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No answer came, but the ship was now effectively unmanned, and it bobbed erratically against its tethers.
Slowly, and with a grating peal that could be heard even above the whine and romp of the engines, an amazingly sized block came skidding out of the bay door—where there was no longer a set of stairs or a folding portal to prevent it from scooting out, tipping over, and dropping to the earth with a crashing crunch. It did not quite shatter but it cracked throughout; and it did not fall unaccompanied. Behind the block of battered cement, a head full of bright red hair ducked—but it didn’t duck so fast that Hainey hadn’t spotted it.
“Brink!” he yelled with triumph, and with another signal to Simeon he pointed the Rattler at the cement block and began to blast it apart. The brick could’ve hidden a mule without much trouble, and it hid the red-haired pirate with ease; but the determined onslaught of the automatic gun broke it apart, tearing out chunks the size of fists, and sending great splits stretching through its bulk.
“Captain!” Lamar said with urgency, and Hainey thought perhaps the engineer had been trying to summon his attention for several seconds before he’d noticed. “Captain, the Crow! Without that brick on board, she’s going to pull the pipe docks loose and take off!”
Over the metallic gargle of the gun, the captain only heard about one out of every three words; but he understood the intent, and he could see for himself that the craft was now empty, and without intervention it would break free, fly heaven knew where, and crash itself into scrap.
He swore loudly and repeatedly, on everything from Brink’s thieving soul to his father’s gleaming eyes. He flipped a switch to power down the Rattler and with Simeon’s help, he deposited it onto the ground.
Felton Brink used the quiet moment to run. He stood just enough to see over the block, saw the men running towards the jittering, flailing craft, and he took off running back up the hill.
Hainey made a mental note of which direction he’d gone, and he said to Simeon, “Get to that tether! Crank and draw the strap by hand, bring the ship lower—as low as you can get it without dragging her down on top of us! Lamar,” he said then. “Get over here—underneath her, with me!”
With the bay floor hanging open, its underside portal destroyed, there was nothing to grab and nothing to climb, only an open hole on the bottom of the craft. The Free Crow was becoming more distressed by the moment, as her engines strove against the tethers that wouldn’t let her up. Freed from her overweight load, she stretched against the straps and chains and would’ve taken the whole landing pad with her if she could only get enough leverage.
“Sir!” Lamar objected, suddenly twigging on.
“Over here! Now!”
And even though the ship loomed, snapped, and reared only a few feet over their heads, he obeyed. He crouched his way over to Croggon Hainey, who stood as tall as he could reach, then bent at the knees and held his hands together like a slingshot.
The captain said, “You’re going to have to grab for it, and once you’re on board, you’re going to have to steady her. ” He didn’t ask if this was possible, or even if it was likely. He assumed that it must be, because no other option was acceptable.
Lamar nodded, swallowed, and backed up enough to take a running leap at the captain’s hands.
Hainey grabbed the engineer’s foot and swung with every ounce of strength left in his bruised, overworked, scratched and scarred back…
…and the slight-framed engineer went tumbling up through the air, where his left hand and right fingertips snagged the bay’s edges.
His right hand lost its hold, then found it again; his left hand squeezed hard enough to almost dent the metal, and held, and gave him leverage enough to work an elbow, and then a knee, and then a heel onto better footing. It took him no more than ten seconds to haul his whole body onboard, and then he vanished into the interior.
Hainey turned to the cement block and saw how it had been carved, and how deeply it had been broken before he’d even begun to shoot at it. Down all the way to the core it’d been breached, all the way to the fossil of a woman’s body, lying crushed by the weight of its tomb.
To the first mate he said frantically, “Help him if you can, once he gets her steady!”
“You’re going after Brink?” Simeon asked, but the captain didn’t answer.
He was already gone, in pursuit of the red-haired pirate who was carrying the most dangerous diamond in the world.
12
Anne snuck Maria to the back of the sanatorium, where an exit was unwatched and no one might interrupt them. “Out here,” she said, opening the door. “That walkway will lead you to a fork. Take the left path, and it’ll send you to the outbuilding—perhaps a hundred yards off. ”
But Maria had only barely heard her, for bobbing above the trees was an airship, seemingly tethered and distressed about its state. “God in heaven!” she exclaimed. “Is that the Clementine? Er, I mean, the Free Crow?”
Anne said with wonder, “I haven’t the foggiest idea! Good Lord, what’s going on over there?”
“I could make a guess,” Maria murmured, and she fought the instinct to dash to the thrashing craft, if only to learn what was happening. The crown of the ship leaped and lurched, straining and fighting, and the spy could hear shouts—but she couldn’t tell what was being shouted. She turned to the nurse and double-checked, “This path? The left fork?”
“That’s right,” she said without taking her eyes off the tussle in the trees.
The path would lead her away from the ship, but she took it with a running start. Her carpetbag full of ammunition and personal effects bounced against her thigh and her skirts tangled around her knees; she kicked to keep herself mobile and s
he tore down the unpaved path, knocking gravel and dirt up against her knickers. Trees leaned above and cast her passage in shadow, and in the back of her ears she heard the whine of an overdriven engine and the breaking of branches somewhere in the distance.
Where is this outbuilding? She asked herself as she panted under the load of her luggage, her clothes, and the changing grade of the scenery.
