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“Then come with me.”
“Where?” The last time he had seen her she was living in a tent, as were most in the earthquake-ravaged and fire-gutted city. From what he had seen from the ferry crossing the bay, not a lot had been rebuilt in the burned districts.
“I borrowed a sweet little cottage from my new boss.”
“What new boss?”
“I just got a wonderful job on a newspaper. I’ll tell you all about it. Later. After we change your bandage.”
In the short time they had been engaged, Isaac Bell had come to trust Marion’s judgment and insight totally. Experienced in business and trained as a lawyer at Stanford—graduating with the first class—she was the only person outside of his fellow detectives with whom he would discuss a case.
“The killer not only found Tetrazzini’s car in a dark tunnel swirling with smoke, but her exact stateroom window. He was well informed. Once again, I feel this so-called Black Hand bunch are considerably more organized than illiterate immigrants straight off the boat.”
“No doubt their leader is,” Marion conceded. “Did the railroad police happen to recognize the killer?”
“No. Why would they?”
“He attacked three thousand miles from New York, and he, or his henchmen, piled stones on the tracks ahead of your train, both of which suggest he was a California man following orders from New York. And he was obviously familiar with the railroad, so I’m wondering whether they had ever arrested him for stealing rides.”
She had changed into a silk robe that complemented her sea-coral green eyes, and Bell watched avidly as she prowled the tiny cottage, refilling their flutes with Bill
ecart-Salmon Brut Rosé champagne and returning to their bed. “What do you think?” she asked.
“I think we should sleep on it.”
A heavy hand pounded the front door.
Marion called, “Who is it?”
“Bronson,” thundered through the wood. “You in there, Isaac?”
“What?”
“Russo’s in Ogden. I’ll slide the telegram under the door.”
Marion said, very sadly, “After I bandage your neck, I’ll ride the ferry with you to the train.”
11
Brewster Claypool was headed for Tammany headquarters, above Tony Pastor’s vaudeville house in an opulent three-story Italianate building on 14th Street, when he heard chorus girls singing Victor Herbert’s latest hit, “I Want What I Want When I Want It.”
He stepped into the theater.
They were rehearsing a spoof with a bandy-legged comedian, who was costumed in a yellow wig and short skirt. Claypool exchanged blown kisses with the girls and got a wave from the comedian, then climbed the stairs with a world-weary smile.
“I Want What I Want When I Want It” summed up with grim precision the job of pulling wires for J. B. Culp.
Boss Fryer—wan, potbellied “Honest Jim” Fryer—greeted Claypool expansively. He would have inquired about his family, if Claypool had one, so asked instead about mutual friends on Wall Street. Claypool reported on their successes and travails, and asked about Honest Jim’s family, who were prospering.
Jim Fryer ran the Tammany Hall political machine that ran New York City. Strict administrator of a party pecking order—district leaders down to election district leaders to block captains to saloonkeepers and building captains—he got out the vote on Election Day in the majorities required to beat the Reformers and dominated a confederation of police, clergy, streetcar magnates, and construction contractors.
They clinked glasses of seltzer lemonade with the fond respect of friends at the top of their games—men who ran cities had not the luxury to drink like elected officials—and traded gossip that others would pay fortunes to hear. Eventually, Fryer, who had a reception room full of cops, contractors, priests, and franchise grabbers waiting to see him, asked Claypool, with only the merest hint of time’s pressure, “To what do I owe the pleasure of your presence?”
“I would like to meet a fellow who can help arrange something unusual.”
The word “unusual” caused Fryer’s eyes to narrow fractionally.
“Brandon Finn’s your man. Tell him I sent you.”
