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Jiminy Crickets, it’s a nice fucking house. I mean, I know we’re supposed to be mortal rivals and all, but I can appreciate a place decked out better than anything I’ve ever seen on House Hunters. House Hunters International, even.
It’s simpler than I would have expected—all creamy, smooth walls and natural wood, low, modern furniture, and light fixtures that look like industrial art.
There’s a lot of actual art around, too—paintings that look like blocks of color, and sculptures made of piles of shapes. I’m not a total philistine—I know that painting is either a Rothko or supposed to look like one. But I also know I couldn’t make a house look this pretty if I had a hundred years and an unlimited budget to do it.
Now I’m definitely glad I snuck in here to pee.
I find the closest bathroom down the hall. Sure enough, it’s a study in luxury—lovely lavender soap, soft, fluffy towels, water that comes out of the tap at the perfect temperature, not too cool and not too hot. Who knows—in a place this big, I might be the first person to even step foot in here. The Griffins probably each have their own private bathroom. In fact, they probably get tipsy and get lost in this labyrinth.
Once I finish up, I know I should head back outside. I had my little adventure, and there’s no point pushing my luck.
Instead, I find myself sneaki
ng up the wide, curved staircase to the upper level.
The main level was too formal and antiseptic, like a show home. I want to see where these people actually live.
To the left of the staircase, I find a bedroom that must belong to Nessa. It’s soft and feminine, full of books and stuffed animals and art supplies. There’s a ukulele on the nightstand, and several pairs of sneakers kicked hastily under the bed. The only things not clean and new are the ballet slippers slung over her doorknob by their ribbons. Those are beat to hell and back, with holes in the satin toes.
Across from Nessa’s room is one that probably belongs to Riona. It’s larger, and spotlessly tidy. I don’t see any evidence of hobbies in here, just some beautiful Asian watercolors hanging on the walls. I’m disappointed that Riona hasn’t kept shelves of old trophies and medals. She definitely seems the type.
Beyond the girls’ rooms is the master suite. I won’t be going in there. It seems wrong on a different level. There has to be some kind of line I won’t cross when I’m sneaking around somebody’s house.
So, I turn the opposite direction and find myself in a large library instead.
Now, this is the kind of mysterious shit I came here for.
What do the Griffins read? Is it all leather-bound classics, or are they secret Anne Rice fans? Only one way to find out . . .
Looks like they favor biographies, architectural tomes, and yes, all the classics. They’ve even got a section dedicated to the famous Irish authors of yesteryear like James Joyce, Jonathan Swift, Yeats, and George Bernard Shaw. No Anne Rice, but they’ve got Bram Stoker at least.
Oh look, they’ve even got a signed copy of Dubliners. I don’t care what anybody says, no one understands that fucking book. The Irish are all in on it, pretending it’s a masterwork of literature when I’m pretty sure it’s pure gibberish.
Besides the floor-to-ceiling shelves of books, the library is full of overstuffed leather armchairs, three of which have been arranged around a large stone fireplace. Despite the warm weather, there’s a fire going in the grate—just a small one. It’s not a gas fire, there are actual birch logs burning, which smells nice. Above the fireplace hangs a painting of a pretty woman, with several objects arranged along the mantle underneath, including a carriage clock and an hourglass. Between those, an old pocket watch.
I pick it up off the mantle. It’s surprisingly heavy in my hand, the metal warm to the touch instead of cool. I can’t tell if it’s brass or gold. Part of the chain is still attached, though it looks like it broke off at about half its original length. The case is carved and inscribed, so worn that I can’t tell what the image used to be. I don’t know how to open it, either.
I’m fiddling with the mechanism when I hear a noise out in the hallway—a faint clinking sound. Quickly, I slip the watch into my pocket and dive down behind one of the armchairs, the one closest to the fire.
A man comes into the library. Tall, brown hair, about thirty years old. He’s wearing a perfectly tailored suit, and he’s extremely well-groomed. Handsome, but in a stark sort of way—like he’d push you off a lifeboat if there weren’t enough seats. Or maybe even if you forgot to brush your teeth.
I haven’t actually met this dude before, but I’m fairly certain it’s Callum Griffin, the oldest of the Griffin siblings. Which means he’s just about the worst person to catch me in the library.
Unfortunately, it seems like he plans to stick around a while. He sits down in an armchair almost directly across from me and starts reading emails on his phone. He’s got a glass of whiskey in his hand, and he’s sipping from it. That’s the sound I heard—the ice cubes chinking together.
It’s extremely cramped and uncomfortable behind the armchair. The rug over the hardwood floor is none too cushy and I have to hunch up in a ball so my head and feet don’t poke out on either side. Plus, it’s hot as balls this close to the fire.
How in the hell am I going to get out of here?
Callum is still sipping and reading. Sip. Read. Sip. Read. The only other sound is the popping of the birch logs.
How long is he going to sit here?
I can’t stay forever. My brothers are going to start looking for me in a minute.
I don’t like being stuck. I’m starting to sweat, from the heat and the stress.
The ice in Callum’s glass sounds so cool and refreshing.
