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At Damascus, Eleni's answer was waiting for me.
He despises you as much as ever. When we suggest that perhaps he should go to you, he laughs and laughs. I tell you these things not to haunt you but to let you know that we do our utmost to protect this child who should never have been Born to Darkness. He is overwhelmed by his powers, dazzled and maddened by his vision. We have seen it all and its sorry finish before.
Yet he has written his greatest play this last month. The marionette dancers, sans strings for this one, are, in the flower of their youth, struck down by a pestilence and laid beneath tombstones and flower wreaths to rest. The priest weeps over them before he goes away. But a young violinist magician comes to the cemetery. And by means of his music makes them rise. As vampires dressed all in black silk ruffles and black satin ribbons, they come out of the graves, dancing merrily as they follow the violinist towards Paris, a beautifully rendered painting on the scrim. The crowd positively roars. I tell you we could feast on mortal victims on the stage and the Parisians, thinking it all the most novel illusion, would only cheer.
There was also a frightening letter from Roget:
Paris was in the grip of revolutionary madness. King Louis had been forced to recognize the National Assembly. The people of all classes were uniting against him as never before. Roget had sent a messenger south to see my family and try to determine the revolutionary mood in the countryside for himself.
I answered both letters with all the predictable concern and all the predictable feeling of helplessness.
But as I sent my belongings on to Cairo, I had the dread that all those things upon which I depended were in danger. Outwardly, I was unchanged as I continued my masquerade as the traveling gentleman; inwardly the demon hunter of the crooked back streets was silently and secretly lost.
Of course I told myself that it was important to go south to Egypt, that Egypt was a land of ancient grandeur and timeless marvels, that Egypt would enchant me and make me forget the things happening in Paris which I was powerless to change.
But there was a connection in my mind. Egypt, more than any other land the world over, was a place in love with death.
Finally Gabrielle came like a spirit out of the Arabian desert, and together we set sail.
It was almost a month before we reached Cairo, and when I found my belongings waiting for me in the European hostelry there was a strange package there.
I recognized Eleni's writing immediately, but I could not think why she would send me a package and I stared at the thing for a full quarter of an hour, my mind as blank as it had ever been.
There was not a word from Roget.
Why hasn't Roget written to me, I thought. What is this package? Why is it here?
At last I realized that for an hour I had been sitting in a room with a lot of trunks and packing cases and staring at a package and that Gabrielle, who had not seen fit to vanish yet, was merely watching me.
"Would you go out?" I whispered.
"If you wish," she said.
It was important to open this, yes, to open it and find out what it was. Yet it seemed just as important for me to look around the barren little room and imagine that it was a room in a village inn in the Auvergne.
"I had a dream about you," I said aloud, glancing at the package. "I dreamed that we were moving through the world together, you and I, and we were both serene and strong. I dreamed we fed on the evildoer as Marius had done, and as we looked about ourselves we felt awe and sorrow at the mysteries we beheld. But we were strong. We would go on forever. And we talked. `Our conversation' went on and on. "
I tore back the wrapping and saw the case of the Stradivarius violin.
I went to say something again, just to myself, but my throat closed. And my mind couldn't carry out the words on its own. I reached for the letter which had slipped to one side over the polished wood.
It has come to the worst, as I feared. Our Oldest Friend, maddened by the excesses of Our Violinist, finally imprisoned him in your old residence. And though his violin was given him in his cell, his hands were taken away.
But understand that with us, such appendages can always be restored. And the appendages in question were kept safe by Our Oldest Friend, who allowed our wounded one no sustenance for rave nights.
Finally, after the entire troupe had prevailed upon Our Oldest Friend to release N. and give back to him all that was his, it was done.
But N. , maddened by the pain and the starvation, for this can alter the temperament completely, slipped into unbreakable silence and remained so for a considerable length of time.
At last he came to us and spoke only to tell us that in the manner of a mortal he had put in order his business affairs. A stack of freshly written plays was ours to have. And we must call together for him somewhere in the countryside the ancient Sabbat with its customary blaze. If we did not, then he would make the theater his funeral pyre.
Our Oldest Friend solemnly granted his wish and you have never seen such a Sabbat as this, for I think we looked all the more hellish in our wigs and fine clothes, our black ruffled vampire dancing costumes, forming the old circle, singing with an actor's bravado the old chants.
"We should have done it on the boulevard," he said. "But here, send
this on to my maker," and he put the violin in my hands. We began to dance, all of us, to induce the customary frenzy, and I think we were never more moved, never more in terror, never more sad. He went into the flames.
I know how this news will affect you. But understand we did all that we could to prevent what occurred. Our Oldest Friend was bitter and grieved. And I think you should know that when we returned to Paris, we discovered that N. had ordered the theater to be named officially the Theater of the Vampires and these words had already been painted on the front. As his best plays have always included vampires and werewolves and other such supernatural creatures, the public thinks the new title very amusing, and no one has moved to change it. It is merely clever in the Paris of these times.
