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Armand pleased Santino. He memorized the laws, perfected his performance of the ceremonial incantations, the rituals, and the prayers. He saw the greatest Sabbats he was ever to witness. And he learned from the most powerful and skillful and beautiful vampires he was ever to know. He learned so well that he became a missionary sent out to gather the vagrant Children of Darkness into covens, and guide others in the performance of the Sabbat, and the working of the Dark Trick when the world and the flesh and the devil called for it to be done.

In Spain and in Germany and in France, he had taught the Dark Blessings and Dark Rituals, and he had known savage and tenacious Children of Darkness, and dim flames had flared in him in their company and in those moments when the coven surrounded him, comforted by him, deriving its unity from his strength.

He had perfected the act of killing beyond the abilities of all the Children of Darkness that he knew. He had learned to summon those who truly wished to die. He had but to stand near the dwellings of mortals and call silently to see his victim appear.

Old, young, wretched, diseased, the ugly or the beautiful, it did not matter because he did not choose. Dazzling visions he gave, if they should want to receive, but he did not move towards them nor even close his arms around them. Drawn inexorably towards him, it was they who embraced him. And when their warm living flesh touched him, when he opened his lips and felt the blood spill, he knew the only surcease from misery that he could know.

It seemed to him in the best of these moments that his way was profoundly spiritual, uncontaminated by the appetites and confusions that made up the world, despite the carnal rapture of the kill.

In that act the spiritual and the carnal came together, and it was the spiritual, he was convinced, that survived. Holy Communion it seemed to him, the Blood of the Children of Christ serving only to bring the essence of life itself into his understanding for the split second in which death occurred. Only the great saints of God were his equals in this spirituality, this confrontation with mystery, this existence of meditation and denial.

Yet he had seen the greatest of his companions vanish, bring destruction upon themselves, go mad. He had witnessed the inevitable dissolution of covens, seen immortality defeat the most perfectly made Children of Darkness, and it seemed at times some awesome punishment that it never defeated him.

Was he destined to be one of the ancient ones? The Children of the Millennia? Could one believe those stories which persisted still?

Now and then a roaming vampire would speak of the fabled Pandora glimpsed in the far-off Russian city of Moscow, or of Mael living on the bleak English coast. The wanderers told even of Marius -- that he had been seen again in Egypt, or in Greece. But these storytellers had not themselves laid eyes upon the legendary ones. They knew nothing really. These were often-repeated tales.

They did not distract or amuse the obedient servant of Satan. In quiet allegiance to the Dark Ways, Armand continued to serve.

Yet in the centuries of his long obedience, Armand kept two secrets to himself. These were his property, these secrets, more purely his than the coffin in which he locked himself by day, or the few amulets he wore.

The first was that no matter how great his loneliness, or how long the search for brothers and sisters in whom he might find some comfort, he never worked the Dark Trick himself. He wouldn't give that to Satan, no Child of Darkness made by him.

And the other secret, which he kept from his followers for their sake, was simply the extent of his ever deepening despair.

That he craved nothing, cherished nothing, believed nothing finally, and took not one particle of pleasure in his ever increasing and awesome powers, and existed from moment to moment in a void broken once every night of his eternal life by the kill -- that secret he had kept from them as long as they had needed him and it had been possible to lead them because his fear would have made them afraid.

But it was finished.

A great cycle had ended, and even years ago he had felt it closing without understanding it was a cycle at all.

From Rome there came the garbled travelers' accounts, old when they were told to him, that the leader, Santino, had abandoned his flock. Some said he had gone mad into the countryside, others that he had leapt into the fire, others that "the world" had swallowed him, that he had been borne off in a black coach with mortals never to be seen again.

"We go into the fire or we go into legend," said a teller of the tale.

Then came accounts of chaos in Rome, of dozens of leaders who put on the black hood and the black robes to preside over the coven. And then it seemed there were none.

Since the year 1700 there had been no word anymore from Italy. For half a century Armand had not been able to trust to his passion or that of the others around him to create the frenzy of the true Sabbat. And he had dreamed of his old Master, Marius, in those rich robes of red velvet, and seen the palazzo full of vibrant paintings, and he had been afraid.

Then another had come.

H

is children rushed down into the cellars beneath les Innocents to describe to him this new vampire, who wore a furlined cloak of red velvet and could profane the churches and strike down those who wore crosses and walk in the places of light. Red velvet. It was mere coincidence, and yet it maddened him and seemed an insult to him, a gratuitous pain that his soul couldn't bear.

And then the woman had been made, the woman with the hair of a lion and the name of an angel, beautiful and powerful as her son.

And he had come up the stairway out of the catacomb, leading the band against us, as the hooded ones had come to destroy him and his Master in Venice centuries before.

And it had failed.

He stood dressed in these strange lace and brocade garments. He carried coins in his pockets. His mind swam with images from the thousands of books he had read. And he felt himself pierced with all he had witnessed in the places of light in the great city called Paris, and it was as if he could hear his old Master whispering in his ear:

But a millennium of nights will be yours to see light as no mortal has ever seen it, to snatch from the distant stars as if you were Prometheus an endless illumination in which to understand all things.

"All things have eluded my understanding," he said. "I am as one whom the earth has given back, and you, Lestat and Gabrielle, are like the images painted by my old Master in cerulean and carmine and gold. "

He stood still in the doorway, his hands on the backs of his arms, and he was looking at us, asking silently:

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