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“Oh, no,” said McClure, holding the chair between himself and the advancing man. “You want to kill me. It’s odd, but true. I can’t understand it. You want to cut me with that knife or something like that, and it’s up to me to prevent you from doing such an odd thing.”
“I will kill you!” Lantry let it slip out. He cursed himself. That was the worst possible thing to say.
Lantry lunged across the chair, clutching at McClure.
McClure was very logical. “It won’t do you any good to kill me. You know that.” They wrestled and held each other in a wild, toppling shuffle. Tables fell over, scattering articles. “You remember what happened in the morgue?”
“I don’t care!” screamed Lantry.
“You didn’t raise those dead, did you?”
“I don’t care!” cried Lantry.
“Look here,” said McClure, reasonably. “There will never be any more like you, ever, there’s no use.”
“Then I’ll destroy all of you, all of you!” screamed Lantry.
“And then what? You’ll still be alone, with no more like you about.”
“I’ll go to Mars. They have tombs there. I’ll find more like myself!”
“No,” said McClure. “The executive order went through yesterday. All of the tombs are being deprived of their bodies. They’ll be burned in the next week.”
They fell together to the floor. Lantry got his hands on McClure’s throat.
“Please,” said McClure. “Do you see, you’ll die.”
“What do you mean?” cried Lantry.
“Once you kill all of us, and you’re alone, you’ll die! The hate will die. That hate is what moved you, nothing else! That envy moves you. Nothing else! You’ll die, inevitably. You’re not immortal. You’re not even alive, you’re nothing but a moving hate.”
“I don’t care!” screamed Lantry, and began choking the man, beating his head with his fists, crouched on the defenseless body. McClure looked up at him with dying eyes.
The front door opened. Two men came in.
“I say,” said one of them. “What’s going on? A new game?”
Lantry jumped back and began to run.
“Yes, a new game!” said McClure, struggling up. “Catch him and you win!”
The two men caught Lantry. “We win,” they said.
“Let me go!” Lantry thrashed, hitting them across their faces, bringing blood.
“Hold him tight!” cried McClure.
They held him.
“A rough game, what?” one of them said. “What do we do now?”
The beetle hissed along the shining road. Rain fell out of the sky and a wind ripped at the dark green wet trees. In the beetle, his hands on the half-wheel, McClure was talking. His voice was susurrant, a whispering, a hypnotic thing. The two other men sat in the back seat. Lantry sat, or rather lay, in the front seat, his head back, his eyes faintly open, the glowing green light of the dash dials showing on his cheeks. His mouth was relaxed. He did not speak.
McClure talked quietly and logically, about life and moving, about death and not moving, about the sun and the great sun Incinerator, about the emptied tombyard, about hatred and how hate lived and made a clay man live and move, and how illogical it all was, it all was, it all was. One was dead, was dead, was dead, that was all, all, all. One did not try to be otherwise. The car whispered on the moving road. The rain spattered gently on the windshield. The men in the back seat conversed quietly. Where were they going, going? To the Incinerator, of course. Cigarette smoke moved slowly up on the air, curling and tying into itself in gray loops and spirals. One was dead and must accept it.
Lantry did not move. He was a marionette, the strings cut. There was only a tiny hatred in his heart, in his eyes, like twin coals, feeble, glowing, fading.
I am Poe, he thought. I am all that is left of Edgar Allan Poe, and I am all that is left of Ambrose Bierce and all that is left of a man named Lovecraft. I am a gray night bat with sharp teeth, and I am a square black monolith monster. I am Osiris and Bal and Set. I am the Necronomicon, the Book of the Dead. I am the house of Usher, falling into flame. I am the Red Death. I am the man mortared into the catacomb with a cask of Amontillado … I am a dancing skeleton. I am a coffin, a shroud, a lightning bolt reflected in an old house window. I am an autumn-empty tree, I am a rapping, flinging shutter. I am a yellowed volume turned by a claw hand. I am an organ played in an attic at midnight. I am a mask, a skull mask behind an oak tree on the last day of October. I am a poison apple bobbling in a water tub for child noses to bump at, for child teeth to snap … I am a black candle lighted before an inverted cross. I am a coffin lid, a sheet with eyes, a foot-step on a black stairwell. I am Dunsany and Machen and I am the Legend of Sleepy Hollow. I am The Monkey’s Paw and I am The Phantom Rickshaw. I am the Cat and the Canary, the Gorilla, the Bat. I am the ghost of Hamlet’s father on the castle wall.
