Jean-Claude, then back at Asher. "It's not the scars, Asher. It's your hatred that's frightening."

He leaned forward, and I think without meaning to, his hair spilled around his face, camouflaging him. It had the look of long habit, long comfort. "Yes, my hatred is frightening. Terrifying. And remember, Anita Blake, that the hatred is all for you and your master."

I knew he meant Jean-Claude, and I couldn't argue with the title anymore, though sometimes I wanted to. "Hatred makes us all ugly," I said.

He hissed at me, and there was nothing human in the gesture.

I gave him a bored look. "Come off it, Asher. Been there, done that. If you want to play big-bad-vampire, get in line."

He stripped his overcoat off in an abrupt, violent movement. A brown tweed suit jacket ended up crumpled on the seat. He turned his head so I could see that the scars marched down his neck into the collar of his white dress shirt. He started unbuttoning the shirt.

I glanced at Jean-Claude. His face was impassive, unhelpful. I was on my own. So what else was new?

"Not that I don't appreciate the offer, but I don't usually let a man strip down on the first date."

He snarled at me. He bared his chest to the light, shirt still carefully tucked into his pants. The scars dribbled down his flesh like someone had drawn a dividing line down the center of his body. One half pale and perfect, the other half monstrous. They'd been more careful of his face and neck. They had not been careful of his chest. The scars cut deep runnels. The skin so melted that it didn't even look real anymore. The scars flowed down his stomach into the belted top of his pants.

I stared because that's what he wanted me to do. When I could finally meet his eyes, I had no words left. I'd had holy water poured on a vampire bite before. Cleansed, they called it. Torture was another word for it. I'd crawled and cursed and vomited. I couldn't imagine the pain he'd survived.

His eyes were wide and fierce and fearful. "The scars go all the way down," he said.

That left a trail of visuals that I'd been trying to avoid. I thought of a lot of things to say: "Wow," but it seemed too junior high school and cruel; "sorry" was totally inadequate. I spread my hands wide, kneeling on the seat looking at him. "I asked you once before, Asher. What do you want me to say?"

He pushed himself as far away from me as he could, back against the Jeep's door. "Why doesn't she look away? Why doesn't she hate me? Why isn't she disgusted with this body?"

Like he was disgusted. It hung unsaid on the air, but it was there in his eyes, in the way he held himself. Unspoken, the words hung in the air with the weight and push of thunder.

He yelled, "Why don't I see in her eyes what I see in everyone's eyes?"

"You do not see horror in my eyes, mon ami," Jean-Claude said.

"No," Asher said, "I see worse. I see pity!" He opened the car door without turning around. I would have said he fell out of the car, but that isn't true. He floated upward before he could touch the ground. There was a backwash of wind that swept over me like a storm, and he was gone.

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