Page 16 of Myths of Origin


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“Well, now you’ve done it,” came the reedy voice of the Monkey I had nearly forgotten, hairy arms crossed over his chest. “Do you think you’ve fixed anything?”

I sighed heavily. “I did what they wanted.”

“Of course.” He walked over to the edge of the Board, profile whipped by the Game-movement as by a speeding train. “Do you see what is happening, what you have done? They are Playing their Game, and they will Play as long as they can, every possible Game combination, every conceivable attack and defense. And when they have traced the leaf-Path of every Game that could ever be imagined, it will be over, and they will die. They will Shatter and Splinter and there will be nothing left but a mountain of broken glass. You were right, you carry only Death in your hands, and it is Death you have given them,

its tiny seed wrapped in your crimson smile.”

I wanted to feel pain, but there was nothing. They had asked, begged, even traded. If they died it was their fault. I could not pity them, it was not in me, if it had ever been. We all find our Way here, or we do not. It was not my fault.

“Surely there are many combinations,” I said.

“Yes, more than you can hold in your painted head. But it is a finite number, and when they reach it they will die. As they were, they were immortal. They were missing a thing, and you have not given it to them. They can no more Stop now than they could Begin. You put them in motion, and now the motion eats them whole. But they are no more than they were, it is only that they have traded for a different stagnant swamp. The wretches would not be satisfied. Come, Darlingred, this is a graveyard now, with glass headstones, we should not stay to witness. I do not blame you. It hardly matters whether one thing in the whole lives or dies. But I warned you.”

“What did I see?”

“An image, nothing more. Let it be. Oracles show, they do not interpret. If you let it grow in you, it will consume the delicate madness we have woven to lead us to the Angel, and all will be lost. I warned you. Forget the children and the tree, forget it all. There is no possible retrieval of even a single strand of his hair.”

We walked out across the empty desert, with its ghost of Road, and I stared ahead unmoving, falling though I was standing, yielding not to the radiating image of the Queen’s womb, but in the possession, entirely now, of the Stone within his belly, its promise of seizure and deliverance, and the moon like an epitaph in the black sky. I did not see in that half-light that my body had blushed to a deep, rolling green. I did not see the flush of fecundity, the sheen of willow-leaves covering the surface of me like a mosaic.

I walked like a jade statue, over the dunes and Away.

CANTO

THE THREE

21

My fingers curved like ram’s horns, beryl-green and hard.

Osprey-claws, and how the green, green willow branches of my arms do look black in the sallow moon! How sequence like a tumor pure and white multiplies in my throat. How I must swallow it, the thick mushroom flesh, swallow it all. Downdowndown. How that sensual slither of must snake-coils over my larynx, squeezing—how it all goes and I with it, no more than a wicker raft seeping water like cyanide.

I am Death, oh yes, with my pretty green eyes. I can smell it, oozing from my emerald pores, stink of blood and spent semen, mustard-gas and alleys thick with crooked, greasy pink lipstick, the musky scent of headstones slowly sinking into mud, fingernails disintegrating, bile rising in a thousand throats, sparrows with necks broken like slender arrows, rot of trees, rot of splayed limb, rot of stale whiskey in a rusted flask, worms suckling at breasts blooming like corpse-daffodils, the sickly trail of black milk trickling from a molded nipple. What you smell coming from you when you are Death, when you are dying, when you are exiting your own flesh, stage left, stage right, exeunt, exeunt. The left hand and the right fly apart.

The body becomes all things, the stage and the player and the entrance, the foil tipped in poison and the exit pursued by a bear, the return carrying a severed head, my own pretty severed head trailing cobra-hair and blood of jade, never to be monarch again, Medusa in repose at last. It is the mistaken identity and the lovers united, it is the climax repeated until it is the denouement, the soliloquy of folded hands and pointed toes, act twelve borne on the silver tray of a flat belly. When you are leaving it, how beautiful the platforms and stairs of the body seem, the trick Doors and velvet curtains, the skein painted pastoral and scaffolding of bones, musty costumes hung in the closet on ribcage-rungs, the proscenium arch seems to vault upwards to the damned, the orchestra pit down to the divine. It is all so graceful and well-conceived a creature, so realized a character, fleshed out in all its roles from ingénue to crone, so comfortable a body, so desired, when it is flying away from you like a migratory bird. It is everything, yet I cannot connect to it, I seem to move my legs and hands from a long distance. My sight, unblinking and yawned, remains, the beam of stage-light from blank eyes like grass on a grave.

