Page 78 of The Future Is Blue


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“I mean a blue dinosaur. I mean a story about a girl who lost somebody and couldn’t get over it. I can mean both at the same time. That’s allowed.”

“This isn’t any better than when you were saying autarchy and peregrinate.”

“So peregrinate with autarchy, girlie. That’s how you’re supposed to act around stories, anyway. Who raised you?”

I kicked out the lock on their paddock and let the reptilian stories loose. They bolted like blue lightning into the cinnabar piazza. Jellyfish ran joyfully among them, jumping and wriggling and whinnying, giddy to be in a herd again, making a mess of a color scheme.

“I love you,” said my sorrow. She had shrunk up small again, no taller than a good dog, and she was wearing the Sparrowbone Mask of the Incarnadine Fisherwomen. By the time I’d gotten halfway up the opera-skull, she was gone.

“Let us begin by practicing the chromatic scale, beginning with E Major.”

That is what the voice coming out of the eye socket of a giant operatic squirrel said and it was Orchid’s voice and it had a laugh hidden inside it like it always did. I pulled myself up and over the lip of the socket and curled up next to Orchid Harm and his seven books, of which he’d already read four. I curled up next to him like nothing bad had ever happened. I fit into the line of his body and he fit into mine. I didn’t say anything for

a long, long time. He stroked my hair and read to me about basic strumming technique but after awhile he stopped talking too and we just sat there quietly and he smelled like sunlight and booze and everything purple in the world.

“I killed the Ordinary Emperor with a story’s tail,” I confessed at last.

“I missed you, too.”

“Are you dead?”

“The squirrels won’t tell me. Something about collapsing a waveform. But I’m not the one wearing a red dress.”

I looked down. Deep red silky satin death flowed out over the bone floor. A lot of my skin showed in the slits of that dress. It felt nice.

“The squirrels ate you, though.”

“You never know with squirrels. I think I ate some of them, too. It’s kind of the same thing, with time travel, whether you eat the squirrel or the squirrel eats you. I remember it hurt. I remember you kissed me till it was over. I remember Early-to-Tea and Stopwatch screaming. Sometimes you can’t help vanishing. Anyway, the squirrels felt bad about it. Because we’d taken care of them so well and they had to do it anyway. They apologized for ages. I fell asleep once in the middle of them going on and on about how timelines taste.”

“Am I dead?”

“I don’t know, did you die?”

“Maybe the bubbles got me. The Emperor said I’d get sick if I traveled without a clarinet. And parts of me aren’t my own parts anymore.” I stretched out my legs. They were the color of rooster feathers. “But I don’t think so. What do you mean the squirrels had to do it?”

“Self-defense, is what they said about a million times.”

“What? We never so much as kicked one!”

“You have to think like a six-legged mauve squirrel of infinite time. The Ordinary Emperor was going to hunt them all down one by one and set the chronology of everything possible and impossible on fire. They set a contraption in motion so that he couldn’t touch them, a contraption involving you and me and a blue story and a Red Country where nobody dies, they just change clothes. They’re very tidy creatures. Don’t worry, we’re safe in the Red Country. There’ll probably be another war. The squirrels can’t fix that. They’re only little. But everyone always wants to conquer the Red Country and nobody ever has. We have a wall and it’s a really good one.”

I twisted my head up to look at him, his plum-colored hair, his amethyst eyes, his stubborn chin. “You have to say what you mean here.”

“I mean I love you. And I mean the infinite squirrels of space and time devoured me to save themselves from annihilation at the hands of a pepper grinder. I can mean both. It’s allowed.”

I kissed Orchid Harm inside the skull of a giant rodent and we knew that we were both thinking about ice cream. The ruby bassoons hooted up from the piazza and scarlet tanagers scattered from the rooftops and a watercolor unicorn told a joke about the way tubas are way down the road but the echoes carried her voice up and up and everywhere. Orchid stopped the kiss first. He pointed to the smooth crimson roof of the eye socket.

A long stripe of gold paint gleamed there.

The Beasts Who

Fought for Fairyland

Until the Very End

and Further Still

Once upon a time, three rather large and unusual creatures grew very tired indeed of fighting, day and night and day again, fighting the same overwhelming and unyielding enemies, fighting with all their large and scaly might, as well as their claws, teeth, flaming breath, and occasionally, walloping rune-carved giant’s hammers they found lying about where others had fallen. Because the sun was setting rosy in the sky, and because they could hardly bear to put one foot in front of the other, and because, at long last, their fates had been tucked firmly into bed and told to stay there or else, these three rather large and unusual beasts sat down upon a rather large and filthy hill in a country called Fairyland. The hill was filthy because a great battle had been fought there. Bronze and wicker and glass armor lay everywhere strewn about. Swords and axes and scissors and needles and a million thousand arrows turned that hill into a pincushion. Each arrow was fletched in feathers that once belonged to immortal birds so wise that if you asked them to tell you the meaning of life, they would have an answer, and it would be short, and easy to understand, and as true as tea. The three creatures sat carefully on their haunches inside a prickly prison of blades and bows and bucklers.

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