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David stood over her. She opened her eyes. The room came into focus. Moving a weak hand, she pulled aside a coverlet.
The murderer looked up at David Leiber with a small, red-faced, blue-eyed calm. Its eyes were deep and sparkling.
“Why!” cried David Leiber, smiling. “He’s a fine baby!”
Something Wicked This Way Comes
For those who still dream and remember, for those yet to experience the hypnotic power of its dark poetry, step inside. The show is about to begin. The carnival rolls in sometime after midnight, ushering in Halloween a week early. The shrill siren song of a calliope beckons to all with a seductive promise of dreams and youth regained. In this season of dying, Cooger & Dark’s Pandemonium Shadow Show has come to Green Town, Illinois, to destroy every life touched by its strange and sinister mystery. And two boys will discover the secret of its smoke, mazes, and mirrors; two friends who will soon know all too well the heavy cost of wishes … and the stuff of nightmare.
Midnight then and the town clocks chiming on toward one and two and then three in the deep morning and the peals of the great clocks shaking dust off old toys in high attics and shedding silver off old mirrors in yet higher attics and stirring up dreams about clocks in all the beds where children slept.
Will heard it.
Muffled away in the prairie lands, the chuffing of an engine, the slow-following dragon-glide of a train.
Will sat up in bed.
Across the way, like a mirror image, Jim sat up, too.
A calliope began to play oh so softly, grieving to itself, a million miles away.
In one single motion, Will leaned from his window, as did Jim. Without a word they gazed over the trembling surf of trees.
Their rooms were high, as boys’ rooms should be. From these gaunt windows they could rifle-fire their gaze artillery distances past library, city hall, depot, cow barns, farmlands to empty prairie!
There, on the world’s rim, the lovely snail-gleam of the railway tracks ran, flinging wild gesticulations of lemon or cherry-colored semaphore to the stars.
There, on the precipice of earth, a small steam feather uprose like the first of a storm cloud yet to come.
The train itself appeared, link by link, engine, coal-car, and numerous and numbered all-asleep-and-slumbering-dreamfilled cars that followed the firefly-sparked churn, chant, drowsy autumn hearthfire roar. Hellfires flushed the stunned hills. Even at this remote view, one imagined men with buffalo-haunched arms shoveling black meteor falls of coal into the open boilers of the engine.
The engine!
Both boys vanished, came back to lift binoculars. “The engine!”
“Civil War! No other stack like that since 1900!”
“The rest of the train, all of it’s old!”
“The flags! The cages! It’s the carnival!”
They listened. At first Will thought he heard the air whistling fast in his nostrils. But no—it was the train, and the calliope sighing, weeping, on that train.
“Sounds like church music!”
“Hell. Why would a carnival play church music?”
“Don’t say hell,” hissed Will.
“Hell.” Jim ferociously leaned out. “I’ve saved up all day. Everyone’s asleep so—hell!”
The music drifted by their windows. Goose pimples rose big as boils on Will’s arms.
“That is church music. Changed.”
“For cri-yi, I’m froze, let’s go watch them set up!”
“At three A.M.?”