I want to lean against a tree (a willow, bright and pale, and a boy with the sun in his hair?) and wait for madness and death, pretty sleek hounds worrying my meaty bones between them, gnawing the marrow and howling at the tree-roots. I care for Nothing. Indeed I tend it like a favored rose, nuzzled and cupped a motherly hand around its dark petals, breathed the sharp incense of its exhalations and coaxed them skyward with the ministrations of a patient monk, gardening into eternity with a luminous rake. I pulled out the green shoots of Purpose and Center, held off the marauding winds and ate their fruits, juice dripping from my chin. And now I have lost my charming grail, the woolen Nothingness that warmed me so well.

Am I green now, malachite and woven leaves over rounded shoulders and unpierced heels because of life or death? Because tendrils of red-fruit vines loved my skin, because the wide, furry leaves of violets and spears of rosemary are infatuated with my hair and my knee-caps? Or because mold and decay have dressed me in their ball gown with its plunging neckline, clad my feet in algae-slippers and circled my neck in grave-grass like a string of pearls? I could not say, I could not say. I am so tired, I do not care. And he cannot make me, the golden Beast with stiletto eyes, this little homunculus dogging my steps, snapping at my heels, vomiting words from his long-toothed mouth, vomiting truisms and riddles like tubercular phlegm-blood. He cannot make me, he cannot make me. I am too full of the fat black-palmed baby of my Death to allow him within me, I am too near the coughing morning of its birth. Its teeth join the needles of the Compass, snagging on my womb.

I am within my verdant body as it is within the Labyrinth. We find our Way. The sylph that is “I” is vanishing slowly, a daguerreotype dissolving under a spill of phosphor, image of eyes like stone wells seeping from the page. My body will remain, and the Compass within, magnetized, aborted daughter, but I will be eaten at last by the Labyrinth in a triumphant swallow—I will be a high Wall or a fair-thighed fountain. I will be remade into the flat expanse of the Road, my pointing arm extending into geometric perfection towards the horizon.

And the golden golem Monkey will keep swinging and hooing with his iconic smile, as content to preside over my dissolution as my baptism. As long as he can anoint my colored forehead with oil and announce me to the invisible multitude, corpse or Queen, it matters not. He hates a poor, doomed toy in the desert because it showed me what he would not, because it did not incline its head humbly toward his paw. I hurl my bitterness at his chest like a pistol shot at dawn. Pace off ten steps and fire true.

Ezekiel, Ezekiel, what do you see in the sky? A burning woman, a bullet fired from the mouth of a star, streaming green fire into the sucking earth.

“Darlinggreen,” came his rasping voice like a silver spade in the soil, “You don’t mean that. Hoo.”

22

Oh, I don’t mean anything.

Whether you are here or not matters less than nothing to me. Sun-creature, I never asked you to come. You attach to my flank like a lamprey and want me to love the slow drain of my blood from the wound. Leave me to the copper bit and the foaming mouth, the pulverized teeth and the jaw of frayed wire. Leave me to drown in the rice-fields, when I have become blue again they will eat pearly slivers from the delicate dish of my mouth. Leave me to go mad alone. It is such a private thing.

“I know you are glad of me, it matters nothing what you say,” The Monkey patted my bent head and I simply breathed. There was nothing else my body could manage. Under the curtain of my agate hair I could smell a strangeness growing like a bladed weed, sharp and thick, sweat and smoking bones. Ezekiel tugged on my glowing limbs.

“Visitor,” he murmured.

Through strands and curls like living vines, through my heaving breaths ragged and strangled, I saw now a massive Bear, thickly-furred and broad-headed, lying on his side with a great sucking wound in his flank. He whimpered and bellowed at turns, black blood seeping onto the papery earth. The Monkey scampered up onto the mountain of his hip, examining the gash.

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